Introduction

March had come in like a lion, raging, turbulent. Throughout the day the wind had torn spitefully at the yet bare branches of the great elms in the park; it had rushed in insensate fury round the walls of the big grey house; it had driven the rain lashing against the windows. It had sent the few remaining leaves of the old year scudding up the drive; it had littered the lawns with fragments of broken twigs; it had beaten yellow and purple crocuses prostrate to the brown earth.

Against the distant rocky coast the sea had boomed like the muffled thunder of guns; it had flung itself upon the beach, dragging the stones back with it in each receding wave, their grinding adding to the crash of the waters. Nature had been in her wildest mood, a thing of mad fury.

With sundown a calm had fallen. The wind, tired of its onslaught, had sunk suddenly to rest. Only the sea beat and moaned sullenly against the cliffs, as if unwilling to subdue its anger. Yet, for all that, a note of fatigue had entered its voice.

An old man was sitting in the library of the big grey house. A shaded reading lamp stood on a small table near his elbow. The light was thrown upon an open book lying near it, and on the carved arms of the oak chair in which the man was sitting. It shone clearly on his bloodless old hands, on his parchment-like face, and white hair. A log fire was burning in a great open hearth on his right. For the rest, the room was a place of shadows, deepening to gloom in the distant corners, a gloom emphasized by the one small circle of brilliant light, and the red glow of the fire. Book-cases reached from floor to ceiling the whole length of two walls, and between the three thickly curtained windows of the third. In the fourth wall were the fireplace and the door.

There was no sound to break the silence. The figure in the oak chair sat motionless. He might have been carved out of stone, for any sign of life he gave. He looked like stone,—white and black marble very finely sculptured,—white marble in head and hands, black marble in the piercing eyes, the long satin dressing-gown, the oak of the big chair. Even his eyes seemed stone-like, motionless, and fixed thoughtfully on space.

To those perceptive of "atmosphere" there is a subtle difference in silence. There is the silence of woods, the silence of plains, the silence of death, the silence of sleep, and the silence of wakefulness. This silence was the last named. It was a silence alert, alive, yet very still.

A slight movement in the room, so slight as to be almost imperceptible, roused him to the present. Life sprang to his eyes, puzzled, questioning; his body motionless, they turned towards the middle window of the three, from whence the movement appeared to have come. It was not repeated. The old utter silence lay upon the place; yet Nicholas Danver kept his eyes upon the curtain.

"Well?" said Nicholas watching the man keenly. "By the way, I suppose you know I am entirely at your mercy. I could ring this bell," he indicated an electric button attached to the arm of his chair, "but I suppose it would be at least three minutes before any one came. Yes," he continued thoughtfully, "allowing for the distance from the servants' quarters, I should say it would be at least three minutes. You could get through a fair amount of business in three minutes. Was it the candlesticks you wanted?" He looked towards a pair of solid silver candlesticks on the mantelpiece. "They are cumbersome, you know. Or the miniatures? There are three Cosways and four Engleharts. I should recommend the miniatures."

"Indeed!" Nicholas's white eyebrows rose the fraction of an inch above his keen old eyes. "An unusual hour for a visit, and—an unusual entrance, if I might make the suggestion."

"We know that too, sir, and we know the way it is conducted. It's an iron hand, and a heart like flint. It's pay or go, and not an hour's grace."

"No, sir. But where a few weeks would make all the difference to a man, where it's a matter of a few shillings standing between home and the roadside—" he broke off.

"I thought perhaps a word to you, sir," went on the man half wistfully. "We're to go to-morrow if I can't pay, and I can't. A couple of weeks might have made all the difference. It was for the wife I came, sneaking up here like a thief. She's lost two little ones; they never but opened their eyes on the world to shut them again. I'm glad on it now. But women aren't made that way. There's another coming. She's not strong. I doubt but the shock'll not take her and the little one too. Better for them both if it does. A man can face odds, and remake his life if he is a man—" he stopped.

"I was a fool to come," said the man drearily. "'Twas the weather did it in the end. I'd gone mad-like listening to the wind and rain, and thinking of her and the child that was to be—" again he stopped.

"Her son got into a bit of trouble, sir. It was a matter of a sovereign or going to gaol. He's only a youngster, and the prison smell sticks. Trust folk for nosing it out. He's got a chance now, and will be sending his mother a trifle presently."

"It just meant a bit extra saved from each week," he said eagerly. "You can do it if you've time. Boiling water poured into the morning teapot for evenings, and knock off your bit of bacon, and—well, there's lots of ways, sir, and women is wonderful folk for managing, the best ones. Where it's thought and trouble they'll do it, and they'd be using strength too if they'd got it, but some of them hasn't."

"Hmm," said Nicholas. He put up his hand to his mouth. "So you gave money you knew would never be repaid, knowing, too, that it meant possible homelessness."

"Should I?" said Nicholas half ironically. "I very much doubt it. Also what right had you to gamble with your wife's happiness? You knew the risk you ran. You knew the—er, the rule regarding the rents. Job Grantley, you were a fool."

"May be, sir. I'll allow it sounds foolishness, but—oh Lord, sir, where's the use o' back-thinking now. I reckon you'd never do a hand's turn for nobody if you spent your time looking backward and forrard at your jobs." He stopped, his chin quivering.

"Humph. Not much to stand between you and—hell. I've no doubt you did consider it hell. We each have our own interpretation of that cheerful abode."

"Now look here," he said suddenly, "there's five pounds. It's for yourselves, mind. No more indiscriminate bestowal of charity, you understand. You begin your charity at home. Do you follow me?"

"Damn you," broke in Nicholas softly, "who talked about repayment? Can't I make a present as well as you, if I like? Besides I owe you something for this ten minutes. They have been interesting. I don't get too many excitements. That'll do. I don't want any thanks. Be off with you. Better go by the window. There might be a need of explanations if you tried a more conventional mode of exit now. That'll do, that'll do. Go, man."

Ten minutes later he pressed the electric button attached to the arm of his chair. His eyes were on his watch which he held in his hand. As the library door opened, he replaced it in his pocket.

The man who entered was about fifty years of age, or thereabouts, grey-haired, clean-shaven. His face was cast in the rigid lines peculiar to his calling. Possibly they relaxed when with his own kind, but one could not feel certain of the fact.

"I see." Nicholas's fingers were beating a light tattoo on the arm of his chair. "Well, those are my orders. That will do. You needn't come again till I ring."

The curtains had been drawn when Nicholas had been carried into the room. The knowledge, for a man unable to move from his chair, seemed little short of uncanny.

A little scene, barely ten days old, reconstructed itself in his memory. The stage was the one he now occupied; the position the same. But another actor was present, a big rugged man, clad in a shabby overcoat,—a man with keen eyes, a grim mouth, and flexible sensitive hands.

The man had looked past him as he spoke the words. He had had his back to the light, but Nicholas had seen something almost inscrutable in his expression.

"Listen," he had said. "For fifteen years you have lived the life of a recluse—a useless recluse, mind you. And why? Because of pride,—sheer pride. Those who had known you in the strength of your manhood, those who had known you as Nick the dare-devil, should never see the broken cripple. Pride forbade it. You preferred to run to cover, to lie hidden there like a wounded beast, rather than face, like a man, the odds that were against you,—heavy odds, I'll allow."

"Damn the fellow," he had said as the door had closed behind him. But the very truth of the words had left a wound,—a clean-cut wound however. There was never any bungling where Doctor Hilary was concerned.

"Confound both the men," he muttered. "But the fellow deserved the five pounds. It was the first interest I've had for fifteen years. The kind of entrance I'd have made myself, too; or perhaps mine would have been even a bit more unusual, eh, Nick the dare-devil!"

It was the old name again. He had never earned it through the least malice, however. Fool-hardiness perhaps, added to indomitable high spirits and good health, but malice, never.

How Father O'Brady had chuckled over the prank that had first earned him the title,—the holding up of the coach that ran between Byestry and Kingsleigh, Nick at the head of a band of half a dozen young scapegraces clad in black masks and huge hats, and armed with old pistols purloined from the historic gun-room of the old Hall! It had been a leaf from the book of Claude Duval with a slight difference.

Nick had re-acted the scene for him. He was an inimitable mimic. He had taken off old Lady Fanshawe's cackling fright to the life. As the stoutest and oldest dowager of the lot he had obliged her to dance a minuet with him, the terrified coachman, postilion, and solitary male passenger covered by his companions' pistols the while. The fluttered younger occupants of the coach had frankly envied the terrified dowager, yet Nick had bestowed but the most perfunctory of glances upon them, and that for a reason best known to himself.

Later the truth of the affair had leaked out, and Lady Fanshawe could never chaperon one of her numerous nieces to a ball, without being besieged by young men imploring the favour of a dance. Being a sporting old lady—when not out of her wits with terror—she had taken it all in good part. Once, even, she had danced the very same minuet with Nick, the whole ballroom looking on and applauding.

The world, namely the small circle in which Cecilia and Nick moved, had heard of the marriage with amazement. If Nick was amazed he did not show it, but his pranks held less of gaiety, more of a grim foolhardiness. Father O'Brady no longer chuckled over their recitation. Maybe because they mainly reached his ears from outside sources. Nick, who was not of his fold, seldom sought his society in these days. Later he heard them not at all, being removed to another mission.

And then, at last, came the day when Nick played his final prank in the hunting field,—his maddest prank, in which Baccarat failed him. The horse was shot where he lay. His rider was carried home half dead; and half dead, literally, he had been for fifteen years.

His brain was extraordinarily alert. There was a dawning humour waking in his eyes, a hint of the bygone years' devil-may-careness. The old Nick was stirring within him, roused by the little blows of that sentence.

It was characteristic of Nicholas to forget his own share in that little ten-day-old scene. Also it may be safely averred that Doctor Hilary would be equally forgetful.

Nicholas still sat gazing into the fire, chuckling every now and then to himself. It was midnight before he rang for Jessop. The ringing had been preceded by one short sentence.