Part 5

Amidst this cold obscurity, there was one brilliant circumstance to cheer him; he was well acquainted with Mr. Henry Hervey, one of the branches of the noble family of that name, who had been quartered at Lichfield as an officer of the army, and had at this time a house in London, where Johnson was frequently entertained, and had an opportunity of meeting genteel company. Not very long before his death, he mentioned this, among other particulars of his life, which he was kindly communicating to me; and he described this early friend, 'Harry Hervey,' thus: 'He was a vicious man, but very kind to me. If you call a dog HERVEY, I shall love him.'

He told me he had now written only three acts of his Irene, and that he retired for some time to lodgings at Greenwich, where he proceeded in it somewhat further, and used to compose, walking in the Park; but did not stay long enough at that place to finish it.

In the course of the summer he returned to Lichfield, where he had left Mrs. Johnson, and there he at last finished his tragedy, which was not executed with his rapidity of composition upon other occasions, but was slowly and painfully elaborated. A few days before his death, while burning a great mass of papers, he picked out from among them the original unformed sketch of this tragedy, in his own hand-writing, and gave it to Mr. Langton, by whose favour a copy of it is now in my possession.

Johnson's residence at Lichfield, on his return to it at this time, was only for three months; and as he had as yet seen but a small part of the wonders of the Metropolis, he had little to tell his townsmen. He related to me the following minute anecdote of this period: 'In the last age, when my mother lived in London, there were two sets of people, those who gave the wall, and those who took it; the peaceable and the quarrelsome. When I returned to Lichfield, after having been in London, my mother asked me, whether I was one of those who gave the wall, or those who took it. NOW it is fixed that every man keeps to the right; or, if one is taking the wall, another yields it; and it is never a dispute.'

He now removed to London with Mrs. Johnson; but her daughter, who had lived with them at Edial, was left with her relations in the country. His lodgings were for some time in Woodstock-street, near Hanover-square, and afterwards in Castle-street, near Cavendish-square.

His tragedy being by this time, as he thought, completely finished and fit for the stage, he was very desirous that it should be brought forward. Mr. Peter Garrick told me, that Johnson and he went together to the Fountain tavern, and read it over, and that he afterwards solicited Mr. Fleetwood, the patentee of Drury-lane theatre, to have it acted at his house; but Mr. Fleetwood would not accept it, probably because it was not patronized by some man of high rank; and it was not acted till 1749, when his friend David Garrick was manager of that theatre.

The Gentleman's Magazine, begun and carried on by Mr. Edward Cave, under the name of SYLVANUS URBAN, had attracted the notice and esteem of Johnson, in an eminent degree, before he came to London as an adventurer in literature. He told me, that when he first saw St. John's Gate, the place where that deservedly popular miscellany was originally printed, he 'beheld it with reverence.'

It appears that he was now enlisted by Mr. Cave as a regular coadjutor in his magazine, by which he probably obtained a tolerable livelihood. At what time, or by what means, he had acquired a competent knowledge both of French and Italian, I do not know; but he was so well skilled in them, as to be sufficiently qualified for a translator. That part of his labour which consisted in emendation and improvement of the productions of other contributors, like that employed in levelling ground, can be perceived only by those who had an opportunity of comparing the original with the altered copy. What we certainly know to have been done by him in this way, was the Debates in both houses of Parliament, under the name of 'The Senate of Lilliput,' sometimes with feigned denominations of the several speakers, sometimes with denominations formed of the letters of their real names, in the manner of what is called anagram, so that they might easily be decyphered. Parliament then kept the press in a kind of mysterious awe, which made it necessary to have recourse to such devices. In our time it has acquired an unrestrained freedom, so that the people in all parts of the kingdom have a fair, open, and exact report of the actual proceedings of their representatives and legislators, which in our constitution is highly to be valued; though, unquestionably, there has of late been too much reason to complain of the petulance with which obscure scribblers have presumed to treat men of the most respectable character and situation.

This important article of the Gentlemen's Magazine was, for several years, executed by Mr. William Guthrie, a man who deserves to be respectably recorded in the literary annals of this country. The debates in Parliament, which were brought home and digested by Guthrie, whose memory, though surpassed by others who have since followed him in the same department, was yet very quick and tenacious, were sent by Cave to Johnson for his revision; and, after some time, when Guthrie had attained to greater variety of employment, and the speeches were more and more enriched by the accession of Johnson's genius, it was resolved that he should do the whole himself, from the scanty notes furnished by persons employed to attend in both houses of Parliament. Sometimes, however, as he himself told me, he had nothing more communicated to him than the names of the several speakers, and the part which they had taken in the debate.

Johnson later told Boswell that 'as soon as he found that the speeches were thought genuine he determined that he would write no more of them: for "he would not be accessary to the propagation of falsehood." And such was the tenderness of his conscience, that a short time before his death he expressed his regret for his having been the authour of fictions which had passed for realities.'—Ed.

But what first displayed his transcendent powers, and 'gave the world assurance of the MAN,' was his London, a Poem, in Imitation of the Third Satire of Juvenal: which came out in May this year, and burst forth with a splendour, the rays of which will for ever encircle his name. Boileau had imitated the same satire with great success, applying it to Paris; but an attentive comparison will satisfy every reader, that he is much excelled by the English Juvenal. Oldham had also imitated it, and applied it to London; all which performances concur to prove, that great cities, in every age, and in every country, will furnish similar topicks of satire. Whether Johnson had previously read Oldham's imitation, I do not know; but it is not a little remarkable, that there is scarcely any coincidence found between the two performances, though upon the very same subject.

Johnson's London was published in May, 1738; and it is remarkable, that it came out on the same morning with Pope's satire, entitled '1738;' so that England had at once its Juvenal and Horace as poetical monitors. The Reverend Dr. Douglas, now Bishop of Salisbury, to whom I am indebted for some obliging communications, was then a student at Oxford, and remembers well the effect which London produced. Every body was delighted with it; and there being no name to it, the first buz of the literary circles was 'here is an unknown poet, greater even than Pope.' And it is recorded in the Gentleman's Magazine of that year, that it 'got to the second edition in the course of a week.'

One of the warmest patrons of this poem on its first appearance was General Oglethorpe, whose 'strong benevolence of soul,' was unabated during the course of a very long life; though it is painful to think, that he had but too much reason to become cold and callous, and discontented with the world, from the neglect which he experienced of his publick and private worth, by those in whose power it was to gratify so gallant a veteran with marks of distinction. This extraordinary person was as remarkable for his learning and taste, as for his other eminent qualities; and no man was more prompt, active, and generous, in encouraging merit. I have heard Johnson gratefully acknowledge, in his presence, the kind and effectual support which he gave to his London, though unacquainted with its authour.

Pope, who then filled the poetical throne without a rival, it may reasonably be presumed, must have been particularly struck by the sudden appearance of such a poet; and, to his credit, let it be remembered, that his feelings and conduct on the occasion were candid and liberal. He requested Mr. Richardson, son of the painter, to endeavour to find out who this new authour was. Mr. Richardson, after some inquiry, having informed him that he had discovered only that his name was Johnson, and that he was some obscure man, Pope said; 'he will soon be deterre.' We shall presently see, from a note written by Pope, that he was himself afterwards more successful in his inquiries than his friend.

While we admire the poetical excellence of this poem, candour obliges us to allow, that the flame of patriotism and zeal for popular resistance with which it is fraught, had no just cause. There was, in truth, no 'oppression;' the 'nation' was NOT 'cheated.' Sir Robert Walpole was a wise and a benevolent minister, who thought that the happiness and prosperity of a commercial country like ours, would be best promoted by peace, which he accordingly maintained, with credit, during a very long period. Johnson himself afterwards honestly acknowledged the merit of Walpole, whom he called 'a fixed star;' while he characterised his opponent, Pitt, as 'a meteor.' But Johnson's juvenile poem was naturally impregnated with the fire of opposition, and upon every account was universally admired.

Though thus elevated into fame, and conscious of uncommon powers, he had not that bustling confidence, or, I may rather say, that animated ambition, which one might have supposed would have urged him to endeavour at rising in life. But such was his inflexible dignity of character, that he could not stoop to court the great; without which, hardly any man has made his way to a high station. He could not expect to produce many such works as his London, and he felt the hardships of writing for bread; he was, therefore, willing to resume the office of a schoolmaster, so as to have a sure, though moderate income for his life; and an offer being made to him of the mastership of a school, provided he could obtain the degree of Master of Arts, Dr. Adams was applied to, by a common friend, to know whether that could be granted him as a favour from the University of Oxford. But though he had made such a figure in the literary world, it was then thought too great a favour to be asked.

Pope, without any knowledge of him but from his London, recommended him to Earl Gower, who endeavoured to procure for him a degree from Dublin.

It was, perhaps, no small disappointment to Johnson that this respectable application had not the desired effect; yet how much reason has there been, both for himself and his country, to rejoice that it did not succeed, as he might probably have wasted in obscurity those hours in which he afterwards produced his incomparable works.

About this time he made one other effort to emancipate himself from the drudgery of authourship. He applied to Dr. Adams, to consult Dr. Smalbroke of the Commons, whether a person might be permitted to practice as an advocate there, without a doctor's degree in Civil Law. 'I am (said he) a total stranger to these studies; but whatever is a profession, and maintains numbers, must be within the reach of common abilities, and some degree of industry.' Dr. Adams was much pleased with Johnson's design to employ his talents in that manner, being confident he would have attained to great eminence.

As Mr. Pope's note concerning Johnson, alluded to in a former page, refers both to his London, and his Marmor Norfolciense, I have deferred inserting it till now. I am indebted for it to Dr. Percy, the Bishop of Dromore, who permitted me to copy it from the original in his possession. It was presented to his Lordship by Sir Joshua Reynolds, to whom it was given by the son of Mr. Richardson the painter, the person to whom it is addressed. I have transcribed it with minute exactness, that the peculiar mode of writing, and imperfect spelling of that celebrated poet, may be exhibited to the curious in literature. It justifies Swift's epithet of 'Paper-sparing Pope,' for it is written on a slip no larger than a common message-card, and was sent to Mr. Richardson, along with the Imitation of Juvenal.

'This is imitated by one Johnson who put in for a Publick-school in Shropshire, but was disappointed. He has an infirmity of the convulsive kind, that attacks him sometimes, so as to make him a sad Spectacle. Mr. P. from the Merit of this Work which was all the knowledge he had of him endeavour'd to serve him without his own application; & wrote to my Ld gore, but he did not succeed. Mr. Johnson published afterwds another Poem in Latin with Notes the whole very Humerous call'd the Norfolk Prophecy. P.'

Johnson had been told of this note; and Sir Joshua Reynolds informed him of the compliment which it contained, but, from delicacy, avoided shewing him the paper itself. When Sir Joshua observed to Johnson that he seemed very desirous to see Pope's note, he answered, 'Who would not be proud to have such a man as Pope so solicitous in inquiring about him?'

The infirmity to which Mr. Pope alludes, appeared to me also, as I have elsewhere observed, to be of the convulsive kind, and of the nature of that distemper called St. Vitus's dance; and in this opinion I am confirmed by the description which Sydenham gives of that disease. 'This disorder is a kind of convulsion. It manifests itself by halting or unsteadiness of one of the legs, which the patient draws after him like an ideot. If the hand of the same side be applied to the breast, or any other part of the body, he cannot keep it a moment in the same posture, but it will be drawn into a different one by a convulsion, notwithstanding all his efforts to the contrary.' Sir Joshua Reynolds, however, was of a different opinion, and favoured me with the following paper.

'Those motions or tricks of Dr. Johnson are improperly called convulsions. He could sit motionless, when he was told so to do, as well as any other man; my opinion is that it proceeded from a habit which he had indulged himself in, of accompanying his thoughts with certain untoward actions, and those actions always appeared to me as if they were meant to reprobate some part of his past conduct. Whenever he was not engaged in conversation, such thoughts were sure to rush into his mind; and, for this reason, any company, any employment whatever, he preferred to being alone. The great business of his life (he said) was to escape from himself; this disposition he considered as the disease of his mind, which nothing cured but company.

'One instance of his absence and particularity, as it is characteristick of the man, may be worth relating. When he and I took a journey together into the West, we visited the late Mr. Banks, of Dorsetshire; the conversation turning upon pictures, which Johnson could not well see, he retired to a corner of the room, stretching out his right leg as far as he could reach before him, then bringing up his left leg, and stretching his right still further on. The old gentleman observing him, went up to him, and in a very courteous manner assured him, that though it was not a new house, the flooring was perfectly safe. The Doctor started from his reverie, like a person waked out of his sleep, but spoke not a word.'

While we are on this subject, my readers may not be displeased with another anecdote, communicated to me by the same friend, from the relation of Mr. Hogarth.

Johnson used to be a pretty frequent visitor at the house of Mr. Richardson, authour of Clarissa, and other novels of extensive reputation. Mr. Hogarth came one day to see Richardson, soon after the execution of Dr. Cameron, for having taken arms for the house of Stuart in 1745-6; and being a warm partisan of George the Second, he observed to Richardson, that certainly there must have been some very unfavourable circumstances lately discovered in this particular case, which had induced the King to approve of an execution for rebellion so long after the time when it was committed, as this had the appearance of putting a man to death in cold blood, and was very unlike his Majesty's usual clemency. While he was talking, he perceived a person standing at a window in the room, shaking his head, and rolling himself about in a strange ridiculous manner. He concluded that he was an ideot, whom his relations had put under the care of Mr. Richardson, as a very good man. To his great surprise, however, this figure stalked forwards to where he and Mr. Richardson were sitting, and all at once took up the argument, and burst out into an invective against George the Second, as one, who, upon all occasions was unrelenting and barbarous; mentioning many instances, particularly, that when an officer of high rank had been acquitted by a Court Martial, George the Second had with his own hand, struck his name off the list. In short, he displayed such a power of eloquence, that Hogarth looked at him with astonishment, and actually imagined that this ideot had been at the moment inspired. Neither Hogarth nor Johnson were made known to each other at this interview.

1740: AETAT. 31.]—In 1740 he wrote for the Gentleman's Magazine the 'Preface,' 'Life of Sir Francis Drake,' and the first parts of those of 'Admiral Blake,' and of 'Philip Baretier,' both which he finished the following year. He also wrote an 'Essay on Epitaphs,' and an 'Epitaph on Philips, a Musician,' which was afterwards published with some other pieces of his, in Mrs. Williams's Miscellanies. This Epitaph is so exquisitely beautiful, that I remember even Lord Kames, strangely prejudiced as he was against Dr. Johnson, was compelled to allow it very high praise. It has been ascribed to Mr. Garrick, from its appearing at first with the signature G; but I have heard Mr. Garrick declare, that it was written by Dr. Johnson, and give the following account of the manner in which it was composed. Johnson and he were sitting together; when, amongst other things, Garrick repeated an Epitaph upon this Philips by a Dr. Wilkes, in these words:

'Exalted soul! whose harmony could please The love-sick virgin, and the gouty ease; Could jarring discord, like Amphion, move To beauteous order and harmonious love; Rest here in peace, till angels bid thee rise, And meet thy blessed Saviour in the skies.'

Johnson shook his head at these common-place funereal lines, and said to Garrick, 'I think, Davy, I can make a better.' Then, stirring about his tea for a little while, in a state of meditation, he almost extempore produced the following verses:

'Philips, whose touch harmonious could remove The pangs of guilty power or hapless love; Rest here, distress'd by poverty no more, Here find that calm thou gav'st so oft before; Sleep, undisturb'd, within this peaceful shrine, Till angels wake thee with a note like thine!'

1742: AETAT. 33.]—In 1742 he wrote . . . 'Proposals for Printing Bibliotheca Harleiana, or a Catalogue of the Library of the Earl of Oxford.' He was employed in this business by Mr. Thomas Osborne the bookseller, who purchased the library for 13,000l., a sum which Mr. Oldys says, in one of his manuscripts, was not more than the binding of the books had cost; yet, as Dr. Johnson assured me, the slowness of the sale was such, that there was not much gained by it. It has been confidently related, with many embellishments, that Johnson one day knocked Osborne down in his shop, with a folio, and put his foot upon his neck. The simple truth I had from Johnson himself. 'Sir, he was impertinent to me, and I beat him. But it was not in his shop: it was in my own chamber.'