Critical and Historical Essays: Lectures delivered at Columbia University · Edward MacDowell

Chapter 100

Chapter 23 of 25 · 2 min read

Caccini, 177, 209. Cachucha, 182. Canon, 205. Cantata, 188. Cantus firmus, 130, 205. Ceylon, 5. Chaconne, 181. Chaldeans, 49. Charlemagne, 105. Che, 50, 66. Cherubini, 213. China, 16, 18, 23, 49. Chinese folksong, 59. Chinese music, 144, 147, 263. Chinese orchestra, 55. Chinese scale, 62. Chinese theatre, 61. Chopin, 27, 204. Christianity, 34. Christians (Early), 96. Chrotta (Crwth), 137. Church music, 206. Clarinet, 13, 139. Clavichord, 134. Clavicitherium, 136. Clef, 116. Colour in music, 200, 263, 270. Comedy, 76. Confucius, 49, 56, 60, 263. Conjunct tetrachord, 86. Constantinople, 103. Corelli, 138, 189. Cornet, 177. Corrente (Courante), 181, 185, 189. Coucy, Raoul de, 118. Council of Laodicaea, 99. Council of Trent, 176. Counterpoint, 129, 205, 208, 264. Couperin, 136, 191, 200, 210. Cristofori, 136. Czardas, 183.

D.

Dactyl, 25, 26, 69, 75. Dance, 24, 27, 28, 78, 97, 126, 149, 178. Dance forms, modern, 182. Dance forms, old, 179, 180. Dante, 207. Darwin, 1, 16. Declamation, 26, 27, 254. Delibes, 218. Descant (discant), 129, 205. Diaphony, 128, 129. Diatonic, 45. Didymus, 81. Dionysian, 75. Disjunct tetrachord, 86. Dithyramb, 76. Donizetti, 210. Dorian, 75, 83. Drum, 4, 6, 7, 8, 9, 10, 11, 12, 25, 30, 33. Drum organ, 65. Dulcimer, 33, 49, 136.

E.

Egypt, 16, 34, 43, 152. Emerson, 16. Embellishments, 238. Enharmonic (Greek), 88. Epitrite, 75. Equal temperament, 187, 241. Euclid, 79.

F.

Fantaisie-mazurka, 184. Faux bourdon, 130, 163. Fear, 2. Feast of asses, 125, 206. Field, 204. Figured bass, 237. Flageolet, 177. Flats, 16, 39, 112. Flute, 6, 13, 30, 31, 43, 44, 45, 67, 82, 138, 177. Flute players, 91. Folk song, 16, 17, 141. Folk song (Chinese), 59. Folk song (German), 152. Form, 24, 25, 263, 264. Fourth (augmented), 128. Franco of Cologne, 117, 123. Frauenlob, Heinrich, 167, 168. Froberger, 199. Fugue, 187, 206. Fusa, 120.

G.

Galop, 183. Galuppi, 198. Gamut, 109. Gardiner, 19. Gavotte, 180. Gerbert, 16, 225. Gesture, 17. Gesualdo, 236. Gigue, 182, 189, 197. Gluck, 210, 212, 213, 214, 215, 231, 252. Goethe, 1, 22. Goldmark, 271. Gong, 8, 53. Gothic architecture, 21. Gottfried von Strasburg, 165. Gounod, 217, 219, 220. Greek idea of music, 70. Greek modes, 83. Greeks, 27, 30, 42. Gregorian chants, 104, 106, 208. Gregorian modes, 100. Gregory (Pope), 100, 102, 104. Gretry, 213, 218. Guarnerius, 138. Guido d'Arezzo, 108, 115. Guitar, 6, 29. Gypsy music, 145.

H.

Habanera, 182. Hale, Adam de la, 207. Halevy, 217. Hamlet, 197. Haendel, 22, 177, 231, 239, 241. Harmonics, 20, 80. Harmony, 23, 39, 44, 147, 190, 208, 270. Harp, 6, 29, 33, 43, 44, 45, 48, 177. Harpsichord, 134. Hasse, 210, 227, 229, 230. Haydn, 193, 197, 200, 247, 248, 252. Hebrews, 32, 33, 34. Helmholtz, 42. Herodotus, 43, 46, 47. Herold, 216, 217. Hexachord, 110. Hexameter, 69. Hindus, 35. Homer, 27, 29, 69. Horn, 6, 7, 140. Hucbald, 107, 122, 127, 208. Hungarian, 143, 145, 159. Hurdy-gurdy, 137. Hypodorian mode, 84. Hypolydian mode, 83. Hypophrygian mode, 83.

I.

Iambus, 25. Impassioned speech, 19, 28. India, 16. Indians, 143, 152. Ionic, 75. Isis, 8.

J.

Jahn, 194. Japanese, 53, 64. Javanese, 13, 64, 65. Jenghiz Khan, 30. Jommelli, 195, 230. Jongleurs, 131, 160, 162, 207. Josquin des Pres, 176.

K.

Keren, 33. Kin, 33, 50, 59. King, 50. Kinnor, 33. Kithara, 43, 86. Koto, 66. Kuhnau, 195, 199, 245.