Part 11

The firm have no less than five qualities of champagne, and at one of the recent champagne competitions at London, where the experts engaged had no means of identifying the brands submitted to their judgment, Messrs. Perrier-Jouët's First Quality got classed below a cheaper wine of their neighbours Messrs. Pol Roger and Co., and very considerably below the Extra Sec of Messrs. Périnet et fils, and inferior even to a wine of De Venoge's, the great Epernay manufacturer of common class champagnes.

Champagne establishments, combined with the handsome residences of the manufacturers, line both sides of the long, imposing Rue du Commerce at Epernay. On the left hand is a succession of fine châteaux, commencing with one belonging to M. Auban Moët, whose terraced gardens overlook the valley of the Marne, and command views of the vine-clad heights of Cumières, Hautvillers, Ay, and Mareuil, and the more distant slopes of Ambonnay and Bouzy, while on the other side of the famous Epernay thoroughfare we encounter beyond the establishments of Messrs. Moët and Chandon and Perrier-Jouët the ornate monumental façade which the firm of Piper and Co.—of whom Messrs. Kunkelmann and Co. are to-day the successors—raised some years since above their extensive cellars. A little in the rear of the Rue du Commerce is the well-ordered establishment of Messrs. Roussillon and Co., the extension of whose business of late has necessitated their removal to these capacious premises. The wines of the firm enjoy a high reputation in England, France, and Russia, and have secured favourable recognition at the Paris, Philadelphia, and other Exhibitions. Their stock includes considerable quantities of the older vintages, it being a rule of the house never to ship crude young wines. It is on their dry varieties that Messrs. Roussillon and Co. especially pride themselves, and some of the fine wine of 1874 that was here shown to us was as remarkable for its delicacy as for its fragrance.

In a side street at the farther end of the Rue du Commerce stands a château of red brick, overlooking on the one side an extensive pleasure-garden, and on the other a spacious courtyard, bounded by celliers, stables, and bottle-sheds, all of modern construction and on a most extensive scale. These form the establishment of Messrs. Pol Roger and Co., settled for many years at Epernay, and known throughout the Champagne for their large purchases at the epoch of the vintage. From the knowledge they possess of the best crûs, and their relations with the leading vineyard proprietors, they are enabled whenever the wine is good to acquire large stocks of it. Having bottled a considerable quantity of the fine wine of 1874, they resolved to profit by the exceptional quality of this vintage to commence shipping champagne to England, where their agents, Messrs. Reuss, Lauteren, and Co., have successfully introduced the new brand.

Passing through a large open gateway we enter the vast courtyard of the establishment, which, with arriving and departing carts—the first loaded with wine in cask or with new bottles, and the others with cases of champagne—presents rather an animated scene. Under a roof projecting from the wall of the vast cellier on the right hand a tribe of "Sparnaciennes"—as the feminine inhabitants of Epernay are termed—are occupied in washing bottles in readiness for the coming tirage. The surrounding buildings, most substantially constructed, are not destitute of architectural pretensions.

The extensive cellier, the area of which is 23,589 square feet, is understood to be the largest single construction of the kind in the Champagne district. Built entirely of iron, stone and brick, its framework is a perfect marvel of lightness. The roof, consisting of rows of brick arches, is covered above with a layer of Portland cement, in order to keep it cool in summer and protect it against the winter cold, two most desirable objects in connection with the manipulation of champagne. Here an endless chain of a new pattern enables wine in bottle to be lowered and raised with great rapidity to or from the cellars beneath—lofty and capacious excavations of two stories, the lowest of which is reached by a flight of no less than 170 steps.

Epernay, unlike Reims, has little of general interest to attract the stranger. Frequently besieged and pillaged during the Middle Ages, and burnt to the ground by the dauphin, son of François I., the town, although of some note as far back as the time of Clovis, exhibits to-day no evidence whatever of its great antiquity. The thoroughfare termed the Rempart de la Tour Biron recalls a memorable incident which transpired during the siege of the town by Henri IV. While the king was reconnoitring the defences a cannon-ball aimed at his waving white plume took off the head of the Maréchal Biron at the moment Henri's hand was resting familiarly on the maréchal's shoulder. Strange to say, the king himself escaped unhurt.

XI.—CHAMPAGNE ESTABLISHMENTS AT AY AND MAREUIL.

The Establishment of Deutz and Geldermann— Drawing off the Cuvée— Mode of Excavating Cellars in the Champagne— The Firm's New Cellars, Vineyards, and Vendangeoir— The old Château of Ay and its Terraced Garden— The Gambling Propensities of Balthazar Constance Dangé-Dorçay, a former Owner of the Château— The Picturesque Situation and Aspect of Messrs. Ayala's Establishment— A Promenade through their Cellars— M. Duminy's Cellars and Wines— His new Model Construction— The House Founded in 1814— Messrs. Bollinger's Establishment— Their Vineyard of La Grange— The Tirage in Progress— The Fine Cellars of the Firm— Messrs. Pfungst's frères and Co.'s Cellars— Their Dry Champagnes of 1868, '70, '72, and '74— The Old Church of Ay and its Decorations of Grapes and Vineleaves— The Vendangeoir of Henri Quatre— The Montebello Establishment at Mareuil— The Château formerly the Property of the Dukes of Orleans— A Titled Champagne Firm— The Brilliant Career of Marshal Lannes— A Promenade through the Montebello Establishment— The Press House, the Cuvée Vat, the Packing-Room, the Offices, and the Cellars— Portraits and Relics at the Château— The Establishment of Bruch-Foucher and Co.— The handsome Carved Gigantic Cuvée Tun— The Cellars and their Lofty Shafts— The Wines of the Firm.

The historic bourgade of Ay is within a short walk of the station on the line of railway connecting Epernay with Reims. The road lies across the light bridge spanning the Marne canal, the tall trees fringing which hide for a time the clustering houses; still we catch sight of the tapering steeple of the antique church rising sharply against the green vine-covered slopes and the fleecy-clouded summer sky. We soon reach the Place de l'Hôtel de Ville, and continuing onward in the direction of the steep hills which shelter the town on the north, come to a massive-looking corner house in front of the broad porte-cochère of which some railway carts laden with cases of champagne are standing. Passing through the gateway we find ourselves in an open court, with a dwelling-house to the right and a range of buildings in front where the offices of Messrs. Deutz and Geldermann are installed. This is the central establishment of the firm, whose Extra Dry "Gold Lack" and "Cabinet" champagnes have long been favourably known in England. Here are spacious celliers for disgorging and finishing off the wine, a large packing-hall, and rooms where bales of corks and other accessories of the trade are stored, the operations of making the cuvées and bottling being accomplished in an establishment some little distance off.

Proceeding thither, we find an elegant château with a charming terraced garden, lying at the very foot of the vine-clad slopes, and on the opposite side of the road some large celliers where wine in wood is stored, and where the cuvées of the firm, consisting usually of upwards of 50,000 gallons each, are made in a vat of gigantic proportions, furnished with a raised platform at one end for the accommodation of the workman who agitates the customary paddles. When the wine is completely blended it is drawn off into casks disposed for the purpose in the cellar below, as shown in the accompanying engraving, and after being fined it rests for about a month to clear itself. To each of these casks of newly-blended wine a portion of old wine is added separately, and at the moment of bottling the whole is newly amalgamated.

Adjoining M. Deutz's château is the principal entrance to the extensive cellars of the firm, to which, at the time of our visit, considerable additions were being made. In excavating a gallery the workmen commence by rounding off the roof, and then proceed to work gradually downwards, extracting the chalk, whenever practicable, in blocks suitable for building purposes, which being worth from three to four shillings the square yard help to reduce the cost of the excavation. When any serious flaws present themselves in the sides or roof of the galleries, they are invariably made good with masonry.

This range of cellars now comprises eight long and lofty galleries no less than 17 feet wide, and the same number of feet in height, and of the aggregate length of 2,200 yards. These spacious vaults, which run parallel with each other, and communicate by means of cross passages, underlie the street, the château, the garden, and the vineyard slopes beyond, and possess the great advantage of being always dry. They are capable, we were informed, of containing several million bottles of champagne in addition to a large quantity of wine in cask.

Messrs. Deutz and Geldermann possess vineyards at Ay, and own a large vendangeoir at Verzenay, where in good years they usually press 500 pièces of wine. They, moreover, make large purchases of grapes at Bouzy, Cramant, Le Mesnil, Pierry, &c, and invariably have these pressed under their own superintendence. Beyond large shipments to England, Messrs. Deutz and Geldermann transact a considerable business with other countries, and more especially with Germany, where their brand has been for years one of the most popular, and is to-day the favourite at numerous regimental messes and the principal hotels.

The old château of Ay, which dates from the early part of the last century, belongs to-day to the Count de Mareuil, a member of the firm of Ayala and Co., one of the leading establishments of the famous Marne-side crû. Perched half-way up the slope, covered with "golden plants," which rises in the rear of the village, the château, with its long façade of windows, commands the valley of the Marne for miles, and from the stately terraced walk, planted with ancient lime-trees, geometrically clipped in the fashion of the last century, a splendid view of the distant vineyards of Avize, Cramant, Epernay, and Chouilly is obtained. The château formed one of a quartette of seignorial residences which at the commencement of the present century belonged to Balthazar Constance Dangé-Dorçay, whose ancestors had been lords of Chouilly under the ancien régime. Dorçay had inherited from an aunt the châteaux of Ay, Mareuil, Boursault, and Chouilly, together with a large patrimony in land and money; but a mania for gambling brought him to utter ruin, and he dispossessed himself of money, lands, and châteaux in succession, and was reduced, in his old age, to earn a meagre pittance as a violin-player at the Paris Opera House. The old château of Boursault, which still exists contiguous to the stately edifice raised by Mme. Clicquot on the summit of the hill, was risked and lost on a single game at cards by this pertinacious gamester, whose pressing pecuniary difficulties compelled him to sell the remaining châteaux one by one. That of Ay was purchased by M. Froc de la Boulaye, and by him bequeathed to his cousin the Count de Mareuil, whose granddaughter became the wife of one of the Messrs. Ayala, and whose son is to-day their partner.

The offices of the firm adjoin the château, and rather higher up the hill is their very complete establishment, picturesquely situated in a hollow formed by some excavations, with the thickly-planted vine-slopes rising above its red-tiled roof. The boldly-designed basement, the ascending sweep conducting to the extensive celliers and the little centre belfry give a character of originality to the building. Carts laden with cases of champagne are leaving for the railway station, casks of wine are being transferred from one part of the establishment to another, bottles are being got ready for the approaching tirage, and in the packing department, installed in one of the three celliers into which the story aboveground is divided, quite an animated scene presents itself. Iron columns support the roofs of this and its companion celliers, where the firm make their cuvée, and the bottling of the wine takes place. On descending into the basement beneath, the popping of corks and the continual clatter of machinery intimate that the disgorging and re-corking of the wine are being accomplished, and in the dim light we discern groups of workmen engaged in the final manipulation which champagne has to undergo, while fresh relays of wine are arriving from the cellars by the aid of endless chains. There are two stories of these cellars which, excavated in the chalk, extend under the road and wind round beneath the château, the more modern galleries being broad, lofty, and admirably ventilated, and provided with supports of masonry wherever the instability of the chalk rendered this requisite. After a lengthened promenade through them we come to the ancient vaults extending immediately under the grounds of the château, where every particle of available space is utilised, and some difficulty is found in passing between the serried piles of bottles of vin brut—mostly the fine wine of 1874—which rise continuously on either side.

Within a hundred yards of the open space, surrounded by houses of different epochs and considerable diversity of design, where the Ay market is weekly held, and in one of the narrow winding streets common to the town, an escutcheon, with a bunch of grapes for device, surmounting a lofty gateway, attracts attention. Within, a trim courtyard, girt round with orange-trees in bright green boxes, and clipped in orthodox fashion, affords access to the handsome residence and offices of M. Duminy, well-known in England and America as a shipper of high-class champagnes, and whose Parisian connection is extensive. On the right-hand side of the courtyard is the packing-room, and through the cellars, which have an entrance here, one can reach the celliers in an adjoining street, where the cuvée is made and the bottling of the wine accomplished.

M. Duminy's cellars are remarkably old, and consequently of somewhat irregular construction, being at times rather low and narrow, as well as on different levels. In addition, however, to these venerable vaults, packed with wines of 1869, '70, '72, and '74, M. Duminy has various subterranean adjuncts in other parts of Ay, and is at present engaged in constructing, at the foot of his vineyards up the mountain slope, a noble establishment which includes a vast court, upwards of a thousand square yards in extent, wherein are installed capacious bottle-racks and bottle-washing machines of the latest improved manufacture. Here are also handsome and extensive celliers, together with immense underground cellars, comprising broad and lofty galleries of regular design, the whole being constructed with a completeness and studied regard for convenience which bid fair to render this establishment when finished the model one of the Champagne district.

The house was originally founded so far back as 1814 by M. Taverne-Richard, who was intimately connected with the principal vineyard proprietors of the district. In 1842 this gentleman took his son-in-law, M. Duminy, father of the present proprietor of the establishment, into partnership, and after the retirement of M. Taverne he gave a great impetus to the business, and succeeded in introducing his light and delicate wines into the principal Paris hotels and restaurants. During its two-thirds of a century of existence the house has invariably confined itself to first-class wines, taking particular pride in shipping fully-matured growths. Besides its own large reserve of these, it holds considerable stocks long since disposed of, and now merely awaiting the purchasers' orders to be shipped.

A few paces beyond M. Duminy's we come upon an antiquated, decrepit-looking timber house, with its ancient gable bulging over as though the tough oak brackets on which it rests were at last grown weary of supporting their unwieldy burthen. Judging from the quaint carved devices, this house was doubtless the residence of an individual of some importance in the days when the principal European potentates had their commissioners installed at Ay to secure them the finest vintages. Continuing our walk along the same narrow winding street, we soon reach the establishment of Messrs. Bollinger, whose house, founded in the year 1829, claims to be the first among the Ay firms who shipped wines to foreign countries generally, including England, where the brand has long been held in high repute. Messrs. Bollinger, besides being shippers of champagne, are extensive vineyard proprietors, owning vinelands at Bouzy, Verzenay, and Dizy. A vineyard of theirs at the latter place, known as "La Grange," is said to have formerly belonged to the monks who founded the abbey of St. Peter at Hautvillers, the legend connected with which we have already related.

A couple of large gateways offer access to the spacious courtyard of Messrs. Bollinger's establishment; a handsome dwelling-house standing on the right, and a small pavilion, in which the offices are installed, while on the left hand and in the rear of the courtyard rises a range of buildings of characteristic aspect, appropriated to the business of the firm. In one of the celliers, which has its open-raftered roof supported by slim metal columns, we found the tirage going on, the gang of workmen engaged in it filling, corking, and lowering into the cellars some 20,000 bottles a day. In one corner of the apartment stood the large cuvée tun—capable of holding some 50 hogsheads—in which the blending of the wine is effected, and in an adjoining cellier women were briskly labelling and wrapping up the completed bottles of champagne. The cellars, constructed some fifty years ago at a cost of nearly £12 the superficial yard, are faced entirely with stone, and are alike wide and lofty; this is especially the case with four of the more modern galleries excavated in 1848, and each 160 feet in length. Besides the foregoing, Messrs. Bollinger possess other cellars in Ay, where they store their reserve wines both in bottle and in the wood.

On the northern side of Ay, some little distance from the vineyard owned by them, the firm of Pfungst frères & Cie. have their cellars, the entrance to which lies just under the lofty vine-clad ridge. Messrs. Pfungst frères lay themselves out exclusively for the shipment of high-class champagnes, and the excellent growths of the Ay district necessarily form an important element in their carefully-composed cuvées. A considerable portion of their stock consists of reserves of old wine, and we tasted here a variety of samples of finely-matured champagnes of 1868 and '70, as well as the vintages of 1872 and '74. All of these wines were of superior quality, combining delicacy and fragrance with dryness, the latter being their especial feature. In addition to their business with England, Messrs. Pfungst frères ship largely to India and the United States.

It is on this side of the town that the fine old Gothic church, dating as far back as the twelfth century, is situated. Many of the mouldings and the capitals of the columns both inside and outside the building are covered over with grape-laden vine-branches, and the sculptured figure of a boy bearing a basket of grapes upon his head surmounts the handsome Renaissance doorway, seemingly to indicate the honour in which the vine—the source of all the prosperity of the little town—was held both by the mediæval and later architects of the edifice. Nigh to the church stands the old house with its obliterated carved escutcheons, known traditionally as the Vendangeoir of Henri Quatre. This monarch loved the wine of the place almost as well as his favourite vintage of Arbois, and dubbed himself, as we have already mentioned, Seigneur of Ay, whose inhabitants he sought to gratify by confirming the charter which centuries before had been granted to the town.

Within half-an-hour's walk of Ay, in an easterly direction, is the village of Mareuil, a long straight street of straggling houses, bounded by trees and garden-plats, with vine-clad hills rising abruptly behind on the one side, and the Marne canal flowing placidly by on the other. The archaic church, a mixture of the Romanesque and Early Gothic, stands at the farther end of the village, and some little distance on this side of it is a massive-looking eighteenth-century building, spacious enough to accommodate a regiment of horse, but conventual rather than barrack-like in aspect, from the paucity of windows looking on to the road. A broad gateway leads into a spacious courtyard to the left of which stands a grand château, while on the right there rises an ornate round tower of three stories, from the gallery on the summit of which a fine view over the valley of the Marne is obtained. The buildings inclosing the court on three sides comprise press-houses, celliers, and packing-rooms, an antiquated sundial marking the hour on the blank space above the vines that climb beside the entrance gateway. The more ancient of these tenements formed the vendangeoir of the Dukes of Orleans at the time they owned the château of Mareuil, purchased in 1830 by the Duke de Montebello, son of the famous Marshal Lannes, and minister and ambassador of Louis Philippe and Napoleon III.