Introduction

Mrs. Clifton lay dozing at full length on a pillowed bench and her husband sat near her and followed his Lily, his daughter, with his eyes: his Lily, eight years old, "that high," waving among the passengers the white coral necklace which Pa had bought her on leaving Australia; his Lily, his star, his New Zealander on Wheels! His Lily who had had such successes at Melbourne, at Sidney: bouquets, tons and cart-loads of bouquets! And the past would be nothing compared with the future, with the astounding tricks which he was inventing for his Lily. The mere sight of her raised his enthusiasm to boiling-point. And he was going to show them, in Calcutta and elsewhere, if they knew how to make stars in New Zealand or if they were only fit for raising mutton.

Clifton was an artist, an "artiste," a born artiste: starting as a mere clerk in an office, he had become an amateur cyclist and then a professional on the track. He married an Englishwoman at Wellington and, at Lily's birth, decided upon a career: the stage, with Lily for a star later on! And he set to work, with vim and vigor, learned a few tricks on his bike, taught his wife the business in less than no time; and Lily's first memories as a four-year-old were:

And Lily zigzagged through New Zealand, from east to west and north to south, and Australia after, where she received plenty of applause for her tricks, childish in themselves, but well presented. Her triumphant path wound among tinseled bottles containing paper flowers, with a faultless standstill for the climax, one hand on the handle-bar, the other blowing kisses to the audience. This procured Pa an engagement for India. He ordered a beautiful colored poster, "The Clifton Family, Trick Cyclists," with a portrait in the corner of his own strong face and bristling mustache—"P. T. Clifton, Manager"—one more rung in the ladder of life mounted, thanks to his Lily.

And Pa smiled to his daughter and, as she ran past him, lifted her on his knee and stroked her fair curls; and the child cuddled up to her Pa, opened her lips to ask questions, but was silent, with her eyes lost in space, puckering her little forehead, in which were heaped so many mingled memories of the stage and the great world outside: the Boxing Kangaroo; tall cliffs; green islands; the bike; Batavia among the trees; Singapore, with its noise and dust. And Lily, wearily, dreamed and murmured things, while the steamer sped on, thud, thud, thud, flat as a stage in its blue "set."

Lily's impressions of India were months of jolting and bumping, stops in the dead of night while the tent was pitched, rains, strong smells, oppressive heats—months and months of it, Ma on Pa, Pa on the wheel and she on top, waving flags. Yellow faces on the benches, red flowers and, somewhere, on a river-bank, two eyes glittering in the dark: a tiger, somebody said! And every night the artistes, carrying lanterns, walked in file between the circus and the hotel, with the ladies in the center and Lily clinging to Ma's skirt.

She was spoiled by the ladies, the wives of the officers stationed in those out-of-the-way holes. She played with smart children, was taken for drives, had her social successes! Chocolates, sweets, kisses. And a lady gave her such a pretty dress: his Lily! Pa burst with delighted pride to see her treated like that; and Ma scolded her a bit, for the little flirt that she was, while fondly tying the two satin bows over her ears.

Lily was a regular tomboy, with pranks invented by herself, from ideas which she picked up in traveling: for instance, she would choose her moment and chuck a piece of bacon among the Mohammedans sitting under her window; and she would revel in her own fright at those furious faces suddenly glaring up at her from below! And she would stand with drooping head, one finger in her mouth:

Pa made her practice harder now, wanted to make a great artiste of her. And there was a class, too, kept by a "marm" who traveled with the circus and taught spelling and arithmetic and the art of letter-writing, from "Yours to hand with thanks" down to "Believe me to be." Lily would have been bored to death but for the accidents of travel: sometimes the engine broke down, bringing the train to a dead stop amid the great African silence, near a field of Indian corn, in which the children played hide-and-seek. Or else there were locusts, locusts "that thick," right inside the carriages. Lily would tie them by the leg and:

But funniest of all was the caravan—she couldn't remember where, in Natal or thereabouts—wagons with ten yoke of oxen. They climbed up endless winding roads. The men shot at birds and prospected for diamonds along the wayside; and at night they took the hay from the mattresses to give to the cattle. Lolling indolence was in the air and plenty in the larder: big fruits, strange game, which they cooked in a makeshift oven consisting of a few stones. Then they rolled themselves up in a blanket, near the elephants tugging at their chains, and slept under the tent in the cool, bright, starry night.

Months and months passed. Lily was becoming very clever: the New Zealander on Wheels! She was cleverer than Pa, who no longer performed, nor Ma either. On their return to Australia, Lily appeared by herself in the music-halls, and P. T. Clifton, Manager, watched her from the wings, in growing admiration: his Lily was a star now, too good for a circus! And Australia, pooh! Sidney, Melbourne, pooh! What Lily wanted was New York, London, the Hippodromes, the Palaces! He'd show them a star that was a star! And Clifton clenched his fists and pretended not to see when Lily made a blunder on the stage: his Lily missing a trick! Disgracing her Pa like that! He blushed to the eyes at the thought of it! And, when she returned to the wings, he twitted her proudly:

Ma detested the stage. She did not think it a nice place for herself; but for a brat like Lily, Lord, it was quite different! And she ought to have tried to please her Pa and Ma. Mrs. Clifton, though she never voiced the wish, had visions of a trip to London, to stagger some relations, a sister-in-law she had there, and sneer at the old country, in the usual colonial fashion, and show them what the new countries can do, countries where you make a fortune in less than no time! And, little by little, smitten with Mr. Clifton's enthusiasm, she came to believe that, in Lily, they really possessed the infant prodigy, the treasure-child upon whom their fortune depended. And Ma, too, was vexed when Lily missed a trick on the stage.

Pa felt himself a conquering hero when they steamed through the Golden Gate: the States at last! And no sooner was his foot on the wharf at 'Frisco than off to the agents at once, with his photographs, his contracts, his posters! But it was her birth-certificate they asked to see. And no babes and sucklings allowed on the stage here. It was all right down yonder, but the law prevented it here.

Now, in Arizona, near Phoenix, where the train stopped for some hours, owing to an accident to the Rio Gila bridge, Pa happened upon a merrymaking which reminded him of West Australia. Cow-boys, galloping horses, a pretense at fighting, lassoing, revolvers, a track for amateur cyclists and—yes, there, in the desert!—on a platform, right in the middle, what should Pa see but an amazing artiste, riding on the back-wheel, with the other in the air! And such twirls! And the boys shouted to him:

They shook hands, went to the bar, lit a cigar, like men, by Jove! Clifton loved to talk business, to pull out notebooks, quick, and jot things down with a knowing air. Trampy, a mere boy, easy-going, genial, without a red cent for the time being, didn't care a hang about business and was soon telling Clifton the story of his life: drummer, reporter, racer; his descent,—"Two whiskies, boy!"—what was he saying? Oh, yes, his descent of a staircase on the bike, yes, siree, with a red-hot stove under his arm—a stove painted to look red-hot—pursued by a policeman, leaping over obstacles on the bike; great success at Duluth and Denver as a tramp cyclist: hence his name of Trampy Wheel-Pad. But those girls, by Jove! Well, he who fights and runs away lives to fight another day. Still, a rolling stone doesn't climb hills. Here he was, stranded. Go to Mexico? So much a week? Such and such a turn? Teach the child? Cert!

Lily never alluded to Mexico afterward without shaking with anger. My, to listen to her, how badly they treated her in Mexico! Worse than a Dago! To tell the truth, it was hot; and Lily, already tired by those long journeys in varying climates, Lily would have preferred to do nothing and to continue to lead her careless life as a playful filly. But no, poor Lily was caught by the hind-leg in Mexico! Ambition had seized upon Pa, body and soul, and life became a more serious matter for the child.

Pa arranged for a place in which to practise at their ease. In the evening, on the stage, he watched and studied Trampy's tricks and, in the morning, quick, out of bed, look alive, the bike! Pa no longer had his open-mouthed admiration for Lily, as in South Africa and Asia: his Lily knew nothing at all! But in three months, six months, if necessary, if it cost him every penny he possessed. And it was:

And Trampy put down his cigar, took off his collar and cuffs and it was, "Come along, Lily!" till lunch-time. The child, her eyes blinking with fatigue, fell fast asleep before the end of the meal.

As for him, he had business to do, letters to write, great schemes in his head! for instance, he must try to get permission for Lily to appear in the States.

Work stopped abruptly; a tumbler's carpet rolled up in a corner formed an inviting lounge; and Lily, panting from her practice, would stretch herself beside him and enjoy a few happy moments, the only really happy moments of the day; for there were matinées in the afternoon and the evening performance at night, till she was ready to drop with weariness. Trampy treated Lily nicely, like a grown-up person, called her by the name of a fruit, or a flower, or a bird, jollied her, called her "little wifie:" it was all one to her. He made her laugh with his funny stories, his fairy tales about himself, his terrible struggle with a snake in the streets of 'Frisco, after a champagne supper: girls, by Jove! He toned down his anecdotes and dished them up for Lily's entertainment; told her absurd yarns enlivened with mimicry, in which he excelled, like the real mummer that he was, and Lily shrieked with laughter, head thrown back, full-throated.

And there was a spice of fear in it all: was that Pa coming back? No, a carpenter or scene-shifter, perhaps, or else the Martellos, brother and sister, going to practise slack-wire, head and hand balancing. Their father, old Martello, a famous name, lived in London, it appeared, alone with his Bambinis, mere babes still. His other children and his apprentices had all run away, to escape his horsewhip, and the brother in Mexico was continuing the tradition. His brutality, in fact, got him into trouble wherever he went, so much so that the big music-halls were closed to him, for fear of scandal. And he terrorized his sister, Ave Maria, a girl of sixteen, a dark girl with great dark eyes. Ave Maria never spoke to anybody; when she passed through the room where Lily was having fun with Trampy, she fixed a fiery glance upon them, even ventured on a smile, for Trampy in particular, whose lively stories reached her through the partition behind which she dressed. Oh, how she envied Lily! But she passed very quickly, because of her brother.

And this time it was Pa! Lily jumped on to the saddle like mad, played her part to perfection, puffed and panted, as if the last drop of strength were oozing out of her, and Trampy joined in the little comedy of fibbing and dissembling:

Martello's evil example ended by catching hold of Pa: that's how artistes were formed, damn it! And, at the thought of the time wasted, he clenched his fists. To have a Lily of his own, all his own, and to have made nothing out of her yet! Still, it was not Lily's fault. Yes, though, it was her fault, she was so stubborn, so wilful! When he told her to do a thing, why not do it? Instead of bleating:

A brief struggle, in a way, followed between Lily and her Pa. Lily was not built for passive obedience, wasn't used to it. She no longer knew her Pa. When he came at her with his hand lifted to strike, when he spoke of unbuckling his belt—"Damn those blasted brats!"—Lily eyed him with a look of anguish:

Pa, thanks to his indomitable energy, had made something of his Lily, a real artiste, at last! And business was moving, too! He had a contract in his pocket for the States, where Lily would no doubt get permission to do her "childish tricks," seeing that she was traveling with her Pa and Ma. As for Trampy, Pa had no use for Trampy, made no bones about sacking him on some pretext or other:

And new people, new people: "families," "brothers," "sisters," troupes, troupes, troupes! Or else stars by themselves, "bests," "uniques:" a female-impersonator, a green-eyed boy who wagged his hips like the very devil and took off the girls; Poland, a Warsaw Jewess, a redheaded, overscented beauty, who did the "Parisienne," and ever and ever so many others. And Lily, so slender and frail, was the pet of them all. They called her their pretty baby, their petit chéri, and, with their painted mugs, kissed her full on the lips.

As for practising, permission or none, that was nobody's damned business. And if some old sheep took to bleating—"Poor child, you'll be the death of her!"—Pa sent the old sheep to eat coke; and it was:

But no, their uncle and manager, Mr. Fuchs—a name as famous in its way as Martello's—was known for his gentleness and adored and coddled and pampered by the Three Graces, who, at a sign from "Nunkie," as they called him, joyously rushed to practice, taking a pride in pleasing their dear Nunkie.

Well, well, he mustn't complain, as he himself admitted: one more rung which he had mounted, thanks to his Lily, that engagement with the best variety-show in the States; nothing but big theaters: Orpheums! Dominions! And New York next! And then London! Things were moving, moving! And Pa looked lovingly at his Lily, as she played at being grown up with the Three Graces, in the train on Sunday, traveling from town to town, while Ma was knitting things for her tomboy. He talked to Mr. Fuchs as between equals, as between man and man, as between the manager of a star and the owner of a troupe; and the train rushed on, rushed on, with an indistinct sound of the engine-bell, now and again, when they crossed a street. Mr. Fuchs, heavy-jawed, slow of speech, said that he had had enough of traveling, at his age, if it were not for his dear nieces. He would like to retire to the country, to his little home, and grow his roses, as soon as he had married off his dear nieces, which would not be long, no doubt. As it was, one of them, Thea, the one who did five pullings-up with her left hand, had his permission to receive letters from her sweetheart, a young man at St. Louis, quite well-off. The idyl made good Mr. Fuchs blossom into a genial smile: family life! Simple joys! The only true ones! Worth more than the stage! And Nunkie talked and talked: the Parisienne, a perpetual scandal! And wait a bit: what was that he heard at an agent's the other day? Yes, the daughter of his old friend Martello, Ave Maria her name was, had left her brother, and run away from Mexico with a man! Tut, tut, the things one saw nowadays!

The arrival in New York was a disappointment to Pa. The authorities insisted on seeing the papers this time. Lily was under age; just as at 'Frisco. What! Why? Because of former scandals, it appeared: Martello and Ave Maria. What had he, a British subject, to do with those Dagoes who spoil the profession? growled Pa. He ended by rebelling against the injustice of it, thought of the Three Graces hard at work rehearsing under Nunkie's eye, while he, Clifton, had not even the right to set foot on a stage and let Lily practise there. To work, to work, damn it! And he locked her up all day in her room doing her balancings, the boomerang on the front wheel, the standstill on the back-wheel, or the bike upside down, with Lily standing on the pedals, like a convict on the tread-mill. The pack of fools! Because a Dago had whipped his sister, wasn't a Pa to have the right to bring his own daughter up? To work, to work! And he kept her at it for hours and hours, watched and knit his brows, like a sage pondering for hours over the solution of a problem.

At night, Pa ran from theater to theater: from Fourteenth Street, where they lodged, to Twenty-third Street; took the elevated to Fifty-eighth Street, to Hundred and-twenty-fifth Street! All theaters at which Lily would have triumphed but for those dirty Dagoes! And the things that were served up to the public, pooh! Clifton laughed with scorn. Troupes of English dancing-girls—the famous Roofers—with movements like stuffed dolls; and cyclists, pooh! Hauptmanns, fat freaks turned out in Berlin: if that was the best they could do, pooh! Oh, if he had only had the right to send his New Zealander on Wheels scooting in among their legs, just to show the public what a star really was! And all the morning he ran about the town talking of "childish tricks—a big girl" to the police and "wonderful tricks—the only girl of her age who can do them" to the agents in the St. James' Building. Oh, if he could have London! He longed to measure his strength against all those famous names—Marjutti, Laurence, the Pawnees—just to show them his Lily!

She flitted all over the deck, munching candies, showed everybody her new boots and her red cloak, held her head high, was very proud of being looked at. Lily dreamed of the Three Graces; of the boy-violinist; of Trampy. She made conquest upon conquest, down to the electrician of the ship, quite a young lad, who looked as cold as ice.

As for Lily, she was going to star in London, where her Pa would cover her with diamonds! And she went on to tell him stories, like a little school-girl who has read a book or two: India, two eyes glittering in the dark, gee! And elephants she had known, little birds which she had kept in a cage in Natal, and kangaroos. The lion, who stands up on his hind legs when he's angry; and the tiger, who lies down flat. And parrots. And starry nights in Africa: stars "that big." And storms: waves "miles high!" And successes at Gangpur; and in Chicago, where she shared a dressing-room with three girls who, when they were undressed, were all over muscles, just like men. She liked the bike well enough, but those falls: oh, damn it!

And he mused upon the numberless things which she had seen, the countries, the cities, and all that she would yet see, in her life as a wandering star, while he would remain walled up in his cabin, with his nose to the switchboard.

Clifton, when he returned home that evening, gnawed his mustache and clenched his fists with rage. Ah, he would not soon forget his arrival in London! To get there and be chucked! Was that what he had come from New York for? To see Lily's place at the Castle filled by another troupe of the Hauptmanns—the Hauptmanns again, those fat freaks!—and nothing to be said or done?

Intent upon his vexations of the moment, he described his day to Mrs. Clifton. What had staggered him, done for him, was his visit to the agent, where they hadn't seemed to know Lily!

And would Mrs. Clifton ever believe, asked the indignant Pa, what they said when they handed him back the photograph? Yes, to him, the father, to his face, they said:

"She's too thin, that Lily of yours!" "If that's the way they welcome British subjects returning to the mother-country, it's jolly encouraging, on my word it is!" concluded Clifton.

Ma, among the open boxes, listened and said nothing; she was exasperated. Their entry into the metropolis struck her, too, as anything but triumphal. For all her dislike of those breakneck trades, for all her contempt for the bike, she displayed even more anxiety than Pa. With those fat freaks at the Castle and if engagements continued scarce, how would they manage, later on, lost in that huge London, with no money, and a child to feed? Her vanity was wounded as well. She had dreamed of dazzling her sister-in-law, making them all burst with jealousy over the splendid engagement at the Castle; and now everything was slipping from their hands, on the very day of their arrival, and there was nothing for them but to sit at home and keep quiet.

An engagement in eight months was better than nothing; but what to do in the meanwhile? It wasn't the money question that bothered him; Pa had money; but Lily worried him: he wanted work for Lily, bike all the time and hard at it. Now, London was closed to him; he couldn't let her perform in London before appearing at the Castle; that was in the contract; and there was nothing for the provinces.

Pa, on the whole, was satisfied. To show Lily, that was all he asked for! He was quieter, now that she could practise. And Lily, also, was delighted and relieved. At first it was jolly, doing nothing; but to be always at home with Ma had its drawbacks; only the other day, because she had asked for a tam-o'-shanter with a feather in it, like those she saw the little girls wear in the street, she had nearly had a box on the ear, the extravagant little beast, who would bring them all to the workhouse!

Those "troupes," those "families"—he turned it all over in his mind—yes, they judged talent by weight; the public wanted a lot for its money: well, why shouldn't he have a troupe? Why not? Lily—he had noticed it in the few shows she had given—Lily didn't cut much of a figure in London: five stone of flesh and bones, a mite, a minnow, a nothing. Well, if Lily wasn't enough by herself, he'd give them more: a whole troupe, if need be! Why, he'd set about it at once!

With his customary determination, yielding to a fixed idea, he devoted himself to it. And, in the halls, at the agents', in the bars, at the Internationale Artisten-Klause in Lisle Street, that universal meeting-place, Pa, ever on the watch, strove to make people talk, listened with all his ears, took notes. It was very difficult to get at the real facts; one had to ferret them out; the owners of the troupes jealously concealed their methods, endeavored to put you off, talked of apprentices at five or six shillings a day, plus food and expenses. Pa saw through these tricks and, to arrive at the truth, discounted the six shillings down to sixpence. Lily, her Pa's own daughter, easily obtained information from the apprentices themselves which she afterward repeated to him. He studied The Era, the paper of the Profession, got the names by heart: the managers, the "Pas", the "bosses", the "profs." He got acquainted with some of them personally. Old Martello, for instance, the father of Ave Maria and the "Bambinis." Martello could have given Pa hints; but he no longer interested himself in anything except his Bambinis, whom the poor man, grown calm with age and overwork, was now spoiling. The rest left him indifferent; he hardly listened, spoke in short sentences, like a man too old to care:

Pa thought this exclusive admiration very touching, but it wasn't what he wanted and, madness or not, damn it, he was resolved to carry out his idea to the end!

There were imperial and royal troupes, "Risleys," carpet acrobats, pyramids of tumblers, some of them undergoing an apprenticeship of cuffs and thumps. Pa was not interested in these methods, did not approve of them; he had never knocked Lily about, never let her fall on purpose—"Have I, Lily?"—whereas in the imperial and royal they sent the apprentice sprawling on his back, just to teach him, when he started wrong.

Still, all these were boys; and it was the little girls that interested him, for he meant to have only girls among his apprentices. The rest wasn't his damned business; but the different troupes of Roofer girls, for instance, affected him directly: where did old Roofer fish those girls out? That's what Pa wanted to know. He had even, in order to visit the school, pretended to bring Lily as a pupil. He had seen the place in Broad Street, where they turned out "sisters" by the gross; had watched the squads in knickerbockers, scattered over the immense room, like recruits drilling in a barrack-yard: groups engaged in club-swinging, juggling, clog-dancing, all together, a tangle of different movements timed "one, two, three!" Roofer chose among the heap, sorted out the sizes, called this lot the Merry Wives, that lot the Crazy Things, christened them after an insect or a flower, packed them up in lots of ten or twelve girls, with snub-noses or Greek profiles, as preferred, despatched them, carriage-paid, C. O. D., with words, music and muslin skirts complete, and received every day a detailed account of his Honeysuckles and Bees, scattered all over the world, from the Klondike to Calcutta.

As for the apprentices, he would see to that to-morrow. Ma suggested that her sister-in-law's daughter might do, but Pa wouldn't have relatives at any price—blubbering for a smacking bestowed upon their daughters—he knew all about them, thank you. Let such sheep bleat elsewhere. No, give him strangers. He could be freer with them and get as many as he wished. An advertisement in The Daily Mail—"Wanted, young girls for trick cycling," followed by the address—fetched them the same day. The pavement before the house was blocked with white aprons, sailor-hats and tam-o'-shanters. There were consumptive-looking girls, long hanks of girls, chunky girls, all crowding outside the door, until the landlady drove them away with her broom and threatened to do as much for Pa and Ma if all the street-arabs of London were to go on soiling her nice white steps.

Pa, for that matter, found nothing in the bunch, not one in twenty that was any good; or else they made exhorbitant demands—two shillings a day those guttersnipes expected—as though shillings were to be had for the asking! But why look so far? There were girls, sometimes, at the back entrances of the theaters: stage-struck kids who devoured Lily with their eyes and looked at Pa as though to say, "Take me, take me!" That's what he wanted, damn it, girls who had the business in their blood and who wouldn't go whining over a professional slap or two, which he dared say he'd have to distribute to make up for lost time.

The first girl whom he engaged he had already seen gazing ecstatically at Lily, as they left the theater, far away down the Mile End Road, and he saw her again, one morning, in front of his house in the very heart of London! He could not believe his eyes. She must have followed his scent, slept on the threshold like a lost dog. Her Pa? Gone away. Her Ma? Dead. Her name? Maud. Her age? Didn't know. Born somewhere in the immensity of Whitechapel, towheaded, round-faced. Nothing to eat for two days. She'd do! He would go to the police-court, get the license later; meantime, he netted her and that was one!

As regards the others, he had to make a selection. He chose them by preference in families which were overstocked with brats, so that one more or less, in the heap, made no difference. He got one this way; that made two! Next, a "local girl," seized with ambition, came and offered herself. Three! He found two others: a little Beak Street shop-girl and a Shoreditch Jewess. That made five. It did not take him long to judge the girls. He gave them a few days' trial before signing a contract; and what an anxiety for them, Mr. Clifton's final decision! If one trembled too much, was caught holding Pa's shoulder for no reason, for fear of falling, or blubbered because of a scratch on the skin, her fate was settled.

There was no getting out of it: off she had to go, before dinner, and home she went, through the gloomy streets, after a brief glimpse of paradise.

He had to replace some of them: they were slack; or else, independent at times, they looked at him for the least push, as if they would fly at his throat. He asked himself whether he wouldn't be compelled to get some over from Germany or else to pick up on the highroads, in the Gipsies' caravans, children with skins tanned like donkeys', a troupe of blackamoors on wheels, who, perched up on the handle-bars of the bikes, would have looked like cockroaches mounted as brooches, damn it!

However, by dint of selection, he ended by having only good ones left; and then he made a contract in due form with the parents for three years, or even five, such was his faith in the future. A few pence a week to the family, a few pence to the baggage herself: he to dress, lodge and board her and engage to make an artiste of her. Everything was provided for: during the training, just the board and the rest; when she began to work, a shilling a day in addition. Over and above, she would be looked after by a lady, Mrs. Clifton. Was that all right? Both parties signed; the girl was an artiste, became a New Zealander.

They brought their little wardrobe: one spare chemise, on the average, one pair of stockings; their only protection against the weather was the dress they had on, a factory-girl's ulster and a tam-o'-shanter. Later on, when performing, they would be entitled to a celluloid collar, satinette knickers and pumps.

And then he would have slept in the parks, if necessary, anywhere, rather than waste more precious time! His Lily, his troupe, before everything. What he had to do was to get a move on. He went so far as to engage a boy, a shoeblack at the corner of Oxford Street and Tottenham Court Road for the rest of the time, to attend to the bikes and the girls at practice.

Pa gave his mind to the gear, the expenses, the general business. Ma saw to good order, to domestic discipline. It was no longer the quiet life of a Pa and Ma trotting round the world in the company of their one and only bread-winning star. As for Lily, the daughter of the boss and manager, she owed a good example to one and all. In the morning, with Maud, she went down to the kitchen, lit the stove, made the coffee. Next, she carried up the breakfast to Pa and Ma in bed, then distributed their rations to the famished girls. And off they went, all six of them, with Pa following at their heels.

The stage-door gave the apprentices a thrill the first day they entered. The passage, gently sloping, tall and wide, because of the scenery, smelt of elephants and cheap scent. It was blocked with properties, with queer-shaped cases, flat as a slab or round as a ball. There were long, narrow boxes, for the horizontal bars; sometimes a row of wicker coffins, with a ventriloquist's figures inside. And labels from everywhere—Melbourne, Chicago, Berlin, Lisbon—and "Rlys." and "S. S." that made you feel in the hold of a liner, off to foreign ports.

At the end, beyond an iron door, was the stage, very dark, pricked here and there with electric lamps. There were things that glittered with spangles. To the girls it seemed like the Kingdom of Puss-in-Boots or Blue-Beard; but to Lily it was an old story. She was a little like the school-girl in the good days long past, for whom the master was always waiting, cane in hand. The rest she didn't care about.

Nevertheless, huge as the stage was, there was not always room to practise: ponies or elephants would monopolize it for hours at a time. Or else, when Roofer was supplying a ballet, he took up the whole stage, all day long: Lily, secretly delighted, sat down modestly in a corner, so as to be in no one's way. Roofer made his collection of calves and ankles flutter about, followed the new dances with an expert eye, throwing his hat back on his head, mopping his forehead, grumbling, finding fault:

"Silly old ass!" thought Pa, with a grin. "To think you can train artistes like that. You'll use up fifty hats, you old fool, while my belt remains as good as new!"

For that was now Pa's system, the strap—"à la Mexico!"—not that he used it often nor very hard; but he terrorized Lily with it and the other girls were afraid of it, too, though they never got more than the threat, seeing that they were apprentices, who might have run away if he had struck out.

All this did not prevent them from working with a will—trot, trot, trot—when there was no Roofer on the stage and no elephants or ponies: yoop, on to the bikes and the fun began! The sight of Pa training his star made the apprentices shake in their knickers. Lily was to do everything and to do it very well: Pa ran after her, in a never-ending circle, and, from the corner of his eye, watched Tom, who held the girls and made them work, upon his instructions; and when they got off their bikes to wipe their foreheads:

For Pa already knew by experience that their little ladyships shirked work; that they shook with fright; that they lost confidence after a bad fall; and that then it was finished, nothing to be done with them: they'd let themselves be killed sooner.

Then Pa, giving Lily a rest, occupied himself with the girls: taught them the principle of the standstill, of side-riding, of the "swan," of the "frog." And,—quickly!—the indefatigable Pa went back to Lily, made her begin a trick ten times, twenty times over, so great was his rage at the lost time, the elephants, the Hauptmanns, Roofer. He pulled faces, clenched his fists:

Crash! A heap behind him, a medley of limbs and steel fittings! Maud, who was still trying, on her bike, startled by Pa's threatening movement, had fallen flat down.

But she did not move; and, when they had disentangled her from the bike, Pa saw an eye that was quite red and a little stream of blood trickling down her cheek.

"For a little thing like that!" said Lily, laughing. "Fancy falling from your bike for that! Why, I'd rather have twenty 'contracts on the back' than lose an eye."

And soon after the New Zealanders were walking back to Rathbone place with Maud in their midst, her head a roll of bandages, leaning on Lily's arm.

"That'll do," said Pa, dropping into the easy-chair in the dining-room. "I'm worn out. If you'd been like me, Mrs. Clifton, running after those Woolly-legs all the morning"—and he pointed to the apprentices standing round the table—"gee, you wouldn't talk so much! I'll take Maud to the hospital this afternoon; it's only a trifle. Is dinner ready?"

Pa was sorry for poor Maud, as a rule, but he felt a need to shed a little gaiety, to extenuate the accident as far as possible, to turn it into a joke, so as to prevent his girls from being panic-stricken. He talked of heads smashed to a jelly, of legs in smithereens, of a bicyclist who had had not one, but both eyes caught in the chain. As for himself, when he was a small boy—that was in the time when they brought up artistes, real ones, mind you; not, as nowadays, on sugar and sweets; no, real ones, on the whip and the stick, damn it!—why, the accidents which he'd seen! Yes, he himself, to go no farther, he could have shown them, here, there, there, here, damn it, all over his body, scars deep enough to put your finger in!

"Eh? Frightens you, does it? Never fear," added Pa, in a good-humored voice, "that sort of thing won't happen to any of you Woolley-legs; a good Irish stew is better than a kick of the pedal, eh?"

And Pa, after a last cup of strong tea, dismissed the girls, lit his pipe, threw himself into the easy-chair, with his legs long out in front of him; but soon:

"Well, Maud, what is it? What are you crying for now? I tell you, I'll buy you a glass one," said Pa, at the sight of Maud, who blubbered silently and sat glued to her chair instead of getting up to go.

It went down so well, as an effort of dry humor, that Ma could not help laughing. But Mr. Clifton was talking seriously. Then Ma, amazed, protested: what, a servant in her house! A lady's maid for Lily! He would end by giving her the moon! And what would Lily do all day? She'd sit twiddling her thumbs! Had Mr. Clifton thought of that?