Part IV., =Enamelled, Hungary and Chamoy Leather, Morocco, Parchment,

Furs and Artificial Leather=—Chapter I., Enamelled Leather: I., Varnish Manufacture; II., Application of the Enamel; III., Enamelling in Colour—Chapter II., Hungary Leather: I., Preliminary; II., Wet Work or Preparation; III., Aluming; IV., Dressing or Loft Work; V., Tallowing; VI., Hungary Leather from Various Hides—Chapter III., Tawing: I., Preparatory Operations; II., Dressing; III., Dyeing Tawed Skins; IV., Rugs—Chapter IV., Chamoy Leather—Chapter V., Morocco: I., Preliminary Operations; II., Morocco Tanning; III., Mordants used in Morocco Manufacture; IV., Natural Colours used in Morocco Dyeing; V., Artificial Colours; VI. Different Methods of Dyeing; VII., Dyeing with Natural Colours; VIII., Dyeing with Aniline Colours; IX., Dyeing with Metallic Salts; X., Leather Printing; XI., Finishing Morocco; XII., Shagreen; XIII., Bronzed Leather—Chapter VI., Gilding and Silvering: I., Gilding; II., Silvering; III., Nickel and Cobalt—Chapter VII., Parchment—Chapter VIII., Furs and Furriery: I., Preliminary Remarks; II., Indigenous Furs; III., Foreign Furs from Hot Countries; IV., Foreign Furs from Cold Countries; V., Furs from Birds' Skins; VI., Preparation of Furs; VII., Dressing; VIII., Colouring; IX., Preparation of Birds' Skins; X., Preservation of Furs—Chapter IX., Artificial Leather: I., Leather made from Scraps; II., Compressed Leather; III., American Cloth; IV., Papier Mache; V., Linoleum: VI., Artificial Leather.