The Goose Man · Jakob Wassermann

Chapter 10

Chapter 111 of 219 · 3 min read

For nine years the rococo hall in the Auffenberg home had been closed to festive celebrations of every kind. It took a long, tedious exchange of letters between the secretary of the Baron living in Rome and the secretary of the Baroness to get the permission of the former to use the hall.

The indignation at Nothafft’s work was general. The members of the social set could hardly contain themselves, while the amateurs and specially invited guests were likewise but little edified. The chief diversion of the evening, in fact, was to see the composer himself conduct. At the sight of the jumping and sprawling fellow, Herr Zöllner, councillor of the consistory, almost burst with laughter.

Old Count Schlemm-Nottheim, who not only had a liking for pornographic literature but was also known to drink a quarter of a litre of Dr. Rosa’s balsam of life every afternoon, declared that the ensemble playing of all the instruments represented by the show-booths at the annual fair was an actual musical revelation in comparison with this Dutch concert of rogues’ marches. Judge Braun of the Supreme Court gave it as his candid opinion that there was evidently a conspiracy against good taste.

Remarks of this kind were, of course, made behind screens and in the corners. In order not to offend the Baroness, there was a goodly measure of seemingly cordial applause. The guests and artists then assembled around a huge table arranged in the shape of a horseshoe.

Count Schlemm-Nottheim was the table companion of the Baroness; he had her tell him who the various personages from the world of art were. He asked who was the woman of such interesting melancholy sitting next to Major Bellmann. He was told that that was the wife of the composer. His wife? She is not at all bad; life with her would be rather worth while. And who was the woman between old Herold and the Frenchman? A charming little creature: she had eyes like the Lake of Liguria and hands like a princess. That was the sister of the composer’s wife. Sister? You don’t tell me! A jolly fine family; worth the support of any man.

Toasts were drunk. Herr Ehrenreich, the wholesale merchant, drank to the health of the creator of the “Harzreise”; the Count to the ladies present.

Herr Carovius created a sensation. He sat with the members of the “Liedertafel”; they had sung in the chorus; and they were ashamed of him, for he conducted himself in a most unseemly fashion.

He had somehow managed to get hold of a glove Eleanore had lost, and possibly it was this that made him so convivial. He picked up an almond shell from the serving tray, and threw it at Fräulein Varini. He let his leery, lascivious eyes roam about over the cut glass and the decorations of the hall, and never once grew tired of praising the wealth and splendour of the house. He acted as though he were quite at home. He raised his wine glass, and declared that he was charmed by the flavour and colour of the costly, precious juice from the grape: he tried to give the impression that he knew the Auffenberg wine cellar from years of intimate association with it.

Then it happened that through a hasty, awkward movement, he upset his plate; a rivulet of rich brown gravy ran down over his white vest. He became silent; he retired within himself. He dipped his napkin in the water, and rubbed and rubbed. The waiters tittered. He buttoned up his coat, and looked like a show window in the dead of night.

The eyes of the waiters were also given the privilege of feasting on another rare social phenomenon. They noticed that Kapellmeister Nothafft was sitting at the table in his stocking feet. His patent leather shoes had hurt him so much that he made short work of it and took them off during the dinner. There they stood without master or servant, one at the right, the other at the left of his disencumbered feet. Whenever the waiters passed by, they would cast one furtive but profitable glance under the table, and bite their lips to keep from bursting out in laughter.

This rude offence to social dignity was not unknown to the other dinner guests. They whispered, smiled, shrugged their shoulders, and shook their heads. Daniel made no effort to conceal his bootlessness when the guests rose to leave the table; without giving the astonishment of his companions a single thought, he once more drew the patent leather torturers on to his extremities. But he had made a mistake: he had gambled and lost.

The news of the extraordinary event was fully exploited on the following day. It was carried from house to house, accumulated momentous charm in its course, passed from the regions of the high to those of the less high and quite low, and provoked storms of laughter everywhere. No one had anything to say about the symphony; everybody was fully informed concerning the patent leather episode.