Chapter 2

Daniel had a letter of introduction to the Prior of the Monastery at Löhriedt. He was looking for a manuscript that was supposed to have been written by a contemporary of Orlando di Lasso, if not by Di Lasso himself.

He remained for over two months, working at his collection. He found his association with the monks quite agreeable, and they liked him. One of them, who held him in especially high regard because of his ability as an organist, gave him to understand that it was a matter of unaffected regret to him that he could not greet him, Protestant that he was, with the confidence that a man of his singular distinction deserved.

“So! I wish I were a Jew,” said Daniel to him, “then you would have a really unqualified opportunity to see what God can do without your assistance.”

The monk in question was called Father Leonhard; he was a short, wiry fellow with black eyes and a dark complexion. He seemed to have had a great deal of experience with the world, and to have no little cause for contrition and repentance: there was nothing conventional about his religious practices; they were, on the contrary, of almost redundant fervour and renunciation. Daniel was impressed by the man’s faith, though his soul shuddered when in his presence: he regarded him as an enemy, a Philistine, and preferred not to look at him at all.

He lived close by the monastery in the house of a railroad official. Father Leonhard came in to visit him once. Daniel was sitting by the window busily engaged in making some corrections. The Father looked about the room: his eyes fell on a round, wooden box lying on a chair; it looked like a cake box.

“The people at home have sent you something to nibble at,” remarked the Father, as Daniel got up.

Daniel riveted his eyes on the monk, took the box, hesitated for a while, and then opened it. In it, carefully packed in sawdust, was the mask of Zingarella. It was a part of Daniel’s meagre luggage; wherever he went it followed him.

Father Leonhard sprang back terrified. “What does that mean?” he asked.

“It means sin and purification,” said Daniel, holding the mask up in the light of the setting sun. “It means grief and redemption, despair and mercy, love and death, chaos and form.”

From that day on, Father Leonhard never said another word to Daniel Nothafft. And whenever the strange musician chanced to play the organ, the monk arose as quickly as possible, left the church, and sought out some place where the tones could not reach him.