Part 25

When we left them, Barty took my arm and walked home with me, down Oxford Street and up Southampton Row, and talked of Ruy Blas and Fechter, whom he had often seen in Paris.

Just where a little footway leads from the Row to Queen Square and Great Ormond Street, he stopped and said:

"Bob, do you remember how we tossed up for Leah Gibson at this very spot?"

"I should think I did," said I.

"Well, you had a fair field and no favor, old boy, didn't you?"

"Oh yes, I've long resigned any pretensions, as I wrote you more than a year ago; you may go in and win—si le coeur t'en dit!"

"Well, then, your congratulations, please. I asked her to marry me as we crossed Regent Circus, Oxford Street, on the way home; a hansom came by and scattered and splashed us. Then we came together again, and just opposite Peter Robinson's, she asked me if my mind was quite made up—if I was sure I wouldn't ever change. I swore by the eternal gods, and she said she would be my wife; so there we are, an engaged couple."

I must ask the reader to believe that I was equal to the occasion, and said what I ought to have said.

Mrs. Gibson was happy at last; she was satisfied that Barty was a "gentleman," in spite of the kink in his birth; and as for his prospects, money was a thing that never entered Mrs. Gibson's head, and she loved Barty as a son—was a little bit in love with him herself, I believe; she was not yet forty, and as pretty as she could be.

Besides, a week after, who should call upon her over the shop—there was a private entrance of course—but the Right Honorable Lady Caroline Grey and her niece, Miss Daphne Rohan, granddaughter of the late and niece of the present Marquis of Whitby!

And Mrs. Gibson felt as much at home with them in five minutes as if she'd known them all her life.

Leah was summoned from below, and kissed and congratulated by the two aristocratic relatives of Barty's, and relieved of her shyness in a very short time indeed.

As a matter of fact, Lady Caroline, who knew her nephew well, and thoroughly understood his position, was really well pleased; she had never forgotten her impression of Leah when she met her in the park with Ida and me a year back, and we all walked by the Serpentine together—a certain kind of beauty seems to break down all barriers of rank; and she knew Leah's character both from Barty and me, and from her own native shrewdness of observation. She had been delighted to hear from Barty of Leah's resolute participation in her father's troubles, and in his attempt—so successful through her—to rehabilitate his business. To her old-fashioned aristocratic way of looking at things, there was little to choose between a respectable West End shopkeeper and a medical practitioner or dentist or solicitor or architect—or even an artist, like Barty himself. Once outside the Church, the Army and Navy, or a Government office, what on earth did it matter who or what one was, or wasn't? The only thing she couldn't stand was that horrid form of bourgeois gentility, the pretension to seem something better than you really are. Mrs. Gibson was so naïvely honest in her little laments over her lost grandeur that she could hardly be called vulgar about it.

Mr. Gibson didn't appear; he was overawed, and distrusted himself. I doubt if Lady Caroline would have liked anything in the shape of jocose familiarity; and I fear her naturalness and simplicity and cordiality of manner, and the extreme plainness of her attire, might have put him at his ease almost a trifle too much.

Whether her ladyship would have been so sympathetic about this engagement if Barty had been a legitimate Rohan—say a son of her own—is perhaps to be doubted; but anyhow she had quite made up her mind that Leah was a quite exceptional person, both in mind and manners. She has often said as much to me, and has always had as high a regard for Barty's wife as for any woman she knows, and has still—the Rohans are a long-lived family. She has often told me she never knew a better, sincerer, nobler, or more sensible woman than Barty's wife.

Besides which, as I have been told, the ancient Yorkshire house of Rohan has always been singularly free from aristocratic hauteur; perhaps their religion may have accounted for this, and also their poverty.

This memorable visit, it must be remembered, happened nearly forty years ago, when social demarcations in England were far more rigidly defined than at present; then, the wife of a costermonger with a donkey did not visit the wife of a costermonger who had to wheel his barrow himself.

We are more sensible in these days, as all who like Mr. Chevalier's admirable coster-songs are aware. Old Europe itself has become less tolerant of distinctions of rank; even Austria is becoming so. It is only in southeastern Bulgaria—and even of this I am not absolutely sure—that the navvy who happens to be of noble birth refuses to work in the same gang with the navvy who isn't; and that's what I call real "esprit de corps," without which no aristocracy can ever hope to hold its own in these degenerate days.

Noblesse oblige!

Why, I've got a Lord Arthur in my New York agency, and two Hon'bles in Barge Yard, and another at Cape Town; and devilish good men of business they are, besides being good fellows all round. They hope to become partners some day; and, by Jove! they shall. Now I've said it, I'll stick to it.

The fact is, I'm rather fond of noble lords: why shouldn't I be? I might have been one myself any day these last ten years; I might now, if I chose; but there! Charles Lamb knew a man who wanted to be a tailor once, but hadn't got the spirit. I find I haven't got the spirit to be a noble lord. Even Barty might have been a lord—he, a mere man of letters!—but he refused every honor and distinction that was ever offered to him, either here or abroad—even the Prussian order of Merit!

Alfred Tennyson was a lord, so what is there to make such a fuss about. Give me lords who can't help themselves, because they were born so, and the stupider the better; and the older—for the older they are the grander their manners and the manners of their womankind.

Take, for instance, that splendid old dow, Penelope, Duchess of Rumtifoozleland—I always give nicknames to my grand acquaintances; not that she's particularly old herself, but she belongs to an antiquated order of things that is passing away—for she was a Fitztartan, a daughter of the ducal house of Comtesbois (pronounced County Boyce); and she's very handsome still.

Have you ever been presented to her Grace, O reader?

If so, you must have been struck by the grace of her Grace's manner, as with a ducal gesture and a few courtly words she recognizes the value of whatever immense achievements yours must have been to have procured you such an honor as such an introduction, and expresses her surprise and regret that she has not known you before. The formula is always the same, on every possible occasion. I ought to know, for I've had the honor of being presented to her Grace seven times this year.

Now this lofty forgetting of your poor existence—or mine—is not aristocratic hauteur or patrician insolence; it is bêtise pure et simple, as they call it in France. She was a daughter of the house of Comtesbois, and the Fitztartans were not the inventors of gunpowder, nor was she.

But for a stately, magnificent Grande Dame of the ancient régime, to meet for the seventh time, and be presented to—for the seventh time—with all due ceremony in the midst of a distinguished conservative crowd—say at a ball at Buckingham Palace—give me Penelope, Dowager Duchess of Rumtifoozleland!

(This seems a somewhat uncalled-for digression. But, anyhow, it shows that when it pleases me to do so I move in the very best society—just like Barty Josselin.)

So here was Mr. Nobody of Nowhere taking unto himself a wife from among the daughters of Heth; from the class he had always disliked, the buyers cheap and the sellers dear—whose sole aim in life is the making of money, and who are proud when they succeed and ashamed when they fail—and getting actually fond of his future father and mother in law, as I was!

When I laughed to him about old Gibson—John Gilpin, as we used to call him—being a tradesman, he said:

"Yes; but what an unsuccessful tradesman, my dear fellow!" as if that in itself atoned or made amends for everything.

"Besides, he's Leah's father! And as for Mrs. Gilpin, she's a dear, although she's always on pleasure bent; at all events, she's not of a frugal mind; and she's so pretty and dresses so well—and what a foot!—and she's got such easy manners, too; she reminds me of dear Lady Archibald! that's a mother-in-law I shall get on with.... I wish she didn't make such a fuss about living over the shop; I call that being above one's business in every way."

"Je suis au-dessus de mes affaires," as old Bonzig proudly said when he took a garret over the Mont de Piété, in the Rue des Averses.

Barty's courtship didn't last long—only five or six months—during which he made lots of money by sketching little full-length portraits of people in outline and filling up with tints in water-color. He thus immortalized my father and mother, and Ida Scatcherd and her husband, and the old Scatcherds, and lots of other people. It was not high art, I suppose; he was not a high artist; but it paid well, and made him more tolerant of trade than ever.

He took the upper part of a house in Southampton Row, and furnished it almost entirely with wedding-gifts; among other things, a beautiful semi-grand piano by Érard—the gift of my father. Everything was charming there and in the best taste.

Leah was better at furnishing a house than at drawing and music-making; it was an occupation she revelled in.

It is not perhaps for me to say that their cellar might hold its own with that of any beginners in their rank of life!

Well, and so they were married at Marylebone Church, and I was Barty's best man (he was to have been mine, and for that very bride). Nobody else was there but the family, and Ida, whose husband was abroad; the sun shone, though it was not yet May—and then we breakfasted; and John Gilpin made a very funny speech, though with tears in his voice; and as for poor Maman-belle-mère, as Barty called her, she was a very Niobe.

They went for a fortnight to Boulogne. I wished them joy from the bottom of my heart, and flung a charming little white satin slipper of Mrs. Gibson's; it alighted on the carriage—our carriage, by-the-way; we had just started one, and now lived at Lancaster Gate.

It was a sharp pang—almost unbearable, but, also, almost the last. The last was when she came back and I saw how radiant she looked. And as for Barty, he was like

"the herald Mercury, New lighted on a heaven-kissing hill!"

and he had shaved off his beard and mustache to please his wife.

"From George du Maurier, Esqre., A.R.W.S., Hampstead Heath, to the Right Honble. Sir Robert Maurice, Bart., M.P.:

"My Dear Maurice,—In answer to your kind letter, I shall be proud and happy to illustrate your biography of Barty Josselin; but as for editing it, vous plaisantez, mon ami; un amateur comme moi! who'll edit the editor? Quis custodiet?...

"You're mistaken about Malines. I only got back there a week or two before he left it. I remember often seeing him there, arm in arm with his aunt, Lady Caroline Grey, and being told that he was a monsieur anglais, qui avait mal aux yeux (like me); but in Düsseldorf, during the following winter, I knew him very well indeed.

"We, and the others you tell me you mention, had a capital time in Düsseldorf. I remember the beautiful Miss Royce they were all so mad about, and also Miss Gibson, whom I admired much the most of the two, although she wasn't quite so tall—you know my craze for lovely giantesses.

"Josselin and I came to London at about the same time, and there again I saw much of him, and was immensely attracted by him, of course—as we all were, in the very pleasant little artistic clique you tell me you describe; but somehow I was never very intimate with him—none of us were, except, perhaps, Charles Keene.

"He went a great deal into smart society, and a little of the guardsman still clung to him, and this was an unpardonable crime in those Bohemian days.

"He was once seen walking between two well-known earls, in the Burlington Arcade, arm in arm!

"Z— (to whom a noble lord was as a red rag to a bull) all but cut him for this, and we none of us approved of his swell friends, Guardsmen and others. How we've all changed, especially Z—, who hasn't missed a levée for twenty years, nor his wife a drawing-room!

"Josselin and I acted in a little French musical farce together at Cornelys's; he had a charming voice and sang beautifully, as you know.

"Then he married, and a year after I did the same; and though we lived near each other for a little while, we didn't meet very often, beyond dining together once or twice at each other's houses. They lived very much in the world.

"It will be very difficult to draw his wife. I really think Mrs. Josselin was the most beautiful woman I ever saw; but she used to be very reserved in those early days, and I never felt quite at my ease with her. I'm sure she was sweetness and kindness itself; she was certainly charming at her own dinner-table, where she was less shy.

"Millais's portrait of her is very good, and so is Watts's; but the best idea of her is to be got from Josselin's little outlines in 'The Discreet Princess,' and these are out of print. If you have any, please lend them to me, and I will faithfully return them. I have more than once tried to draw her in Punch, from memory, but never with success.

"I used to call her 'La belle dame sans merci.'

"I've often, however, drawn Josselin, as you must remember, and people have recognized him at once. Thanks for all his old sketches of school, etc., which will be very useful.

"I wish I had known the Josselins better. But when one lives in Hampstead one has to forego many delightful friendships; and then he grew to be such a tremendous swell! Good heavens!—Sardonyx, etc. I never could muster courage even to write and congratulate him.

"It never occurred to any of us, either in Düsseldorf or London, to think him what is called clever; he never said anything very witty or profound. But he was always funny in a good-natured, jovial manner, and made me laugh more than any one else.

"As for satire, good heavens! that seemed not in him. He was always well dressed, always in high spirits and a good temper, and very demonstrative and caressing; putting his arm round one, and slapping one on the back or lifting one up in the air; a kind of jolty, noisy, boisterous boon-companion—rather uproarious, in fact, and with no disdain for a good bottle of wine or a good bottle of beer. His artistic tastes were very catholic, for he was prostrate in admiration before Millais, Burne-Jones, Fred Walker, and Charles Keene, with the latter of whom he used to sing old English duets. Oddly enough, Charles Keene had for Josselin's little amateur pencillings the most enthusiastic admiration—probably because they were the very antipodes of his own splendid work. I believe he managed to get some little initial letters of Josselin's into Punch and Once a Week; but they weren't signed, and made no mark, and I've forgotten them.

"Josselin didn't really get his foot in the stirrup till a year or two after his marriage.

"And that was by his illustrations to his own Sardonyx, which are almost worthy of the letter-press, I think; though still somewhat lacking in freedom and looseness, and especially in the sense of tone. The feeling for beauty and character in them (especially that of women and children) is so utterly beyond anything else of the kind that has ever been attempted, that technical considerations no longer count. I think you will find all of us, in or outside the Academy, agreed upon this point.

"I saw very little of him after he bought Marsfield; but I sometimes meet his sons and daughters, de par le monde.

"And what a pleasure that is to an artist of my particular bent you can readily understand. I would go a good way to see or talk to any daughter of Josselin's; and to hear Mrs. Trevor sing, what miles! I'm told the grandchildren are splendid—chips of the old block too.

"And now, my dear Maurice, I will do my best; you may count upon that, for old-times' sake, and for Josselin's, and for that of 'La belle dame sans merci,' whom I used to admire so enthusiastically. It grieves me deeply to think of them both gone—and all so sudden!

"Sincerely yours,

"George du Maurier.

"P. S.—Very many thanks for the Château Yquem and the Steinberger Cabinet; je tâcherai de ne pas en abuser trop!

"I send you a little sketch of Graham-Reece (Lord Ironsides), taken by me on a little bridge in Düsselthal, near Düsseldorf. He stood for me there in 1860. It was thought very like at the time."

When the Josselins came back from their honeymoon and were settled in Southampton Row many people of all kinds called on the newly married pair; invitations came pouring in, and they went very much into the world. They were considered the handsomest couple in London that year, and became quite the fashion, and were asked everywhere, and made much of, and raved about, and had a glorious time till the following season, when somebody else became the fashion, and they had grown tired of being lionized themselves, and discovered they were people of no social importance whatever, as Leah had long perceived; and it did them good.

Barty was in his element. The admiration his wife excited filled him with delight; it was a kind of reflected glory, that pleased him more than any glory he could possibly achieve for himself.

I doubt if Leah was quite so happy. The grand people, the famous people, the clever, worldly people she met made her very shy at first, as may be easily imagined.

She was rather embarrassed by the attentions many smart men paid her as to a very pretty woman, and not always pleased or edified. Her deep sense of humor was often tickled by this new position in which she found herself, and which she put down entirely to the fact that she was Barty's wife.

She never thought much of her own beauty, which had never been made much of at home, where beauty of a very different order was admired, and where she was thought too tall, too pale, too slim, and especially too quiet and sedate.

Dimpled little rosy plumpness for Mr. and Mrs. John Gilpin, and the never-ending lively chatter, and the ever-ready laugh that results from an entire lack of the real sense of humor and a laudable desire to show one's pretty teeth.

Leah's only vanity was her fondness for being very well dressed; it had become a second nature, especially her fondness for beautiful French boots and shoes, an instinct inherited from her mother.

For these, and for pretty furniture and hangings, she had the truly æsthetic eye, and was in advance of her time by at least a year.

She shone most in her own home—by her great faculty of making others at home there, too, and disinclined to leave it. Her instinct of hospitality was a true inheritance; she was good at the ordering of all such things—food, wines, flowers, waiting, every little detail of the dinner-table, and especially who should be asked to meet whom, and which particular guests should be chosen to sit by each other. All things of which Barty had no idea whatever.

I remember their first dinner-party well, and how pleasant it was. How good the fare, and how simple; and how quick the hired waiting—and the wines! how—(but I won't talk of that); and how lively we all were, and how handsome the women. Lady Caroline and Miss Daphne Rohan, Mr. and Mrs. Graham-Reece, Scatcherd and my sister; G. du Maurier (then a bachelor) and myself—that was the party, a very lively one.