Chapter 5

HOW THE SOUP WAS MADE.

"I have not travelled at all," said the last mouse. "I remained in our own country. It is not necessary to go to foreign lands—one can learn as well at home. I remained there. I have not acquired any information of unnatural beings. I have not eaten information, or conversed with owls. I confined myself to original thoughts. Will some one now be so good as to fill the kettle with water, and put it on? Let there be plenty of fire under it. Let the water boil—boil briskly; then throw the sausage-stick in. Will his majesty the King of the Mice be so condescending as to put his tail into the boiling pot, and stir it about? The longer he stirs it, the richer the soup will become. It costs nothing, and requires no other ingredients—it only needs to be stirred."

"Cannot another do this?" asked the king.

"No," said the mouse. "The effect can only be produced by the royal tail."

The water was boiled, and the King of the Mice prepared himself for the operation, though it was rather dangerous. He stuck his tail out, as mice are in the habit of doing in the dairy, when they skim the cream off the dish with their tails; but he had no sooner popped his tail into the warm steam than he drew it out and sprang down.

"Of course you are my queen," said he; "but we shall wait for the soup till our golden wedding, and the poor in my kingdom will have something to rejoice over in the future."

So the nuptials were celebrated; but many of the mice, when they went home, said, "It could not well be called soup of a sausage-stick, but rather soup of a mouse's tail."

They allowed that each of the narratives was very well told, but the whole might have been better. "I, for instance, would have related my adventures in such and such words...."

These were the critics, and they are always so wise—afterwards.

And this history went round the world. Opinions were divided about it, but the historian himself remained unmoved. And this is best in great things and in small.

The Neck of a Bottle.

Yonder, in the confined, crooked streets, amidst several poor-looking houses, stood a narrow high tenement, run up of framework that was much misshapen, with corners and ends awry. It was inhabited by poor people, the poorest of whom looked out from the garret, where, outside the little window, hung in the sunshine an old, dented bird-cage, which had not even a common cage-glass, but only the neck of a bottle inverted, with a cork below, and filled with water. An old maid stood near the open window; she had just been putting some chickweed into the cage, wherein a little linnet was hopping from perch to perch, and singing until her warbling became almost overpowering.

"Yes, you may well sing," said the neck of the bottle; but it did not say this as we should say it, for the neck of a bottle cannot speak, but it thought so within itself, just as we human beings speak inwardly.

"Yes, you may well sing, you who have your limbs entire. You should have experienced, like me, what it is to have lost your lower part, to have only a neck and a mouth, and the latter stopped up with a cork, as I have; then you would not sing. But it is well that somebody is contented. I have no cause to sing, and I cannot. I could once though, when I was a whole bottle. How I was praised at the furrier's in the wood, when his daughter was betrothed! Yes, I remember that day as if it were yesterday. I have gone through a great deal when I look back. I have been in fire and in water, down in the dark earth, and higher up than many; and now I am suspended outside of a bird-cage in the air and sunshine. It might be worth while to listen to my story; but I do not speak it aloud, because I cannot."

So it went on thinking over its own history, which was curious enough; and the little bird poured forth its strains, and in the street below people walked and drove, every one thinking of himself, some scarcely thinking at all; but the neck of the bottle was thinking.

It remembered the blazing smelt-furnace at the manufactory where it was blown into life. It remembered even now that it had been extremely warm; that it had looked into the roaring oven, its original home, and had felt strongly inclined to spring back into it; but that by degrees, as it felt cooler, it found itself comfortable enough where it was, placed in a row with a whole regiment of brothers and sisters from the same furnace, some of which, however, were blown into champagne bottles, others into ale bottles; and that made a difference, since out in the world an ale bottle may contain the costly LACRYMAE CHRISTI, and a champagne bottle may be filled with blacking; but what they were born to every one can see by their shape, so that noble remains noble even with blacking in it.

All the bottles were packed up, and our bottle with them. It then little thought that it would end in being only the neck of a bottle serving as a bird's glass—an honourable state of existence truly, but still something. It did not see daylight again until it was unpacked along with its comrades in the wine merchant's cellar, and was washed for the first time. That was a funny sensation. After that it lay empty and uncorked, and felt so very listless; it wanted something, but did not know what it wanted. At length it was filled with an excellent, superior wine, and, when corked and sealed, a label was stuck on it outside with the words, "Best quality." It was as if it had taken its first academic degree. But the wine was good, and the bottle was good. The young are fond of music, and much singing went on in it, the songs being on themes about which it scarcely knew anything—the green sunlit hills where the wine grapes grew, where beautiful girls and handsome swains met, and danced, and sang, and loved. Ah! there it is delightful to dwell. And all this was made into songs in the bottle, as it is made into songs by young poets, who also frequently know nothing at all about the subjects they choose.

One morning it was bought. The furrier's boy was ordered to purchase a bottle of the best wine, and this one was carried away in a basket, with ham, cheese, and sausage; there were also the nicest butter and the finest bread. The furrier's daughter herself packed the basket. She was so young, so pretty! Her brown eyes laughed, and the smile on her sweet mouth was almost as expressive as her eyes. She had beautiful soft hands—they were so white; yet her throat and neck were still whiter. It could be seen at once that she was one of the prettiest girls in the neighbourhood, and, strange to say, not yet engaged.

The basket of provisions was placed in her lap when the family drove out to the wood. The neck of the bottle stuck out above the parts of the white napkins that were visible. There was red wax on its cork, and it looked straight into the eyes of the pretty girl, and also into those of the young sailor—the mate of a ship—who sat beside her. He was the son of a portrait painter, and had just passed a first-rate examination for mate, and was to go on board his vessel the next day to sail for far-distant countries. Much was said about his voyage during the drive; and when it was spoken of, there was not exactly an expression of joy in the eyes and about the mouth of the furrier's daughter.

The two young people wandered away into the green wood. They were in earnest conversation. Of what were they speaking? The bottle did not hear that, for it was still standing in the basket of provisions. It seemed a long time before it was taken out, but then it saw pleasant faces round. Everybody was smiling, and the furrier's daughter also smiled; but she spoke less, and her cheeks were blushing like two red roses.

The father took the full bottle and the corkscrew. Oh! it is astonishing to a bottle the first time a cork is drawn from it. The neck of the bottle could never afterwards forget that important moment when, with a low sound, the cork flew, and the wine streamed out into the awaiting glasses.

"To the health of the betrothed pair!" cried the father, and every glass was drained; and the young mate kissed his lovely bride. "May happiness and every blessing attend you both!" said the old people; and the young man begged them to fill their glasses again for his toast.

"To my return home and my wedding, within a year and a day!" he cried; and when the glasses were empty he took the bottle, and lifted it high above his head. "Thou hast been present during the happiest day of my life; thou shalt never serve another!"

And he cast the bottle high up in the air. Ah! little did the furrier's daughter think then that she should often look on that which was flung up; but she was destined to do so. It fell among the thick mass of reeds that bordered a pond in the woods. The neck of the bottle remembered distinctly what it thought as it lay there, and it was this: "I gave them wine, and they give me bog-water; but it was well meant." It could no more see the betrothed young couple, or the happy old people; but it heard in the distance the sounds of music and of mirth. Then came two little peasant children peering among the reeds. They saw the bottle, and carried it off with them: so it was provided for.

At home, in the cottage among the woods where they lived, their eldest brother, who was a sailor, had, the day before, come to say farewell; for he was about to start on a long voyage. The mother was busy packing various little matters, which the father was to take with him to the town in the evening, when he went to see his son once more before his departure, and give him again his mother's blessing. A phial with spiced brandy was placed in the package; but at that moment the children came in with the larger, stronger bottle which they had found. A larger quantity could go into it than into the phial. It was not the red wine, as before, that the bottle received, but some bitter stuff. However, it also was excellent as a stomachic. Our bottle was thus again to set forth on its travels. It was carried on board to Peter Jensen, who happened to be in the same ship as was the young mate; but he did not see the bottle, and, if he had seen it, he would not have known it to have been the same from which were drunk the toasts in honour of his betrothal, and to his safe return.

Although there was no longer wine in it, there was something quite as good; and whenever Peter Jensen brought it forth, his comrades called it "the apothecary." The nice medicine was so much in vogue that very soon there was not a drop of it left. The bottle had a pleasant time of it, upon the whole, while its contents were in such high favour. It acquired the name of the great "Loerke"—"Peter Jensen's Loerke."

But this time was passed, and it had lain long neglected in a corner. It did not know whether it was on the voyage out or homewards; for it had never been on shore anywhere. One day a great storm arose; the black, heavy waves rolled mountains high, and heaved the ship up and cast it down by turns; the mast came down with a crash; the sea stove in a plank; the pumps were no longer of any avail. It was a pitch-dark night. The ship sank; but at the last minute the young mate wrote on a slip of paper, "In the name of Jesus—we are lost!" He wrote down the name of his bride, his own name, and that of his ship; then he thrust the note into an empty bottle that was within reach, pressed in the cork tightly, and cast the bottle out into the raging sea. Little did he know that it was the identical bottle which had contained the wine in which had been drunk the toasts of joy and hope for him and her, that was now tossing on the billows with these last remembrances, and the message of death.

The ship sank—the crew sank—but the bottle skimmed the waves like a sea-fowl. It had a heart then—the letter of love within it. And the sun rose, and the sun set. This sight recalled to the bottle the scene of its earliest life—the red glowing furnace, to which it had once longed to return. It encountered calms and storms; but it was not dashed to pieces against any rocks. It was not swallowed by any shark. For more than a year and a day it drifted on—now towards the north, now towards the south—as the currents carried it. In other respects it was its own master; but one can become tired even of that.

The written paper—the last farewell from the bridegroom to his bride—would only bring deep sorrow if it ever reached the proper hands. But where were these hands, that had looked so white when they spread the tablecloth on the fresh grass in the green wood on the betrothal-day? Where was the furrier's daughter? Nay, where was her country? and to what country was it nearest? The bottle knew not. It drifted and drifted, and it was so tired of always drifting on; but it could not help itself. Still, still it had to drift, until at last it reached the land; but it was a foreign country. It did not understand a word that was said, for the language was not such as it had been formerly accustomed to hear; and one feels quite lost if one does not understand the language spoken around.

The bottle was taken up and examined; the slip of paper in it was observed, taken out, and opened; but nobody could make out what was written on it, though every one knew that the bottle must have been cast overboard, and that some information was contained in the paper; but what that was remained a mystery, and it was put back into the bottle, and the latter laid by in a large press, in a large room, in a large house.

Whenever any stranger came the slip of paper was taken out, opened, and examined, so that the writing, which was only in pencil, became more and more illegible from the frequent folding and unfolding of the paper, till at length the letters could no longer be discerned. After the bottle had remained about a year in the press it was removed to the loft, and was soon covered with dust and cobwebs. Ah! then it thought of its better days, when red wine was poured from it in the shady wood, and when it swayed about upon the waves, and had a secret to carry—a letter, a farewell sigh.

It now remained in the loft for twenty mortal years, and it might have remained longer, had not the house been going to be rebuilt. The roof was taken off, the bottle discovered and talked about; but it did not understand what was said. One does not learn languages, living up alone in a loft, even in twenty years. "Had I but been down in the parlour," it thought, and with truth, "I would, of course, have learned it."

It was now washed and rinsed. It certainly wanted cleaning sadly, and very clear and transparent it felt itself after it—indeed, quite young again in its old age; but the slip of paper committed to its charge, that was lost in the washing. The bottle was now filled with seeds. Such contents were new to it. Well stopped up and wrapped up it was, and it could see neither a lantern nor a candle, not to mention the sun or the moon. "One ought to see something when one goes on a journey," thought the bottle; but it did not, however, until it reached the place it was going to, and was there unpacked.

"What trouble these people abroad have taken about it!" was remarked; "yet no doubt it is cracked." But it was not cracked. The bottle understood every word that was said, for they were spoken in the language it had heard at the furnace, at the wine merchant's, in the wood, and on board ship—the only right good old language, one which could be understood. The bottle had returned to its own country, and in its joy had nearly jumped out of the hands that were holding it. It scarcely observed that the cork had been removed, its contents shaken out, and itself put away in the cellar to be kept and forgotten. But home is dearest, even in a cellar. It had enough to think over, and time enough to think, for it lay there for years; but at last one day folks came down there to look for some bottles, and took this one with them.

Outside, in the garden, there were great doings; coloured lamps hung in festoons; paper lanterns, formed like large tulips, gave forth their subdued light. It was also a charming evening; the air was calm and clear; the stars began, one after the other, to shine in the deep blue heavens above; while the round moon looked like a pale bluish-grey ball, with a golden border encircling it.

There were also some illuminations in the side walks, at least enough to let people see their way; bottles with lights in them were placed here and there among the hedges; and amidst these stood the bottle we know, the one that was destined to end as the mere neck of a bottle and the glass of a bird-cage. At the period just named, however, it found everything so exquisitely charming. It was again among flowers and verdure, again surrounded by joy and festivity; it again heard singing and musical instruments, and the hum and buzz of a crowd of people, especially from that part of the gardens which were most brilliantly illuminated. It had a good situation itself, and stood there useful and happy, bearing its appointed light. During such a pleasant time it forgot the twenty years up in the loft, and it is good to be able to forget.

Close by it passed a couple arm-in-arm, like the happy pair in the wood, the mate and the furrier's daughter. It seemed to the bottle as if it were living that time over again. Guests and visitors of different ages wandered up and down, gazing upon the illuminations; and among these was an old maid, without relations, but not without friends. Probably her thoughts were occupied, as were those of the bottle; for she was thinking of the green woods, and of a young couple just betrothed. These souvenirs affected her much, for she had been a party in them—a prominent party. This was in her happier hours; and one never forgets these, even when one becomes a very old maid. But she did not recognise the bottle, and it did not recognise her. So it is we wear out of each other's knowledge in this world, until people meet again as these two did.

The bottle passed from the public gardens to the wine merchant's; it was there again filled with wine, and sold to an aeronaut, who was to go up in a balloon the following Sunday. There was a multitude of people to witness the ascent, there was a regimental band, and there were many preparations going on. The bottle saw all this from a basket, in which it lay with a living rabbit, who was very much frightened when it saw it was to go up in the parachute. The bottle did not know where it was to go; it beheld the balloon extending wider and wider, and becoming so large that it could not be larger; then lifting itself up higher and higher, and rolling restlessly until the ropes that held it were cut, when it arose majestically into the air, with the aeronaut, the basket, the bottle, and the rabbit; then the music played loudly, and the assembled crowd shouted, "Hurra! hurra!"

"It is droll to go aloft," thought the bottle; "it is a novel sort of a voyage. Up yonder one cannot run away."

Many thousand human beings gazed up at the balloon, and the old maid gazed among the rest. She stood by her open garret window, where a cage hung with a little linnet, which at that time had no water-glass, but had to content itself with a cup. Just within the window stood a myrtle tree, that was moved a little aside, that it might not come in the way while the old maid was leaning out to look at the balloon. And she could perceive the aeronaut in it; she saw him let the rabbit down in the parachute, and then, having drunk the health of the crowd below, throw the bottle high up in the air. Little did she think that it was just the same bottle she had seen thrown up high in honour of herself and her lover, on a well-remembered happy day amidst the green wood, when she was young.

The bottle had no time to think, it was so unexpectedly exalted to the highest position it had ever attained in its life. The roofs and the spires lay far below, and the people looked as small as pigmies.

It now descended, and that at a different rate of speed from the rabbit. The bottle cast somersaults in the air—it felt itself so young, so buoyant. It was half full of wine, but not long. What a trip that was! The sun shone upon the bottle, and all the crowd looked up at it. The balloon was soon far away, and the bottle was soon also out of sight, for it fell upon a roof and broke in two; but the fragments rebounded again, and leaped and rolled till they reached the yard below, where they lay in smaller pieces; for only the neck of the bottle escaped destruction, and it looked as if it had been cut round by a diamond.

"It may still serve as a glass for a bird's cage," said the man in the cellar.

But he himself had neither a bird nor a cage, and it would have cost too much to buy these because he had found the neck of a bottle that would answer for a glass. The old maid, however, up in the garret, might make use of it; and so the neck of the bottle was sent up to her. A cork was fitted to it, and, as first mentioned, after its many changes, it was filled with fresh water, and was hung in front of the cage of the little bird, that sang until its warbling became almost overpowering.

"Yes, you may well sing," was what the neck of the bottle had said.

It was somewhat of a wonder, as it had been up in a balloon; but with more of its history no one was acquainted. Now it hung as a bird's glass, it could hear the people driving and walking in the street below, and it could hear the old maid talking in her room to a female friend of her youthful days. They were chatting together, but speaking of the myrtle plant in the window, not of the neck of the bottle.

"You must not throw away two rix dollars for a wedding bouquet for your daughter," said the old maid. "You shall have one from me full of flowers. Look how pretty that plant is! Ah! it is a slip of the myrtle tree you gave me the day after my betrothal, that I myself, when the year was past, might take my wedding bouquet from it. But that day never came. The eyes were for ever closed that were to have illumined for me the path of happiness in this life. Away, down in the ocean's depths, he sleeps calmly—that angel soul! The tree became an old tree, but I have become still older; and when it died, I took its last green branch and planted it in the earth. That slip has now grown into a high plant, and will at last appear amidst bridal array, and form a wedding bouquet for my friend's daughter."

And tears started to the old maid's eyes. She spoke of the lover of her youth—of the betrothal in the wood; she thought of the toasts that were there drunk; she thought of the first kiss, but she did not speak of that, for she was now but an old maid. She thought of much—much; but little did she think that outside of her window was even then a souvenir from that regretted time—the neck of the very bottle that had been drawn when the unforgotten toasts were drunk! Nor did the bottle-neck know her; for it had not heard all she had said, because it had been thinking only of itself.

The Old Bachelor's Nightcap.

There is a street in Copenhagen which bears the extraordinary name of "Hyskenstroede." And why is it so called? and what is the meaning of that name? It is German; but the German has been corrupted. "Haeuschen" it ought to be called, and that signifies "small houses." Those which stood there formerly—and, indeed, for several years—were not much larger than the wooden booths that we see now-a-days erected at fairs. Yes, only a little larger, and with windows; but the panes were of horn or stretched bladder, for in these days it was too expensive to have glass windows in all houses; but the time in question was so far back that our grandfathers' grandfathers, when they mentioned it, also spoke of it as "in ancient days," for it was several hundred years ago.

Many rich merchants in Bremen and Lubeck carried on business in Copenhagen. They did not, however, go there themselves—they sent their clerks; and these persons generally resided in the wooden houses in the "Small Houses' Street," and held sales of ale and spices. The German ale was so excellent, and there were so many kinds—"Bremer, Prysing, Emser ale," even "Brunswick Mumme;" also, all sorts of spices, such as saffron, anise, ginger, and especially pepper, that was the most valued; and from this the German commercial travellers acquired the name in Denmark of "Pepper Swains, or Bachelors." They entered into an agreement before they left home not to marry; and many of them lived there to old age. They had to do entirely for themselves, attend to all little domestic matters, even make their own fires if they had any. Several of them became lonely old men, with peculiar thoughts and peculiar habits. Every unmarried man who has arrived at a certain age is now here called after them in derision, "Pebersvend"—old bachelor. It was necessary to relate all this, in order that our story might be understood.

People made great fun of these old bachelors; laughed at their nightcaps, at their drawing them down over their eyes, and so retiring to their couches.

"Saw the firewood, saw it through! Old bachelors, there's work for you. To bed with you your nightcaps go; Put out your lights, and cry, 'O woe!'"

Yes, such songs were made on them. People ridiculed the old bachelor and his nightcap, just because they knew so little about him, or it. Alas! let no one desire such a nightcap. And why not? Listen!

Over in the "Small Houses' Street," in ancient days, there was no pavement; people stepped from hole to hole as in a narrow, cut-up defile; and narrow enough this was, too. The dwellings on the opposite side of the street stood so close together, that in summer a sail was spread across the street from one booth to another, and the whole place was redolent of pepper, saffron, ginger, and various spices. Behind the desks stood few young men; no, they were almost all old fellows; and they were by no means, as we would represent them, crowned with a peruke or a nightcap, and equipped in shaggy pantaloons, a vest and coat buttoned tightly up. This was the costume in which our forefathers were painted, it is true; but this community of old bachelors could not afford to have their pictures taken. Yet it would have been worth while now to have preserved a portrait of one of them, as they stood behind their desks, or on festival days, when they wended their way to church. The hat they wore was broad-brimmed, and with a high crown; and sometimes one of the younger men would stick a feather in his. The woollen shirt was concealed by a deep linen collar; the tight-fitting jacket was closely buttoned, a loose cloak over it; and the pantaloons descended almost into the square-toed shoes, for stockings they wore none. In the belt were stuck the eating knife and the spoon; and, moreover, a large knife as a weapon of defence, for such was often needed in these days.

Thus was equipped, on grand occasions, old Anthon, one of the oldest bachelors of the "small houses;" only he did not wear the high-crowned hat, but a fur cap, and under that a knitted cap, a veritable nightcap, to which he had so accustomed himself that it was never off his head: he actually possessed two of the same description. He would have made an excellent subject for a painter; he was so skinny, so wrinkled about the mouth and the eyes; had long fingers, with such large joints; and his grey eyebrows were so thick. A bunch of grey hair from one of these hung over his left eye: it certainly was not pretty, but it made him very remarkable. It was known that he came from Bremen, at least that his master lived there; but he himself was from Thueringen, from the town of Eisenach, close to Wartburg. Old Anthon spoke little of his native place, but he thought of it the more.

The old lodgers in the street did not associate much with each other. Each remained in his own booth, which, was locked early in the evening, and then looked very dismal; for only a glimmering light could be seen through the horn panes of the window in the roof, beneath which sat, most frequently on his bed, the old man with his German psalm-book, and chanted the evening hymn, or else he went out and strolled about at night by way of amusement; but amusement it could hardly be called. To be a stranger in a foreign country is a very sad situation. No notice is taken of him unless he stands in anyone's way.

Often when it was a pitch-dark night, with pouring rain, all around looked woefully gloomy and desolate. No lanterns were to be seen, except the little one that hung at one end of the street, before the image of the Virgin Mary that adorned the wall there. The water was heard dashing and splashing against the wooden work near, out by Slotsholm, on which the other end of the street opened. Such evenings are always long and lonely if there be nothing to interest one. It is not necessary every day to pack and unpack, to make up parcels, and to polish scales; but one must have something to do, and accordingly old Anthon industriously mended his clothes and cleaned his shoes. When at length he retired to rest, it was his custom to keep on his nightcap. At first he would draw it well down, but he would soon push it up again to look if the light were totally extinguished; nor would he be satisfied without getting up and feeling it. He would then lie down again, and turn on the other side, and again draw down the nightcap; but soon the idea would cross his mind that possibly the coals might not have become cold in the little fire-pot beneath—the fire might not be totally out—that a spark might be kindled, fly forth, and do mischief; and he would get out of his bed and creep down the ladder, for it could not be called the stairs; and when, on reaching the fire-pot, he perceived that not a spark was visible, and he might retire to rest in peace, he would stop half way up, being seized with the fear that the iron bolt might not be properly drawn across the door, or the shutters properly secured; and down he would go again, wearying his poor thin legs. By the time he crept back to his humble couch he would be half frozen, and his teeth would be chattering in his head with the cold. Then he would draw the covering higher up around him, and his nightcap lower down over his eyes, and his thoughts would wander from the business and burdens of the day; but ah! not to soothing scenes. His reveries were never fraught with pleasure, for then came old reminiscences, and hung their curtains up; and sometimes they were full of pins, that pricked so severely as to bring tears into his eyes. Such wounds old Anthon often received, and his warm tears fell on the coverlet or the floor, sounding as if one of sorrow's deepest strings had burst; they did not dry up, but kindled into a flame, which cast its light for him on the panorama of a life—a picture which never vanished from his mind. Then he would dry his eyes with his nightcap, and chase away the tears, and endeavour to chase away the picture with them; but it would not go, for it was imbedded in his heart. The panorama did not follow the exact order of events; also the saddest parts were generally most prominent. And what were these?

"Beautiful are the beech groves in Denmark," it is said; but still more beautiful did the beech trees in the meadows near Wartburg seem to Anthon. Mightier and more majestic seemed to him the old oak up at the proud baronial castle, where the swinging lantern hung over the dark masses of rock; sweeter was the perfume of the apple blossoms there than in the Danish land; he seemed to feel the charming scent even now. A tear trickled down his cheeks, and he saw two little children, a boy and a girl, playing together. The boy had rosy cheeks, yellow waving hair, and honest blue eyes—he was the rich merchant's son, little Anthon himself. The little girl had dark hair and eyes, and she looked bold and clever—she was the burgomaster's daughter Molly. The childish couple were playing with an apple. At length they divided it in two, and each took a half. They also divided the seeds between them, and ate them all to one; and the little girl proposed to plant that in the ground.

"You will see what will come of this—something will come which you can hardly fancy. An apple tree will come up, but not all at once."

And they planted the seed in a flower-pot: both of them were very eager about it. The boy dug a hole in the mould with his finger; the little girl placed the seed in it, and both of them filled up the hole with earth.

"You must not pull it up to-morrow to see if it has taken root," she said; "that should not be done. I did that with my flower: twice I took it up to see if it was growing. I had very little sense then, and the flower died."

The flower-pot was left in Anthon's care, and every morning, the whole winter through, he looked at it; but nothing was to be seen except the black earth. Then came spring; the sun shone so warmly, and two tiny green leaves at last made their appearance in the flower-pot.

"These are Molly and me," said Anthon. "They are charming—they are lovely."

Soon there came a third leaf. Who did that represent? And leaf after leaf came up; while day by day, and week by week, the plant became larger and stronger, until it grew into quite a tree. And another tear fell again from its fountain—from old Anthon's heart.

There stretched out, near Eisenach, a range of stony hills, one of which, round in shape, was very conspicuous: neither tree, nor bush, nor grass grew on it. It was named Mount Venus. Therein dwelt Venus, a goddess from the heathen ages. She was here called Fru Holle, and she knew and could see every child in Eisenach. She had decoyed into her power the noble knight Tannhaeuser, the minnesinger, from the musical circle of Wartburg.

Little Molly and Anthon often went to this hill, and she one day said to him,—

"Would you dare to knock on the side of the hill and cry, 'Fru Holle! Fru Holle! open the gate; here is Tannhaeuser?' But Anthon dared not do it. Molly dared, however; yet only these words—"Fru Holle! Fru Holle!"—did she say very loudly and distinctly—the rest seemed to die away on the wind; and she certainly did pronounce the rest of the sentence so indistinctly, that Anthon was sure she had not really added the other words. Yet she looked very confident—as bold as when, in the summer evening, she and several other little girls came to play in the garden with him, and when they all wanted to kiss him, just because he would not be kissed, and defended himself from them, she alone ventured to achieve the feat.

"I dare to kiss him!" she used to say, with a proud toss of her little head. Then she would take him round his neck to prove her power, and Anthon would put up with it, and think it all right from her. How pretty and how clever she was! Fru Holle within the hill was also very charming, but her charms, it had been said, sprung from the seducing beauty bestowed on her by the evil one; but still greater beauty was to be found in the holy Elizabeth, the patron saint of the country, the pious Thueringian princess, whose good works, known through traditions and legends, were celebrated in so many places. A picture of her hung in the chapel with a silver lamp before it, but Molly did not resemble her.

The apple tree the two children had planted grew year after year; it became so large that it had to be transferred to the garden, out in the open air, where the dew fell and the sun shone warmly; it became strong enough to withstand the severity of winter, and after winter's hard trials it seemed as if rejoicing in the return of spring: it then put forth blossoms. In August it had two apples, one for Molly and one for Anthon: it would not have been well if it had had less.

The tree had grown rapidly, and Molly had grown as fast as the tree; she was as fresh as an apple blossom, but she was no longer to see that flower. Everything changes in this world. Molly's father left his old home, and Molly went with him—far, far away. In our time it might be only a few hours' journey by railway, but in those days it took more than a day and a night to arrive so far east from Eisenach. It was to the other extremity of Thueringia they had to go, to a town which is now called Weimar.

And Molly wept, and Anthon wept. All these were now concentrated in one single tear, and it had the happy rosy tinge of joy. Molly had assured him that she cared much more for him than for all the grandeur of Weimar.

One year passed on, two passed, and a third followed, and in all that time there came only two letters. One was brought by the carrier, the other by a traveller, who had taken a circuitous course, besides visiting several cities and other places.

How often had not Anthon and Molly heard together the story of Tristand and Isolde, and how often did not Anthon think of himself and Molly as them! Although the name "Tristand" signified that he was born to sorrow, and that did not apply to Anthon, he never thought as Tristand did, "She has forgotten me!" But Isolde had not forgotten her heart's dear friend; and when they were both dead and buried, one on each side of the church, two linden trees grew out of their graves, and, stretching over the roof of the church, met there in full bloom. This was very delightful, thought Anthon, and yet so sad! But there could be no sadness where he and Molly were concerned. And then he whistled an air of the Minnesinger's "Walther von der Vogelweide,"—

"Under the lime tree by the hedge;"

and especially that favourite verse,—

"Beyond the wood, in the quiet dale, Tandaradai, Sang the melodious nightingale."

This song was always on his lips. He hummed it, and he whistled it on the clear moonlight night, when, passing on horseback through the deep ravine, he rode in haste to Weimar to visit Molly. He wished to arrive unexpectedly, and he did arrive unexpectedly.

He was well received. Wine sparkled in the goblets; there was gay society, distinguished society. He had a comfortable room and an excellent bed; and yet he found nothing as he had dreamt and thought to find it. He did not understand himself; he did not understand those about him; but we can understand all. One can be in a house, can mingle with a family, and yet be a total stranger. One may converse, but it is like conversing in a stage coach; may know each other as people know each other in a stage coach; be a restraint upon each other; wish that one were away, or that one's good neighbour were away; and it was thus that Anthon felt.

"I will be sincere with you," said Molly to him. "Things have changed much since we were together as children—changed within and without. Habit and will have no power over our hearts. Anthon, I do not wish to have an enemy in you when I am far away from this, as I soon shall be. Believe me, I have a great regard for you; but to love you—as I now know how one can love another human being—that I have never done. You must put up with this. Farewell, Anthon!"

And Anthon also said farewell. No tears sprang to his eyes, but he perceived that he was no longer Molly's friend. If we were to kiss a burning bar of iron, or a frozen bar of iron, we should experience the same sensation when the skin came off our lips.

Within twenty-four hours Anthon had reached Eisenach again, but the horse he rode was ruined.

"What of that?" cried he. "I am ruined, and I will ruin all that can remind me of her. Fru Holle! Fru Holle! Thou heathenish woman! I will tear down and smash the apple tree, and pull it up by the roots. It shall never blossom or bear fruit more."

But the tree was not destroyed; he himself was knocked down, and lay long in a violent fever. What was to raise him from his sick bed? The medicine that did it was the bitterest that could be—one that shook the languid body and the shrinking soul. Anthon's father was no longer the rich merchant. Days of adversity, days of trial, were close at hand. Misfortune rushed in like overwhelming billows—it surged into that once wealthy house. His father became a poor man, and sorrow and calamity paralysed him. Then Anthon found that he had something else to think of than disappointed love, or being angry with Molly. He had now to be both father and mother in his desolate home. He had to arrange everything, look after everything, and to go forth into the world to work for his own and his parents' bread.

He went to Bremen. There he suffered many privations, and passed many melancholy days; and all that he went through sometimes soured his temper, sometimes saddened him, till strength and mind seemed failing. How different were the world and mankind from what he had fancied them in his childhood! What were now to him Minnesingers' poems and songs? They were gall and wormwood. Yes, this was what he often felt; but there were other times when the songs vibrated to his soul, and his mind became calm and peaceful.

"What God wills is always the best," said he then. "It was well that our Lord did not permit Molly's heart to hang on me. What could it have led to, now that prosperity has left me and mine? She gave me up before she knew or dreamed of this reverse from more fortunate days which was hanging over us. It was the mercy of our Lord towards me. Everything is ordained for the best. Yes, all happens wisely. She could not, therefore, have acted otherwise, and yet how bitter have not my feelings been towards her!"

Years passed on. Anthon's father was dead, and strangers dwelt in his paternal home. Anthon, however, was to see it once more; for his wealthy master sent him on an errand of business, which obliged him to pass through his native town, Eisenach. The old WARTBURG stood unchanged, high up on the hill above, with "the monk and the nun" in unhewn stone. The mighty oak trees seemed as imposing as in his childish days. The Venus mount looked like a grey mass frowning over the valley. He would willingly have cried,—

"Fru Holle! Fru Holle! open the hill, and let me stay there, upon the soil of my native home!"

It was a sinful thought, and he crossed himself. Then a little bird sang among the bushes, and the old Minnesong came back to his thoughts:—

"Beyond the wood, in the quiet dale, Tandaradai! Sang the melodious nightingale."

How remembrances rushed upon him as he approached the town where his childhood had been spent, which he now saw through tears! His father's house remained where it used to be, but the garden was altered; a field footpath was made across a portion of the old garden; and the apple tree that he had not uprooted stood there, but no longer within the garden: it was on the opposite side of the road, though the sun shone on it as cheerfully as of old, and the dew fell on it there. It bore such a quantity of fruit that the branches were weighed down to the ground.

"It thrives!" he exclaimed. "Yes, it can do so."

One of its well-laden boughs was broken. Wanton hands had done this, for the tree was now on the side of the public road.

"Its blossoms are carried off without thanks; its fruit is stolen, its branches are broken. It may be said of a tree as of a man, 'It was not sung at the tree's cradle that things should turn out thus.' This one began its life so charmingly; and what has now become of it? Forsaken and forgotten—a garden tree standing in a common field, close to a public road, and bending over a miserable ditch! There it stood now, unsheltered, ill-used, and disfigured! It was not, indeed, withered by all this; but as years advanced its blossoms would become fewer—its fruit, if it bore any, late; and so it is all over with it."

Thus thought Anthon under the tree, and thus he thought many a night in the little lonely chamber of the wooden house in the "Small Houses' Street," in Copenhagen, whither his rich master had sent him, having stipulated that he was not to marry.

"He marry!" He laughed a strange and hollow laugh.

The winter had commenced early. There was a sharp frost, and without there was a heavy snow storm, so that all who could do so kept within doors. Therefore it was that Anthon's neighbours did not observe that his booth had not been opened for two whole days, and that he had not shown himself during that time. But who would go out in such weather when he could stay at home?

These were dark, dismal days; and in the booth, where the window was not of glass, it looked like twilight, if not sombre night. Old Anthon had scarcely left his bed for two days. He had not strength to get up. The intensely cold weather had brought on a severe fit of rheumatism in his limbs, and the old bachelor lay forsaken and helpless, almost too feeble to stretch out his hand to the pitcher of water which he had placed near his bed; and if he could have done so, it would have been of no avail, for the last drop had been drained from it. It was not the fever, not illness alone that had thus prostrated him; it was also old age that had crept upon him. It seemed to be constant night up yonder where he lay. A little spider, which he could not see, spun contentedly its gossamer web over his face. It was soon to stretch like a crepe veil across the features, when the old man closed his eyes.

He dozed a good deal; yet time seemed long and weary. He shed no tears, and had but little suffering. Molly was scarcely ever in his thoughts. He had a conviction that this world and its bustle were no more for him. At one time he seemed to feel hunger and thirst. He did feel them; but no one came to give him nourishment or drink—no one would come. He thought of those who might be fainting or dying of want. He remembered how the pious Elizabeth, while living on this earth—she who had been the favourite heroine of his childish days at home, the magnanimous Duchess of Thueringia—had herself entered the most miserable abodes, and brought to the sick and wretched refreshments and hope. His thoughts dwelt with pleasure on her good deeds. He remembered how she went to feed the hungry, to speak words of comfort to those who were suffering, and to bind up their wounds, although her austere husband was angry at these works of mercy. He recalled to memory the legend about her, that, as she was going on one of her charitable errands, with a basket well filled with food and wine, her husband, who had watched her steps, rushed out on her, and demanded in high wrath what she was carrying; that, in her fear of him, she replied, "Roses which I have plucked in the garden;" whereupon he dragged the cover off of her basket, and lo! a miracle was worked in favour of the charitable lady, for the wine and bread, and everything in the basket, lay turned into roses.

Thus old Anthon's thoughts wandered to the heroine in history whom he had always so much admired, until her image seemed to stand before his dimming sight, close to his humble pallet in the poor wooden hut in a foreign land. He uncovered his head, looked in fancy into her mild eyes, and all around him seemed a mingling of lustre and of roses redolent with sweet perfume. Then he felt the charming scent of the apple blossom, and he beheld an apple tree spreading its blooming branches above him. Yes, it was the very tree, the seeds of which he and Molly had planted together.

And the tree swept its fragrant leaves over his hot brow, and cooled it; they touched his parched lips, and they were like refreshing wine and bread; they fell upon his breast, and he felt himself softly sinking into a calm slumber.

"I shall sleep now," he whispered feebly to himself. "Sleep restores strength—to-morrow I shall be well and up again. Beautiful, beautiful! The apple tree planted in love I see again in glory."

And he slept.

The following day—it was the third day the booth had been shut up—the snow drifted no longer, and the neighbours went to see about Anthon, who had not yet shown himself. They found him lying stiff and dead, with his old nightcap pressed between his hands. They did not put it upon him in his coffin—he had also another which was clean and white.

Where now were the tears he had wept? Where were these pearls? They remained in the nightcap. Such precious things do not pass away in the washing. They were preserved and forgotten with the nightcap. The old thoughts, the old dreams—yes, they remained still in the old bachelor's nightcap. Wish not for that. It will make your brow too hot, make your pulses beat too violently, bring dreams that seem reality. This was proved by the first person who put it on—and that was not till fifty years after—by the burgomaster himself, who was blessed with a wife and eleven children. He dreamt of unhappy love, bankruptcy, and short commons.

"How warm this nightcap is!" he exclaimed, as he dragged it off. Then pearl after pearl began to fall from it, and they jingled and glittered. "I must have got the rheumatism in my head," said the burgomaster. "Sparks seem falling from my eyes."

They were tears wept half a century before—wept by old Anthon from Eisenach.

Whoever has since worn that nightcap has sure enough had visions and dreams; his own history has been turned into Anthon's; his dream has become quite a tale, and there were many of them. Let others relate the rest. We have now told the first, and with it our last words are—Never covet AN OLD BACHELOR'S NIGHTCAP.

Something.

"I will be something," said the oldest of five brothers. "I will be of use in the world, let the position be ever so insignificant which I may fill. If it be only respectable, it will be something. I will make bricks—people can't do without these—and then I shall have done something."

"But something too trifling," said the second brother. "What you propose to do is much the same as doing nothing; it is no better than a hodman's work, and can be done by machinery. You had much better become a mason. That is something, and that is what I will be. Yes, that is a good trade. A mason can get into a trade's corporation, become a burgher, have his own colours and his own club. Indeed, if I prosper, I may have workmen under me, and be called 'Master,' and my wife 'Mistress;' and that would be something."

"That is next to nothing," said the third. "There are many classes in a town, and that is about the lowest. It is nothing to be called 'Master.' You might be very superior yourself; but as a master mason you would be only what is called 'a common man.' I know of something better. I will be an architect; enter upon the confines of science; work myself up to a high place in the kingdom of mind. I know I must begin at the foot of the ladder. I can hardly bear to say it—I must begin as a carpenter's apprentice, and wear a cap, though I have been accustomed to go about in a silk hat. I must run to fetch beer and spirits for the common workmen, and let them be 'hail fellow well met' with me. This will be disagreeable; but I will fancy that it is all a masquerade and the freedom of maskers. To-morrow—that is to say, when I am a journeyman—I will go my own way. The others will not join me. I shall go to the academy, and learn to draw and design; then I shall be called an architect. That is something! That is much! I may become 'honourable,' or even 'noble'—perhaps both. I shall build and build, as others have done before me. There is something to look forward to—something worth being!"

"But that something I should not care about," said the fourth. "I will not march in the wake of anybody. I will not be a copyist; I will be a genius—will be cleverer than you all put together. I shall create a new style, furnish ideas for a building adapted to the climate and materials of the country—something which shall be a nationality, a development of the resources of our age, and, at the same time, an exhibition of my own genius."

"But if by chance the climate and the materials did not suit each other," said the fifth, "that would be unfortunate for the result. Nationalities may be so amplified as to become affectation. The discoveries of the age, like youth, may leave you far behind. I perceive right well that none of you will, in reality, become anything, whatever may be your expectations. But do all of you what you please; I shall not follow your examples. I shall keep myself disengaged, and shall reason upon what you perform. There is something wrong in everything. I will pick that out, and reason upon it. That will be something."

And so he did; and people said of the fifth, "He has not settled to anything. He has a good head, but he does nothing."

Even this, however, made him something.

This is but a short history; yet it is one which will not end as long as the world stands.

But is there nothing more about the five brothers? What has been told is absolutely nothing. Hear further; it is quite a romance.

The eldest brother, who made bricks, perceived that from every stone, when it was finished, rolled a small coin; and though these little coins were but of copper, many of them heaped together became a silver dollar; and when one knocks with such at the baker's, the butcher's, and other shops, the doors fly open, and one gets what one wants. The bricks produced all this. The damaged and broken bricks were also made good use of.

Yonder, above the embankment, Mother Margrethe, a poor old woman, wanted to build a small house for herself. She got all the broken bricks, and some whole ones to boot; for the eldest brother had a good heart. The poor woman built her house herself. It was very small; the only window was put in awry, the door was very low, and the thatched roof might have been laid better; but it was at least a shelter and a cover for her. There was a fine view from it of the sea, which broke in its might against the embankment. The salt spray often dashed over the whole tiny house, which still stood there when he was dead and gone who had given the bricks:—

The second brother could build in another way. He was also clever in his business. When his apprenticeship was over he strapped on his knapsack, and sang the mechanic's song:—

"While young, far-distant lands I'll tread. Away from home to build, My handiwork shall win my bread, My heart with hope be filled. And when my fatherland I see, And meet my bride—hurra! An active workman I shall be: Then who so happy and gay?"

And he was that. When he returned to his native town, and became a master, he built house after house—a whole street. It was a very handsome one, and a great ornament to the town. These houses built for him a small house, which was to be his own. But how could the houses build? Ay, ask them that, and they will not answer you; but people will answer for them, and tell you, "It certainly was that street which built him a house." It was only a small one, to be sure, and with a clay floor; but when he and his bride danced on it the floor became polished and bright, and from every stone in the wall sprang a flower which was quite as good as any costly tapestry. It was a pleasant house, and they were a happy couple. The colours of the masons' company floated outside, and the journeymen and apprentices shouted "Hurra!" Yes, that was something; and so he died—and that was also something.

Then came the architect, the third brother, who had been first a carpenter's apprentice, wearing a cap and going on errands; but, on leaving the academy, rose to be an architect, and he became a man of consequence. Yes, if the houses in the street built by his brother, the master mason, had provided him with a house, a street was called after the architect, and the handsomest house in it was his own. That was something; and he was somebody, with a long, high-sounding title besides. His children were called people of quality, and when he died his widow was a widow of rank—that was something. And his name stood as a fixture at the corner of the street, and was often in folks' mouths, being the name of a street—and that was certainly something.

Next came the genius—the fourth brother—who was to devote himself to new inventions. In one of his ambitious attempts he fell, and broke his neck; but he had a splendid funeral, with a procession, and flags, and music. He was noticed in the newspapers, and three funeral orations were pronounced over him, the one longer than the others; and much delighted he would have been with them if he had heard them, for he was fond of being talked about. A monument was erected over his grave. It was not very grand, but a monument is always something.

He now was dead, as well as the three other brothers; but the fifth—he who was fond of reasoning or arguing—out-lived them all; and that was quite right, for he had thus the last word. And he thought it a matter of great importance to have the last word. It was he who, folks said, "had a good head." At length his last hour also struck. He died, and he arrived at the gate of the kingdom of heaven. Spirits always come there two and two, and along with him stood there another soul, which wanted also to get in, and this was no other than the old Mother Margrethe, from the house on the embankment.

"It must surely be for the sake of contrast that I and yon paltry soul should come here at the same moment," said the reasoner. "Why, who are you, old one? Do you also expect to enter here?" he asked.

And the old woman courtesied as well as she could. She thought it was St. Peter himself who spoke.

"I am a miserable old creature without any family. My name is Margrethe."

"Well, now, what have you done and effected down yonder?"

"I have effected scarcely anything in yonder world—nothing that can tell in my favour here. It will be a pure act of mercy if I am permitted to enter this gate."

"How did you leave yon world?" he asked, merely for something to say. He was tired of standing waiting there.

"Oh! how I left it I really do not know. I had been very poorly, often quite ill, for some years past, and I was not able latterly to leave my bed, and go out into the cold and frost. It was a very severe winter; but I was getting through it. For a couple of days there was a dead calm; but it was bitterly cold, as your honour may remember. The ice had remained so long on the ground, that the sea was frozen over as far as the eye could reach. The townspeople flocked in crowds to the ice. I could hear it all as I lay in my poor room. The same scene continued till late in the evening—till the moon rose. From my bed I could see through the window far out beyond the seashore; and there lay on the horizon, just where the sea and sky seemed to meet, a singular-looking white cloud. I lay and looked at it; looked at the black spot in the middle of it, which became larger and larger; and I knew what that betokened, for I was old and experienced, though I had not often seen that sign. I saw it and shuddered. Twice before in my life had I seen that strange appearance in the sky, and I knew that there would be a terrible storm at the springtide, which would burst over the poor people out upon the ice, who were now drinking and rushing about, and amusing themselves. Young and old—the whole town in fact—were assembled yonder. Who was to warn them of coming danger, if none of them observed or knew what I now perceived? I became so alarmed, so anxious, that I got out of my bed, and crawled to the window. I was incapable of going further; but I put up the window, and, on looking out, I could see the people skating and sliding and running on the ice. I could see the gay flags, and could hear the boys shouting hurra, and the girls and the young men singing in chorus. All was jollity and merriment there. But higher and higher arose the white cloud with the black spot in it. I cried out as loud as I could, but nobody heard me. I was too far away from them. The wind would soon break loose, the ice give away, and all upon it sink, without any chance of rescue. Hear me they could not, and for me to go to them was impossible. Was there nothing that I could do to bring them back to land? Then our Lord inspired me with the idea of setting fire to my bed; it would be better that my house were to be burned down than that the many should meet with such a miserable death. Then I kindled the fire. I saw the red flames, and I gained the outside of the house; but I remained lying there. I could do no more, for my strength was exhausted. The blaze pursued me—it burst from the window, and out upon the roof. The crowds on the ice perceived it, and they came running as fast as they could to help me, a poor wretch, whom they thought would be burned in my bed. It was not one or two only who came—they all came. I heard them coming; but I also heard all at once the shrill whistle, the loud roar of the wind. I heard it thunder like the report of a cannon. The springtide lifted the ice, and suddenly it broke asunder; but the crowd had reached the embankment, where the sparks were flying over me. I had been the means of saving them all; but I was not able to survive the cold and fright, and so I have come up here to the gate of the kingdom of heaven; but I am told it is locked against such poor creatures as I. And now I have no longer a home down yonder on the embankment, though that does not insure me any admittance here."

At that moment the gate of heaven was opened, and an angel took the old woman in. She dropped a straw; it was one of the pieces of straw which had stuffed the bed to which she had set fire to save the lives of many, and it had turned to pure gold, but gold that was flexible, and twisted itself into pretty shapes.

"See! the poor old woman brought this," said the angel. "What dost thou bring? Ah! I know well; thou hast done nothing—not even so much as making a brick. If thou couldst go back again, and bring only so much as that, if done with good intentions, it would be something: as thou wouldst do it, however, it would be of no avail. But thou canst not go back, and I can do nothing for thee."

Then the poor soul, the old woman from the house on the embankment, begged for him.

"His brother kindly gave me all the stones with which I built my humble dwelling. They were a great gift to a poor creature like me. May not all these stones and fragments be permitted to value as one brick for him? It was a deed of mercy. He is now in want, and this is Mercy's home."

"Thy brother whom thou didst think the most inferior to thyself—him whose honest business thou didst despise—shares with thee his heavenly portion. Thou shalt not be ordered away; thou shalt have leave to remain outside here to think over and to repent thy life down yonder; but within this gate thou shalt not enter until in good works thou hast performed something."

"I could have expressed that sentence better," thought the conceited logician; but he did not say this aloud, and that was surely already—SOMETHING.

The Old Oak Tree's Last Dream.

A CHRISTMAS TALE.

There stood in a wood, high up on the side of a sloping hill near the open shore, a very old oak tree. It was about three hundred and sixty-five years old, but those long years were not more than as many single rotations of the earth for us men. We are awake during the day, and sleep during the night, and have then our dreams: with the tree it is otherwise. A tree is awake for three quarters of a year. It only sleeps in winter—that is its night—after the long day which is called spring, summer, and autumn.

Many a warm summer day had the ephemeron insect frolicked round the oak tree's head—lived, moved about, and found itself happy; and when the little creature reposed for a moment in calm enjoyment on one of the great fresh oak leaves, the tree always said,—

"Poor little thing! one day alone is the span of thy whole life. Ah, how short! It is very sad."

"Sad!" the ephemeron always replied. "What dost thou mean by that? Everything is so charming, so warm and delightful, that I am quite happy."

"But for only one day; then all is over."

"All is over!" exclaimed the insect. "What is the meaning of 'all is over?' Is all over with thee also?"

"No; I may live, perhaps, thousands of thy days, and my lifetime is for centuries. It is so long a period that thou couldst not calculate it."

"No, for I do not understand thee. Thou hast thousands of my days, but I have thousands of moments to be happy in. Is all the beauty in the world at an end when thou diest?"

"Oh! by no means," replied the tree. "It will last longer—much, much longer than I can conceive."

"Well, I think we are much on a par, only that we reckon differently."

And the ephemeron danced and floated about in the sunshine, and enjoyed itself with its pretty little delicate wings, like the most minute flower—enjoyed itself in the warm air, which was so fragrant with the sweet perfumes of the clover-fields, of the wild roses in the hedges, and of the elder-flower, not to speak of the woodbine, the primrose, and the wild mint. The scent was so strong that the ephemeron was almost intoxicated by it. The day was long and pleasant, full of gladness and sweet perceptions; and when the sun set, the little insect felt a sort of pleasing languor creeping over it after all its enjoyments. Its wings would no longer carry it, and very gently it glided down upon the soft blade of grass that was slightly waving in the evening breeze; there it drooped its tiny head, and fell into a calm sleep—the sleep of death.

"Poor little insect!" exclaimed the oak tree, "thy life was far too short."

And every summer's day were repeated a similar dance, a similar conversation, and a similar death. This went on with the whole generation of ephemera, and all were equally happy, equally gay. The oak tree remained awake during its spring morning, its summer day, and its autumn evening; now it was near its sleeping time, its night—the winter was close at hand.

Already the tempests were singing, "Good night, good night! Thy leaves are falling—we pluck them, we pluck them! Try if thou canst slumber; we shall sing thee to sleep, we shall rock thee to sleep; and thy old boughs like this—they are creaking in their joy! Softly, softly sleep! It is thy three hundred and sixty-fifth night. Sleep calmly! The snow is falling from the heavy clouds; it will soon be a wide sheet, a warm coverlet for thy feet. Sleep calmly and dream pleasantly!"

And the oak tree stood disrobed of all its leaves to go to rest for the whole long winter, and during that time to dream many dreams, often something stirring and exciting, like the dreams of human beings.

It, too, had once been little. Yes, an acorn had been its cradle. According to man's reckoning of time it was now living in its fourth century. It was the strongest and loftiest tree in the wood, with its venerable head reared high above all the other trees; and it was seen far away at sea, and looked upon as a beacon by the navigators of the passing ships. It little thought how many eyes looked out for it. High up amidst its green coronal the wood-pigeons built their nests, and the cuckoo's note was heard from thence; and in the autumn, when the leaves looked like hammered plates of copper, came birds of passage, and rested there before they flew far over the sea. But now it was winter, and the tree stood leafless, and the bended and gnarled branches were naked. Crows and jackdaws came and sat themselves there alternately, and talked of the rigorous weather which was commencing, and how difficult it was to find food in winter.

It was just at the holy Christmas time that the tree dreamt its most charming dream. Let us listen to it.

The tree had a distinct idea that it was a period of some solemn festival; it thought it heard all the church bells round ringing, and it seemed to be a mild summer day. Its lofty head, it fancied, looked fresh and green, while the bright rays of the sun played among its thick foliage. The air was laden with the perfume of wild flowers; various butterflies chased each other in sport around its boughs, and the ephemera danced and amused themselves. All that during years the tree had known and seen around it now passed before it as in a festive procession. It beheld, as in the olden time, knights and ladies on horseback, with feathers in their hats and falcons on their hands, riding through the greenwood; it heard the horns of the huntsmen, and the baying of the hounds; it saw the enemies' troops, with their various uniforms, their polished armour, their lances and halberds, pitch their tents and take them down again; the watch-fires blazed, and the soldiers sang and slept under the sheltering branches of the tree. It beheld lovers meet in the soft moonlight, and cut their names—that first letter—upon its olive-green bark. Guitars and AEolian harps were again—but there were very many years between them—hung up on the boughs of the tree by gay travelling swains, and again their sweet sounds broke on the stillness around. The wood-pigeons cooed, as if they were describing the feelings of the tree, and the cuckoo told how many summer days it should yet live.

Then it was as if a new current of life rushed from its lowest roots up to its highest branches, even to the farthest leaves; the tree felt that it extended itself therewith, yet it perceived that its roots down in the ground were also full of life and warmth; it felt its strength increasing, and that it was growing taller and taller. The trunk shot up—there was no pause—more and more it grew—its head became fuller, broader—and as the tree grew it became happier, and its desire increased to rise up still higher, even until it could reach the warm, blazing sun.

Already had it mounted above the clouds, which, like multitudes of dark migratory birds, or flocks of white swans, were floating under it; and every leaf of the tree that had eyes could see. The stars became visible during the day, and looked so large and bright: each of them shone like a pair of mild, clear eyes. They might have recalled to memory dear, well-known eyes—the eyes of children—the eyes of lovers when they met beneath the tree.

It was a moment of exquisite delight. Yet in the midst of its pleasure it felt a desire, a longing that all the other trees in the wood beneath—all the bushes, plants, and flowers—might be able to lift themselves like it, and to participate in its joyful and triumphant feelings. The mighty oak tree, in the midst of its glorious dream, could not be entirely happy unless it had all its old friends with it, great and small; and this feeling pervaded every branch and leaf of the tree as strongly as if it had lived in the breast of a human being.

The summit of the tree moved about as if it missed and sought something left behind. Then it perceived the scent of the woodbine, and soon the still stronger scent of the violets and wild thyme; and it fancied it could hear the cuckoo repeat its note.

At length amidst the clouds peeped forth the tops of the green trees of the wood; they also grew higher and higher, as the oak had done; the bushes and the flowers shot up high in the air; and some of these, dragging their slender roots after them, flew up more rapidly. The birch was the swiftest among the trees: like a white flash of lightning it darted its slender stem upwards, its branches waving like green wreaths and flags. The wood and all its leafy contents, even the brown-feathered rushes, grew, and the birds followed them singing; and in the fluttering blades of silken grass the grasshopper sat and played with his wings against his long thin legs, and the wild bees hummed, and all was song and gladness as up in heaven.

"But the blue-bell and the little wild tansy," said the oak tree; "I should like them with me too."

"We are with you," they sang in their low, sweet tones.

"But the pretty water-lily of last year, and the wild apple tree that stood down yonder, and looked so fresh, and all the forest flowers of years past, had they lived and bloomed till now, they might have been with me."

"We are with you—we are with you," sang their voices far above, as if they had gone up before.

"Well, this is quite enchanting," cried the old tree. "I have them all, small and great—not one is forgotten. How is all this happiness possible and conceivable?"

"In the celestial paradise all this is possible and conceivable," voices chanted around.

And the tree, which continued to rise, observed that its roots were loosening from their hold in the earth.

"This is well," said the tree. "Nothing now retains me. I am free to mount to the highest heaven—to splendour and light; and all that are dear to me are with me—small and great—all with me."

"All!"

This was the oak tree's dream; and whilst it dreamt a fearful storm had burst over sea and land that holy Christmas eve. The ocean rolled heavy billows on the beach—the tree rocked violently, and was torn up by the roots at the moment it was dreaming that its roots were loosening. It fell. Its three hundred and sixty-five years were now as but the day of the ephemeron.

On Christmas morning, when the sun arose, the storm was passed. All the church bells were ringing joyously; and from every chimney, even the lowest in the peasant's cot, curled from the altars of the Druidical feast the blue smoke of the thanksgiving oblation. The sea became more and more calm, and on a large vessel in the offing, which had weathered the tempest during the night, were hoisted all its flags in honour of the day.

"The tree is gone—that old oak tree which was always our landmark!" cried the sailors. "It must have fallen in the storm last night. Who shall replace it? Alas! no one can."

This was the tree's funeral oration—short, but well meant—as it lay stretched at full length amidst the snow upon the shore, and over it floated the melody of the psalm tunes from the ship—hymns of Christmas joy, and thanksgivings for the salvation of the souls of mankind by Jesus Christ, and the blessed promise of everlasting life.

"Let sacred songs arise on high, Loud hallelujahs reach the sky; Let joy and peace each mortal share, While hymns of praise shall fill the air."

Thus ran the old psalm, and every one out yonder, on the deck of the ship, lifted up his voice in thanksgiving and prayer, just as the old oak tree was lifted up in its last and most delightful dream on that Christmas eve.

The Wind relates the Story of Waldemar Daae and his Daughters.

When the wind sweeps over the grass it ripples like water; when it sweeps over the corn, it undulates like waves of the sea. All that is the wind's dance. But listen to what the wind tells. It sings it aloud, and it is repeated amidst the trees in the wood, and carried through the loopholes and the chinks in the wall. Look how the wind chases the skies up yonder, as if they were a flock of sheep! Listen how the wind howls below through the half-open gate, as if it were the warder blowing his horn! Strangely does it sound down the chimney and in the fireplace; the fire flickers under it; and the flames, instead of ascending, shoot out towards the room, where it is warm and comfortable to sit and listen to it. Let the wind speak. It knows more tales and adventures than all of us put together. Hearken now to what it is about to relate.

It blew a tremendous blast: that was a prelude to its story.

"There lay close to the Great Belt an old castle with thick red walls," said the wind. "I knew every stone in it. I had seen them before, when they were in Marshal Stig's castle at the Naes. It was demolished. The stones were used again, and became new walls—a new building—at another place, and that was Borreby Castle as it now stands. I have seen and known the high-born ladies and gentlemen, the various generations that have dwelt in it; and now I shall tell about WALDEMAR DAAE AND HIS DAUGHTERS.

"He held his head so high: he was of royal extraction. He could do more than hunt a stag and drain a goblet: that would be proved some day, he said to himself.

"His proud lady, apparelled in gold brocade, walked erect over her polished inlaid floor. The tapestry was magnificent, the furniture costly, and beautifully carved; vessels of gold and silver she had in profusion; there were stores of German ale in the cellars; handsome spirited horses neighed in the stables; all was superb within Borreby Castle when wealth was there.

"And children were there; three fine girls—Ide, Johanne, and Anna Dorthea. I remember their names well even now.

"They were rich people, they were people of distinction—born in grandeur, and brought up in it. Wheugh—wheugh!" whistled the wind; then it continued the tale.

"I never saw there, as in other old mansions, the high-born lady sitting in her boudoir with her maidens and spinning-wheels. She played on the lute, and sang to it, though never the old Danish ballads, but songs in foreign languages. Here were banqueting and mirth, titled guests came from far and near, music's tones were heard, goblets rang. I could not drown the noise," said the wind. "Here were arrogance, ostentation, and display; here was power, but not OUR LORD."

"It was one May-day evening," said the wind. "I came from the westward. I had seen ships crushed into wrecks on the west coast of Jutland. I had hurried over the dreary heaths and green woody coast, had crossed the island of Funen, and swept over the Great Belt, and I was hoarse with blowing. Then I laid myself down to rest on the coast of Zealand, near Borreby, where there stood the forest and the charming meadows. The young men from the neighbourhood assembled there, and collected brushwood and branches of trees, the largest and driest they could find. They carried them to the village, laid them in a heap, and set fire to it; then they and the village girls sang and danced round it.

"I lay still," said the wind; "but I softly stirred one branch—one which had been placed on the bonfire by the handsomest youth. His piece of wood blazed up, blazed highest. He was chosen the leader of the rustic game, became 'the wild boar,' and had the first choice among the girls for his 'pet lamb.' There were more happiness and merriment amongst them than up at the grand house at Borreby.

"And then from the great house at Borreby came, driving in a gilded coach with six horses, the noble lady and her three daughters, so fine, so young—three lovely blossoms—rose, lily, and the pale hyacinth. The mother herself was like a flaunting tulip; she did not deign to notice one of the crowd of villagers, though they stopped their game, and courtesied and bowed with profound respect.

"Rose, lily, and the pale hyacinth—yes, I saw them all three. Whose 'pet lambs' should they one day become? I thought. The 'wild boar' for each of them would assuredly be a proud knight—perhaps a prince. Wheugh—wheugh!

"Well, their equipage drove on with them, and the young peasants went on with their dancing. And the summer advanced in the village near Borreby, in Tjaereby, and all the surrounding towns.

"But one night when I arose," continued the wind, "the great lady was lying ill, never to move again. That something had come over her which comes over all mankind sooner or later: it is nothing new. Waldemar Daae stood in deep and melancholy thought for a short time. 'The proudest tree may bend, but not break,' said he to himself. The daughters wept; but at last they all dried their eyes at the great house, and the noble lady was carried away; and I also went away," said the wind.

"I returned—I returned soon, over Funen and the Belt, and set myself down by Borreby beach, near the large oak wood. There water-wagtails, wood-pigeons, blue ravens, and even black storks built their nests. It was late in the year: some had eggs, and some had young birds. How they were flying about, and how they were shrieking! The strokes of the axe were heard—stroke after stroke. The trees were to be felled. Waldemar Daae was going to build a costly ship, a man-of-war with three decks, which the king would be glad to purchase: and therefore the wood—the seamen's landmark, the birds' home—was to be sacrificed. The great red-backed shrike flew in alarm—his nest was destroyed; the ravens and all the other birds had lost their homes, and flew wildly about with cries of distress and anger. I understood them well. The crows and the jackdaws screamed high in derision, 'From the nest—from the nest! Away—away!'

"And in the midst of the wood, looking on at the crowd of labourers, stood Waldemar Daae and his three daughters, and they all laughed together at the wild cries of the birds; but his youngest daughter, Anna Dorthea, was sorry for them in her heart; and when the men were about to cut down a partially decayed tree, amidst whose naked branches the black storks had built their nests, and from which the tiny little ones peeped out their heads, she begged it might be spared. She begged—begged with tears in her eyes; and the tree was permitted to remain with the nest of black storks. It was not a great boon after all.

"The fine trees were cut down, the wood was sawn, and a large ship with three decks was built. The master shipbuilder himself was of low birth, but of noble appearance. His eyes and his forehead evinced how clever he was, and Waldemar Daae liked to listen to his conversation; so also did little Ide, his eldest daughter, who was fifteen years of age. And while he was building the ship for the father, he was also building castles in the air for himself, wherein he and Ide sat as man and wife; and that might have happened had the castles been of stone walls, with ramparts and moats, woods and gardens. But, with all his talents, the master shipbuilder was but a humble bird. What should a sparrow do in an eagle's nest?

"Wheugh—wheugh! I flew away, and he flew away, for he dared not remain longer; and little Ide got over his departure, for she was obliged to get over it.

"Splendid dark chargers neighed in the stables, worth being looked at; and they were looked at and admired. An admiral was sent by the king himself to examine the new man-of-war, and to make arrangements for its purchase. He praised the spirited horses loudly. I heard him myself," said the wind. "I followed the gentlemen through the open door, and strewed straw before their feet. Waldemar Daae wanted gold, the admiral wanted the horses—he admired them so much; but the bargain was not concluded, nor was the ship bought—the ship that was lying near the strand, with its white planks—a Noah's ark that was never to be launched upon the deep.

"Wheugh! It was a sad pity.

"In the winter time, when the fields were covered with snow, drift-ice filled the Belt, and I screwed it up to the shore," said the wind. "Then came ravens and crows, all as black as they could be, in large flocks. They perched themselves upon the deserted, dead, lonely ship, that lay high up on the beach; and they cried and lamented, with their hoarse voices, about the wood that was gone, the many precious birds' nests that were laid waste, the old ones rendered homeless, the little ones rendered homeless; and all for the sake of a great lumbering thing, a gigantic vessel, that never was to float upon the deep.

"I whirled the snow in the snow storms, and raised the snow-drifts. The snow lay like a sea high around the vessel. I let it hear my voice, and know what a tempest can say. I knew if I exerted myself it would get some of the knowledge other ships have.

"And winter passed—winter and summer; they come and go as I come and go; the snow melts, the apple blossom blooms, the leaves fall—all is change, change, and with mankind among the rest.

"But the daughters were still young—little Ide a rose, beautiful to look at, as the shipbuilder had seen her. Often did I play with her long brown hair, when, under the apple tree in the garden, she was standing lost in thought, and did not observe that I was showering down the blossoms upon her head. Then she would start, and gaze at the red sun, and the golden clouds around it, through the space among the dark foliage of the trees.

"Her sister Johanne resembled a lily—fair, slender, and erect; and, like her mother, she was stately and haughty. It was a great pleasure to her to wander up and down the grand saloon where hung the portraits of her ancestors. The high-born dames were painted in silks and velvets, with little hats looped up with pearls on their braided locks—they were beautiful ladies. Their lords were depicted in steel armour, or in costly mantles trimmed with squirrels' fur, and wearing blue ruffs; the sword was buckled round the thigh, and not round the loins. Johanne's own portrait would hang at some future day on that wall, and what would her noble husband be like? Yes, she thought of this, and she said this in low accents to herself. I heard her when I rushed through the long corridor into the saloon, and out again.

"Anna Dorthea, the pale hyacinth, who was only fourteen years of age, was quiet and thoughtful. Her large swimming blue eyes looked somewhat pensive, but a childish smile played around her mouth, and I could not blow it off; nor did I wish to do so.

"I met her in the garden, in the ravine, in the fields. She was gathering plants and flowers, those which she knew her father made use of for the drinks and drops he was fond of distilling. Waldemar Daae was arrogant and conceited, but also he had a great deal of knowledge. Everybody knew that, and everybody talked in whispers about it. Even in summer a fire burned in his private cabinet; its doors were always locked. He passed days and nights there, but he spoke little about his pursuits. The mysteries of nature are studied in silence. He expected soon to discover its greatest secret—the transmutation of other substances into gold.

"It was for this that smoke was ever issuing from the chimney of his laboratory; for this that sparks and flames were always there. And I was there too," said the wind. "'Hollo, hollo!' I sang through the chimney. There were steam, smoke, embers, ashes. 'You will burn yourself up—take care, take care!' But Waldemar Daae did not take care.

"The splendid horses in the stables, what became of them?—the silver and the gold plate, the cows in the fields, the furniture, the house itself? Yes, they could be smelted—smelted in the crucibles; and yet no gold was obtained.

"All was empty in the barns and in the pantry, in the cellars and in the loft. The fewer people, the more mice. One pane of glass was cracked, another was broken. I did not require to go in by the door," said the wind. "When the kitchen chimney is smoking, dinner is preparing; but there the smoke rolled from the chimney for that which devoured all repasts—for the yellow gold.

"I blew through the castle gate like a warder blowing his horn; but there was no warder," said the wind. "I turned the weathercock above the tower—it sounded like a watchman snoring inside the tower; but no watchman was there—it was only kept by rats and mice. Poverty presided at the table—poverty sat in the clothes' chests and in the store-rooms. The doors fell off their hinges—there came cracks and crevices everywhere. I went in, and I went out," said the wind; "therefore I knew what was going on.

"Amidst smoke and ashes—amidst anxiety and sleepless nights—Waldemar Daae's hair had turned grey; so had his beard and the thin locks on his forehead; his skin had become wrinkled and yellow, his eyes ever straining after gold—the expected gold.

"I whisked smoke and ashes into his face and beard: debts came instead of gold. I sang through the broken windows and cracked walls—came moaning in to the daughter's cheerless room, where the old bed-gear was faded and threadbare, but had still to hold out. Such a song was not sung at the children's cradles. High life had become wretched life. I was the only one then who sang loudly in the castle," said the wind. "I snowed them in, and they said they were comfortable. They had no wood to burn—the trees had been felled from which they would have got it. It was a sharp frost. I rushed through loopholes and corridors, over roofs and walls, to keep up my activity. In their poor chamber lay the three aristocratic daughters in their bed to keep themselves warm. To be as poor as church mice—that was high life! Wheugh! Would they give it up? But Herr Daae could not.

"'After winter comes spring,' said he. 'After want come good times; but they make one wait. The castle is now mortgaged—we have arrived at the worst—we shall have gold now at Easter!'

"I heard him murmuring near a spider's web:—

"'Thou active little weaver! thou teachest me to persevere. Even if thy web be swept away thou dost commence again, and dost complete it. Again let it be torn asunder, and, unwearied, thou dost again recommence thy work over and over again. I shall follow thy example. I will go on, and I shall be rewarded.'

"It was Easter morning—the church bells were ringing. The sun was careering in the heavens. Under a burning fever the alchemist had watched all night: he had boiled and cooled—mixed and distilled. I heard him sigh like a despairing creature; I heard him pray; I perceived that he held his breath in his anxiety. The lamp had gone out—he did not seem to notice it. I blew on the red-hot cinders; they brightened up, and shone on his chalky-white face, and tinged it with a momentary brightness. The eyes had almost closed in their deep sockets; now they opened wider—wider—as if they were about to spring forth.

"Look at the alchemical glass! There is something sparkling in it! It is glowing, pure, heavy! He lifted it with a trembling hand. He cried with trembling lips, 'Gold—gold!' He staggered, and seemed quite giddy at the sight. I could have blown him away," said the wind; "but I only blew in the ruddy fire, and followed him through the door in to where his daughters were freezing. His dress was covered with ashes; they were to be seen in his beard, and in his matted hair. He raised his head proudly, stretched forth his rich treasure in the fragile glass, and 'Won—won! gold!' he cried, as he held high in the air the glass that glittered in the dazzling sunshine. But his hand shook, and the alchemical glass fell to the ground, and broke into a thousand pieces. The last bubble of his prosperity had burst. Wheugh—wheugh! And I darted away from the alchemist's castle.

"Later in the year, during the short days, when fogs come with their damp drapery, and wring out wet drops on the red berries and the leafless trees, I came in a hearty humour, sent breezes aloft to clear the air, and began to sweep down the rotten branches. That was no hard work, but it was a useful one. There was sweeping of another sort within Borreby Castle, where Waldemar Daae dwelt. His enemy, Ove Ramel, from Basnaes, was there, with the mortgage bonds upon the property and the dwelling-house, which he had purchased. I thundered against the cracked window-panes, slammed the rickety doors, whistled through the cracks and crevices, 'Wheu-gh!' Herr Ove should have no pleasure in the prospect of living there. Ide and Anna Dorthea wept bitterly. Johanne stood erect and composed; but she looked very pale, and bit her lips till they bled. Much good would that do! Ove Ramel vouchsafed his permission to Herr Daae to remain at the castle during the rest of his days; but he got no thanks for the offer. I overheard all that passed. I saw the homeless man draw himself up haughtily, and toss his head; and I sent a blast against the castle and the old linden trees, so that the thickest branch among them broke, though it was not rotten. It lay before the gate like a broom, in case something had to be swept out; and to be sure there was a clean sweep.

"It was a sad day, a cruel hour, a heavy trial to sustain; but the heart was hard—the neck was stiff.

"They possessed nothing but the clothes they had on. Yes, they had a newly-bought alchemist's glass, which was filled with what had been wasted on the floor: it had been scraped up, the treasure promised, but not yielded. Waldemar Daae concealed this near his breast, took his stick in his hand, and the once wealthy man went, with his three daughters, away from Borreby Castle. I blew coldly on his wan cheeks, and ruffled his grey beard and his long white hair. I sang around them, 'Wheu-gh—wheu-gh!'

"There was an end to all their grandeur!

"Ide and Anna Dorthea walked on each side of their father; Johanne turned round at the gate. Why did she do so? Fortune would not turn. She gazed at the red stones of the wall, the stones from Marshal Stig's castle, and she thought of his daughters:—

'The eldest took the younger's hand, And out in the wide world they went.'

She thought upon that song. Here there were three, and their father was with them. They passed as beggars over the same road where they had so often driven in their splendid carriage to SMIDSTRUP MARK, to a house with mud floors that was let for ten marks a year—their new manor-house, with bare walls and empty closets. The crows and the jackdaws flew after them, and cried, as if in derision, 'From the nest—from the nest! away—away!' as the birds had screeched at Borreby Wood when the trees were cut down.

"And thus they entered the humble house at Smidstrup Mark, and I wandered away over moors and meadows, through naked hedges and leafless woods, to the open sea—to other lands. Wheugh—wheugh! On—on—on!"

What became of Waldemar Daae? What became of his daughters? The wind will tell.

"The last of them I saw was Anna Dorthea, the pale hyacinth. She had become old and decrepit: that was about fifty years after she had left the castle. She lived the longest—she saw them all out."

"Yonder, on the heath, near the town of Viborg, stood the dean's handsome house, built of red granite. The smoke rolled plentifully from its chimneys. The gentle lady and her beautiful daughters sat on the balcony, and looked over their pretty garden on the brown heath. At what were they gazing? They were looking at the storks' nests, on a castle that was almost in ruins. The roof, where there was any roof, was covered with moss and houseleeks; but the best part of it sustained the storks' nests—that was the only portion which was in tolerable repair.

"It was a place to look at, not to dwell in. I had to be cautious with it," said the wind. "For the sake of the storks the house was allowed to stand, else it was really a disgrace to the heath. The dean would not have the storks driven away; so the dilapidated building was permitted to remain, and a poor woman was permitted to live in it. She had to thank the Egyptian birds for that—or was it a reward for having formerly begged that the nests of their wild black kindred might be spared in Borreby Wood? Then the wretched pauper was a young girl—a lovely pale hyacinth in the noble flower parterre. She remembered it well—poor Anna Dorthea!

"'Oh! oh! Yes, mankind can sigh as the wind does amidst the sedges and the rushes—Oh! No church bell tolled at thy death, Waldemar Daae! No charity-school children sang over his grave when the former lord of Borreby was laid in the cold earth! Oh, all shall come to an end, even misery! Sister Ide became a peasant's wife. That was the hardest trial to her poor father. His daughter's husband a lowly serf, who could be obliged by his master to perform the meanest tasks! He, too, is now under the sod, and thou art there with him, unhappy Ide! O yes—O yes! it was not all over, even then; for I am left a poor, old, helpless creature. Blessed Christ! take me hence!'

"Such was Anna Dorthea's prayer in the ruined castle, where she was permitted to live—thanks to the storks.

"The boldest of the sisters I disposed of," said the wind. "She dressed herself in men's clothes, went on board a ship as a poor boy, and hired herself as a sailor. She spoke very little, and looked very cross, but was willing to work. She was a bad hand at climbing, however; so I blew her overboard before any one had found out that she was a female; and I think that was very well done on my part," said the wind.

"It was one Easter morning, the anniversary of the very day on which Waldemar Daae had fancied that he had found out the secret of making gold, that I heard under the storks' nests, from amidst the crumbling walls, a psalm tune—it was Anna Dorthea's last song.

"There was no window. There was only a hole in the wall. The sun came like a mass of gold, and placed itself there. It shone in brightly. Her eyes closed—her heart broke! They would have done so all the same, had the sun not that morning blazed in upon her.

"The storks had provided a roof over her head until her death.

"I sang over her grave," said the wind; "I had also sung over her father's grave, for I knew where it was, and none else did.

"New times came—new generations. The old highway had disappeared in inclosed fields. Even the tombs, that were fenced around, have been converted into a new road; and the railway's steaming engine, with its lines of carriages, dashes over the graves, which are as much forgotten as the names of those who moulder into dust in them! Wheugh—wheugh!

"This is the history of Waldemar Daae and his daughters. Let any one relate it better who can," said the wind, turning round.

And he was gone!

The Girl who Trod upon Bread.

You have doubtless heard of the girl who trod upon bread, not to soil her pretty shoes, and what evil this brought upon her. The tale is both written and printed.

She was a poor child, but proud and vain. She had a bad disposition, people said. When she was little more than an infant it was a pleasure to her to catch flies, to pull off their wings, and maim them entirely. She used, when somewhat older, to take lady-birds and beetles, stick them all upon a pin, then put a large leaf or a piece of paper close to their feet, so that the poor things held fast to it, and turned and twisted in their endeavours to get off the pin.

"Now the lady-birds shall read," said little Inger. "See how they turn the paper!"

As she grew older she became worse instead of better; but she was very beautiful, and that was her misfortune. She would have been punished otherwise, and in the long run she was.

"You will bring evil on your own head," said her mother.

"As a little child you used often to tear my aprons; I fear that when you are older you will break my heart."

And she did so sure enough.

At length she went into the country to wait on people of distinction. They were as kind to her as if she had been one of their own family; and she was so well dressed that she looked very pretty, and became extremely arrogant.

When she had been a year in service her employers said to her,—

"You should go and visit your relations, little Inger."

She went, resolved to let them see how fine she had become. When, however, she reached the village, and saw the lads and lasses gossiping together near the pond, and her mother sitting close by on a stone, resting her head against a bundle of firewood which she had picked up in the forest, Inger turned back. She felt ashamed that she who was dressed so smartly should have for her mother such a ragged creature, one who gathered sticks for her fire. It gave her no concern that she was expected—she was so vexed.

A half year more had passed.

"You must go home some day and see your old parents, little Inger," said the mistress of the house. "Here is a large loaf of white bread—you can carry this to them; they will be rejoiced to see you."

And Inger put on her best clothes and her nice new shoes, and she lifted her dress high, and walked so carefully, that she might not soil her garments or her feet. There was no harm at all in that. But when she came to where the path went over some damp marshy ground, and there were water and mud in the way, she threw the bread into the mud, in order to step upon it and get over with dry shoes; but just as she had placed one foot on the bread, and had lifted the other up, the bread sank in with her deeper and deeper, till she went entirely down, and nothing was to be seen but a black bubbling pool.

That is the story.

What became of the girl? She went below to the Old Woman of the Bogs, who brews down there. The Old Woman of the Bogs is an aunt of the fairies. They are very well known. Many poems have been written about them, and they have been printed; but nobody knows anything more of the Old Woman of the Bogs than that, when the meadows and the ground begin to reek in summer, it is the old woman below who is brewing. Into her brewery it was that Inger sank, and no one could hold out very long there. A cesspool is a charming apartment compared with the old Bog-woman's brewery. Every vessel is redolent of horrible smells, which would make any human being faint, and they are packed closely together and over each other; but even if there were a small space among them which one might creep through, it would be impossible, on account of all the slimy toads and snakes that are always crawling and forcing themselves through. Into this place little Inger sank. All this nauseous mess was so ice-cold that she shivered in every limb. Yes, she became stiffer and stiffer. The bread stuck fast to her, and it drew her as an amber bead draws a slender thread.

The Old Woman of the Bogs was at home. The brewery was that day visited by the devil and his dam, and she was a venomous old creature who was never idle. She never went out without having some needlework with her. She had brought some there. She was sewing running leather to put into the shoes of human beings, so that they should never be at rest. She embroidered lies, and worked up into mischief and discord thoughtless words, that would otherwise have fallen to the ground. Yes, she knew how to sew and embroider, and transfer with a vengeance, that old grandam!

She beheld Inger, put on her spectacles, and looked at her.

"That is a girl with talents," said she. "I shall ask for her as a souvenir of my visit here; she may do very well as a statue to ornament my great-grandchildren's antechamber;" and she took her.

It was thus little Inger went to the infernal regions. People do not generally go straight through the air to them: they can go by a roundabout path when they know the way.

It was an antechamber in an infinity. One became giddy there at looking forwards, and giddy at looking backwards, and there stood a crowd of anxious, pining beings, who were waiting and hoping for the time when the gates of grace should be opened. They would have long to wait. Hideous, large, waddling spiders wove thousands of webs over their feet; and these webs were like gins or foot-screws, and held them as fast as chains of iron, and were a cause of disquiet to every soul—a painful annoyance. Misers stood there, and lamented that they had forgotten the keys of their money chests. It would be too tiresome to repeat all the complaints and troubles that were poured forth there. Inger thought it shocking to stand there like a statue: she was, as it were, fastened to the ground by the bread.

"This comes of wishing to have clean shoes," said she to herself. "See how they all stare at me!"

Yes, they did all stare at her; their evil passions glared from their eyes, and spoke, without sound, from the corner of their mouths: they were frightful.

"It must be a pleasure to them to see me," thought little Inger. "I have a pretty face, and am well dressed;" and she dried her eyes. She had not lost her conceit. She had not then perceived how her fine clothes had been soiled in the brewhouse of the Old Woman of the Bogs. Her dress was covered with dabs of nasty matter; a snake had wound itself among her hair, and it dangled over her neck; and from every fold in her garment peeped out a toad, that puffed like an asthmatic lap-dog. It was very disagreeable. "But all the rest down here look horrid too," was the reflection with which she consoled herself.

But the worst of all was the dreadful hunger she felt. Could she not stoop down and break off a piece of the bread on which she was standing? No; her back was stiffened; her hands and her arms were stiffened; her whole body was like a statue of stone; she could only move her eyes, and these she could turn entirely round, and that was an ugly sight. And flies came and crept over her eyes backwards and forwards. She winked her eyes; but the intruders did not fly away, for they could not—their wings had been pulled off. That was another misery added to the hunger—the gnawing hunger that was so terrible to bear!

"If this goes on I cannot hold out much longer," she said.

But she had to hold out, and her sufferings became greater.

Then a warm tear fell upon her head. It trickled over her face and her neck, all the way down to the bread. Another tear fell, then many followed. Who was weeping over little Inger? Had she not a mother up yonder on the earth? The tears of anguish which a mother sheds over her erring child always reach it; but they do not comfort the child—they burn, they increase the suffering. And oh! this intolerable hunger; yet not to be able to snatch one mouthful of the bread she was treading under foot! She became as thin, as slender as a reed. Another trial was that she heard distinctly all that was said of her above on the earth, and it was nothing but blame and evil. Though her mother wept, and was in much affliction, she still said,—

"Pride goes before a fall. That was your great fault, Inger. Oh, how miserable you have made your mother!"

Her mother and all who were acquainted with her were well aware of the sin she had committed in treading upon bread. They knew that she had sunk into the bog, and was lost; the cowherd had told that, for he had seen it himself from the brow of the hill.

"What affliction you have brought on your mother, Inger!" exclaimed her mother. "Ah, well! I expected no better from you."

"Would that I had never been born!" thought Inger; "that would have been much better for me. My mother's whimpering can do no good now."

She heard how the family, the people of distinction who had been so kind to her, spoke. "She was a wicked child," they said; "she valued not the gifts of our Lord, but trod them under her feet. It will be difficult for her to get the gates of grace open to admit her."

"They ought to have brought me up better," thought Inger. "They should have taken the whims out of me, if I had any."

She heard that there was a common ballad made about her, "the bad girl who trod upon bread, to keep her shoes nicely clean," and this ballad was sung from one end of the country to the other.

"That any one should have to suffer so much for such as that—be punished so severely for such a trifle!" thought Inger. "All these others are punished justly, for no doubt there was a great deal to punish; but ah, how I suffer!"

And her heart became still harder than the substance into which she had been turned.

"No one can be better in such society. I will not grow better here. See how they glare at me!"

And her heart became still harder, and she felt a hatred towards all mankind.

"They have a nice story to tell up there now. Oh, how I suffer!"

She listened, and heard them telling her history as a warning to children, and the little ones called her "ungodly Inger." "She was so naughty," they said, "so very wicked, that she deserved to suffer."

The children always spoke harshly of her. One day, however, that hunger and misery were gnawing her most dreadfully, and she heard her name mentioned, and her story told to an innocent child—a little girl—she observed that the child burst into tears in her distress for the proud, finely-dressed Inger.

"But will she never come up again?" asked the child.

The answer was,—

"She will never come up again."

"But if she will beg pardon, and promise never to be naughty again?"

"But she will not beg pardon," they said.

"Oh, how I wish she would do it!" sobbed the little girl in great distress. "I will give my doll, and my doll's house too, if she may come up! It is so shocking for poor little Inger to be down there!"

These words touched Inger's heart; they seemed almost to make her good. It was the first time any one had said "poor Inger," and had not dwelt upon her faults. An innocent child cried and prayed for her. She was so much affected by this that she felt inclined to weep herself; but she could not, and this was an additional pain.

Years passed on in the earth above; but down where she was there was no change, except that she heard more and more rarely sounds from above, and that she herself was more seldom mentioned. At last one day she heard a sigh, and "Inger, Inger, how miserable you have made me! I foretold that you would!" These were her mother's last words on her deathbed.

And again she heard herself named by her former employers, and her mistress said,—

"Perhaps I may meet you once more, Inger. None know whither they are to go."

But Inger knew full well that her excellent mistress would never come to the place where she was.

Time passed on, and on, slowly and wretchedly. Then once more Inger heard her name mentioned, and she beheld as it were, directly above her, two clear stars shining. These were two mild eyes that were closing upon earth. So many years had elapsed since a little girl had cried in childish sorrow over "poor Inger," that that child had become an old woman, whom our Lord was now about to call to himself. At that hour, when the thoughts and the actions of a whole life stand in review before the parting soul, she remembered how, as a little child, she had wept bitterly on hearing the history of Inger. That time, and those feelings, stood so prominently before the old woman's mind in the hour of death, that she cried with intense emotion,—

"Lord, my God! have not I often, like Inger, trod under foot Thy blessed gifts, and placed no value on them? Have I not often been guilty of pride and vanity in my secret heart? But Thou, in Thy mercy, didst not let me sink; Thou didst hold me up. Oh, forsake me not in my last hour!"

And the aged woman's eyes closed, and her spirit's eyes opened to what had been formerly invisible; and as Inger had been present in her latest thoughts, she beheld her, and perceived how deep she had been dragged downwards. At that sight the gentle being burst into tears; and in the kingdom of heaven she stood like a child, and wept for the fate of the unfortunate Inger. Her tears and her prayers sounded like an echo down in the hollow form that confined the imprisoned, miserable soul. That soul was overwhelmed by the unexpected love from those realms afar. One of God's angels wept for her! Why was this vouchsafed to her? The tortured spirit gathered, as it were, into one thought, all the actions of its life—all that it had done; and it shook with the violence of its remorse—remorse such as Inger had never felt. Grief became her predominating feeling. She thought that for her the gates of mercy would never open, and as in deep contrition and self-abasement she thought thus, a ray of brightness penetrated into the dismal abyss—a ray more vivid and glorious than the sunbeams which thaw the snow figures that the children make in their gardens. And this ray, more quickly than the snow-flake that falls upon a child's warm mouth can be melted into a drop of water, caused Inger's petrified figure to evaporate, and a little bird arose, following the zigzag course of the ray, up towards the world that mankind inhabit. But it seemed afraid and shy of everything around it; it felt ashamed of itself; and apparently wishing to avoid all living creatures, it sought, in haste, concealment in a dark recess in a crumbling wall. Here it sat, and it crept into the farthest corner, trembling all over. It could not sing, for it had no voice. For a long time it sat quietly there before it ventured to look out and behold all the beauty around. Yes, it was beauty! The air was so fresh, yet so soft; the moon shone so clearly; the trees and the flowers scented so sweetly; and it was so comfortable where she sat—her feather garb so clean and nice! How all creation told of love and glory! The grateful thoughts that awoke in the bird's breast she would willingly have poured forth in song, but the power was denied to her. Yes, gladly would she have sung as do the cuckoo and the nightingale in spring. Our gracious Lord, who hears the mute worm's hymn of praise, understood the thanksgiving that lifted itself up in the tones of thought, as the psalm floated in David's mind before it resolved itself into words and melody.

As weeks passed on these unexpressed feelings of gratitude increased. They would surely find a voice some day, with the first stroke of the wing, to perform some good act. Might not this happen?

Now came the holy Christmas festival. The peasants raised a pole close by the old wall, and bound an unthrashed bundle of oats on it, that the birds of the air might also enjoy the Christmas, and have plenty to eat at that time which was held in commemoration of the redemption brought to mankind.

And the sun rose brightly that Christmas morning, and shone upon the oat-sheaf, and upon all the chirping birds that flew around the pole; and from the wall issued a faint twittering. The swelling thoughts had at last found vent, and the low sound was a hymn of joy, as the bird flew forth from its hiding-place.

The winter was an unusually severe one. The waters were frozen thickly over; the birds and the wild animals in the woods had great difficulty in obtaining food. The little bird, that had so recently left its dark solitude, flew about the country roads, and when it found by chance a little corn dropped in the ruts, it would eat only a single grain itself, while it called all the starving sparrows to partake of it. It would also fly to the villages and towns, and look well about; and where kind hands had strewed crumbs of bread outside the windows for the birds, it would eat only one morsel itself, and give all the rest to the others.

At the end of the winter the bird had found and given away so many crumbs of bread, that the number put together would have weighed as much as the loaf upon which little Inger had trodden in order to save her fine shoes from being soiled; and when she had found and given away the very last crumb, the grey wings of the bird became white, and expanded wonderfully.

"It is flying over the sea!" exclaimed the children who saw the white bird. Now it seemed to dip into the ocean, now it arose into the clear sunshine; it glittered in the air; it disappeared high, high above; and the children said that it had flown up to the sun.

Ole, the Watchman of the Tower.

"In the world it is always going up and down, and down and up again; but I can't go higher than I am," said Ole, the watchman of the church tower. "Ups and downs most people have to experience; in point of fact, we each become at last a kind of tower-watchman—we look at life and things from above."

Thus spoke Ole up in the lofty tower—my friend the watchman, a cheerful, chatty old fellow, who seemed to blurt everything out at random, though there were, in reality, deep and earnest feelings concealed in his heart. He had come of a good stock; some people even said that he was the son of a Conferentsraad, or might have been that. He had studied, had been a teacher's assistant, assistant clerk in the church; but these situations had not done much for him. At one time he lived at the chief clerk's, and was to have bed and board free. He was then young, and somewhat particular about his dress, as I have heard. He insisted on having his boots polished and brushed with blacking, but the head clerk would only allow grease; and this was a cause of dissension between them. The one talked of stinginess, the other talked of foolish vanity. The blacking became the dark foundation of enmity, and so they parted; but what he had demanded from the clerk he also demanded from the world—real blacking; and he always got its substitute, grease; so he turned his back upon all mankind, and became a hermit. But a hermitage coupled with a livelihood is not to be had in the midst of a large city except up in the steeple of a church. Thither he betook himself, and smoked his pipe in solitude. He looked up, and he looked down; reflected according to his fashion upon all he saw, and all he did not see—on what he read in books, and what he read in himself.

I often lent him books, good books; and people can converse about these, as everybody knows. He did not care for fashionable English novels, he said, nor for French ones either—they were all too frivolous. No, he liked biographies, and books that relate to the wonders of nature. I visited him at least once a year, generally immediately after the New Year. He had then always something to say that the peculiar period suggested to his thoughts.

I shall relate what passed during two of my visits, and give his own words as nearly as I can.

THE FIRST VISIT.

Among the books I had last lent Ole was one about pebbles, and it pleased him extremely.

"Yes, sure enough they are veterans from old days, these pebbles," said he; "and yet we pass them carelessly by. I have myself often done so in the fields and on the beach, where they lie in crowds. We tread them under foot in some of our pathways, these fragments from the remains of antiquity. I have myself done that; but now I hold all these pebble-formed pavements in high respect. Thanks for that book; it has driven old ideas and habits of thinking aside, and has replaced them by other ideas, and made me eager to read something more of the same kind. The romance of the earth is the most astonishing of all romances. What a pity that one cannot read the first portion of it—that it is composed in a language we have not learned! One must read it in the layers of the ground, in the strata of the rocks, in all the periods of the earth. It was not until the sixth part that the living and acting persons, Mr. Adam and Mrs. Eve, were introduced, though some will have it they came immediately. That, however, is all one to me. It is a most eventful tale, and we are all in it. We go on digging and groping, but always find ourselves where we were; yet the globe is ever whirling round, and without the waters of the world overwhelming us. The crust we tread on holds together—we do not fall through it; and this is a history of a million of years, with constant advancement. Thanks for the book about the pebbles. They could tell many a strange tale if they were able.

"Is it not pleasant once and away to become like a Nix, when one is perched so high as I am, and then to remember that we all are but minute ants upon the earth's ant-hill, although some of us are distinguished ants, some are laborious, and some are indolent ants? One seems to be so excessively young by the side of these million years old, reverend pebbles. I was reading the book on New Year's eve, and was so wrapped up in it that I forgot my accustomed amusement on that night, looking at 'the wild host to Amager,' of which you may have heard.

"The witches' journey on broomsticks is well known—that takes place on St. John's night, and to Bloksberg. But we have also the wild host, here at home and in our own time, which goes to Amager every New Year's eve. All the bad poets and poetesses, newspaper writers, musicians, and artists of all sorts, who come before the public, but make no sensation—those, in short, who are very mediocre, ride—on New Year's eve, out to Amager: they sit astride on their pencils or quill pens. Steel pens don't answer, they are too stiff. I see this troop, as I have said, every New Year's eve. I could name most of them, but it is not worth while to get into a scrape with them; they do not like people to know of their Amager flight upon quill pens. I have a kind of a cousin, who is a fisherman's wife, and furnishes abusive articles to three popular periodicals: she says she has been out there as an invited guest. She has described the whole affair. Half that she says, of course, are lies, but part might be true. When she was there they commenced with a song; each of the visitors had written his own song, and each sang his own composition: they all performed together, so it was a kind of 'cats' chorus'. Small groups marched about, consisting of those who labour at improving that gift which is called 'the gift of the gab:' they had their own shrill songs. Then came the little drummers, and those who write without giving their names—that is to say, whose grease is imposed on people for blacking; then there were the executioners, and the puffers of bad wares. In the midst of all the merriment, as it must have been, that was going on, shot up from a pit a stem, a tree, a monstrous flower, a large toadstool, and a cupola. These were the Utopian productions of the honoured assembly, the entire amount of their offerings to the world during the past year. Sparks flew from these various objects; they were the thoughts and ideas which had been borrowed or stolen, which now took wings to themselves, and flew away as if by magic. My cousin told me a good deal more, which, though laughable, was too malicious for me to repeat.

"I always watch this wild host fly past every New Year's eve; but on the last one, as I told you, I neglected to look at them, for I was rolling away in thought upon the round pebbles—rolling through thousands and thousands of years. I saw them detached from rocks far away in the distant north; saw them driven along in masses of ice before Noah's ark was put together; saw them sink to the bottom, and rise again in a sand-bank, which grew higher and higher above the water; and I said, 'That will be Zealand!' It became the resort of birds of various species unknown to us—the home of savage chiefs as little known to us, until the axe cut the Runic characters which then brought them into our chronology. As I was thus musing three or four falling stars attracted my eye. My thoughts took another turn. Do you know what falling stars are? The scientific themselves do not know what they are. I have my own ideas about them. How often in secret are not thanks and blessings poured out on those who have done anything great or good! Sometimes these thanks are voiceless, but they do not fall to the ground. I fancy that they are caught by the sunshine, and that the sunbeam brings the silent, secret praise down over the head of the benefactor. If it be an entire people that through time bestow their thanks, then the thanks come as a banquet—fall like a falling star over the grave of the benefactor. It is one of my pleasures, especially when on a New Year's eve I observe a falling star, to imagine to whose grave the starry messenger of gratitude is speeding. One of the last falling stars I saw took its blazing course towards the south-west. For whom was it dispatched? It fell, I thought, on the slope by Flensborg Fiord, where the Danish flag waves over Schleppegrell's, Laessoee's, and their comrades' graves. One fell in the centre of the country near Soroe. It was a banquet for Holberg's grave—a thank offering of years from many—a thank offering for his splendid comedies! It is a glorious and gratifying fancy that a falling star could illumine our graves. That will not be the case with mine; not even a single sunbeam will bring me thanks, for I have done nothing to deserve them. I have not even attained to blacking," said Ole; "my lot in life has been only to get grease."

THE SECOND VISIT.

It was on a New Year's day that I again ascended to the church tower. Ole began to speak of toasts. We drank one to the transition from the old drop in eternity to the new drop in eternity, as he called the year. Then he gave me his story about the glasses, and there was some sense in it.

"When the clocks strike twelve on New Year's night every one rises from table with a brimful glass, and drinks to the New Year. To commence the year with a glass in one's hand is a good beginning for a drunkard. To begin the year by going to bed is a good beginning for a sluggard. Sleep will, in the course of his year, play a prominent part; so will the glass.

"Do you know what dwells in glasses?" he asked. "There dwell in them health, glee, and folly. Within them dwell, also, vexations and bitter calamity. When I count up the glasses I can tell the gradations in the glass for different people. The first glass, you see, is the glass of health; in it grow health-giving plants. Stick to that one glass, and at the end of the year you can sit peacefully in the leafy bowers of health.

"If you take the second glass a little bird will fly out of it, chirping in innocent gladness, and men will laugh and sing with it, 'Life is pleasant. Away with care, away with fear!'

"From the third glass springs forth a little winged creature—a little angel he cannot well be called, for he has Nix blood and a Nix mind. He does not come to tease, but to amuse. He places himself behind your ear, and whispers some humorous idea; he lays himself close to your heart and warms it, so that you become very merry, and fancy yourself the cleverest among a set of great wits.

"In the fourth glass is neither plant, bird, nor little figure: it is the boundary line of sense, and beyond that line let no one go.

"If you take the fifth glass you will weep over yourself—you will be foolishly happy, or become stupidly noisy. From this glass will spring Prince Carnival, flippant and crack-brained. He will entice you to accompany him; you will forget your respectability, if you have any; you will forget more than you ought or dare forget. All is pleasure, gaiety, excitement; the maskers carry you off with them; the daughters of the Evil One, in silks and flowers, come with flowing hair and voluptuous charms. Escape them if you can.

"The sixth glass! In that sits Satan himself—a well-dressed, conversable, lively, fascinating little man—who never contradicts you, allows that you are always in the right—in fact, seems quite to adopt all your opinions. He comes with a lantern to convey you home to his own habitation. There is an old legend about a saint who was to choose one of the seven mortal sins, and he chose, as he thought, the least—drunkenness; but in that state he perpetrated all the other six sins. The human nature and the devilish nature mingle. This is the sixth glass; and after that all the germs of evil thrive in us, every one of them spreading with a rapidity and vigour that cause them to be like the mustard-seed in the Bible, 'which, indeed, is the least of all seeds; but when it is grown it is the greatest among herbs, and becometh a tree.' Most of them have nothing before them but to be cast into the furnace, and be smelted there.

"This is the story of the glasses," said Ole, the watchman of the church tower; "and it applies both to those who use blacking, and to those who use only grease."

Such was the result of the second visit to Ole. More may be forthcoming at some future time.

Anne Lisbeth; or, The Apparition of the Beach.

Anne Lisbeth was like milk and blood, young and happy, lovely to look at; her teeth were so dazzlingly white, her eyes were so clear; her foot was light in the dance, and her head was still lighter. What did all this lead to? To no good. "The vile creature!" "She was not pretty!"

She was placed with the grave-digger's wife, and from thence she went to the count's splendid country-seat, where she lived in handsome rooms, and was dressed in silks and fineries; not a breath of wind was to blow on her; no one dared to say a rough word to her, nothing was to be done to annoy her; for she nursed the count's son and heir, who was as carefully tended as a prince, and as beautiful as an angel. How she loved that child! Her own child was away from her—he was in the grave-digger's house, where there was more hunger than plenty, and where often there was no one at home. The poor deserted child cried, but what nobody hears nobody cares about. He cried himself to sleep, and in sleep one feels neither hungry nor thirsty: sleep is, therefore, a great blessing. In the course of time Anne Lisbeth's child shot up. Ill weeds grow apace, it is said: and this poor weed grew, and seemed a member of the family, who were paid for keeping him. Anne Lisbeth was quite free of him. She was a village fine lady, had everything of the best, and wore a smart bonnet whenever she went out. But she never went to the grave-digger's; it was so far from where she lived, and she had nothing to do there. The child was under their charge; he who paid its board could well afford it, and the child would be taken very good care of.

The watch-dog at the lord of the manor's bleach-field sits proudly in the sunshine outside of his kennel, and growls at every one that goes past. In rainy weather he creeps inside, and lies down dry and sheltered. Anne Lisbeth's boy sat on the side of a ditch in the sunshine, amusing himself by cutting a bit of stick. In spring he saw three strawberry bushes in bloom: they would surely bear fruit. This was his pleasantest thought; but there was no fruit. He sat out in the drizzling rain, and in the heavy rain—was wet to the skin—and the sharp wind dried his clothes upon him. If he went to the farm-houses near, he was thumped and shoved about. He was "grim-looking and ugly," the girls and the boys said. What became of Anne Lisbeth's boy? What could become of him? It was his fate to be "never loved."

At length he was transferred from his joyless village life to the still worse life of a sailor boy. He went on board a wretched little vessel, to stand by the rudder while the skipper drank. Filthy and disgusting the poor boy looked; starving and benumbed with cold he was. One would have thought, from his appearance, that he never had been well fed; and, indeed, that was the fact.

It was late in the year; it was raw, wet, stormy weather; the cold wind penetrated even through thick clothing, especially at sea; and only two men on board were too few to work the sails; indeed, it might be said only one man and a half—the master and his boy. It had been black and gloomy all day; now it became still more dark, and it was bitterly cold. The skipper took a dram to warm himself. The flask was old, and so was the glass; its foot was broken off, but it was inserted into a piece of wood painted blue, which served as a stand for it. If one dram was good, two would be better, thought the master. The boy stood by the helm, and held on to it with his hard, tar-covered hands. He looked frightened. His hair was rough, and he was wrinkled, and stunted in his growth. The young sailor was the grave-digger's boy; in the church register he was called Anne Lisbeth's son.

The wind blew as it list; the sail flapped, then filled; the vessel flew on. It was wet, chill, dark as pitch; but worse was yet to come. Hark! What was that? With what had the boat come in contact? What had burst? What seemed to have caught it? It shifted round. Was it a sudden squall? The boy at the helm cried aloud, "In the name of Jesus!" The little bark had struck on a large sunken rock, and sank as an old shoe would sink in a small pool—sank with men and mice on board, as the saying is; and there certainly were mice, but only one man and a half—the skipper and the grave-digger's boy. None witnessed the catastrophe except the screaming sea-gulls and the fishes below; and even they did not see much of it, for they rushed aside in alarm when the water gushed thundering into the little vessel as it sank. Scarcely a fathom beneath the surface it stood; yet the two human beings who had been on board were lost—lost—forgotten! Only the glass with the blue-painted wooden foot did not sink; the wooden foot floated it. But the glass was broken when it was washed far up on the beach. How and when? That is of no consequence. It had served its time, and it had been liked; that Anne Lisbeth's child had never been. But in the kingdom of heaven no soul can say again, "Never loved!"

Anne Lisbeth resided in the large market town, and had done so for some years. She was called "Madam," and held her head very high, especially when she spoke of old reminiscences of the time she had passed at the count's lordly mansion, when she used to drive out in a carriage, and used to converse with countesses and baronesses. Her sweet nursling, the little count, was a lovely angel, a darling creature. She was so fond of him, and he had been so fond of her. How she used to pet him, and how he used to kiss her! He was her delight—was as dear to her as herself. He was now quite a big boy; he was fourteen years of age, and had plenty of learning and accomplishments. She had not seen him since she carried him in her arms. It was many years since she had been at the count's castle, for it was such a long way off.

"But I must go over and see them again," said Anne Lisbeth. "I must go to my noble friends, to my darling child, the young count—yes, yes, for he is surely longing to see me. He thinks of me, he loves me as he did when he used to throw his little cherub arms round my neck and lisp, 'An Lis!' Oh, it was like a violin! Yes, I must go over and see him again."

She went part of the way in the carrier's wagon, part of the way on foot. She arrived at the castle. It looked as grand and imposing as ever. The gardens were not at all changed; but the servants were all strangers. Not one of them knew anything about Anne Lisbeth. They did not know what an important person she had been in the house formerly; but surely the countess would tell them who she was, so would her own boy. How she longed to see them both!

Well, Anne Lisbeth was there; but she had to wait a long time, and waiting is always so tedious. Before the family and their guests went to dinner she was called in to the countess, and very kindly spoken to. She was told she should see her dear boy after dinner, and after dinner she was sent for again.

How much he had grown! How tall and thin! But he had the same charming eyes, and the same angelic mouth. He looked at her, but he did not say a word. It was evident that he did not remember her. He turned away, and was going, but she caught his hand and carried it to her lips. "Ah! well, that will do!" he said, and hastily left the room—he, the darling of her soul—he on whom her thoughts had centred for so many years—he whom she had loved the best—her greatest earthly pride!

Anne Lisbeth left the castle, and turned into the open high road. She was very sad—he had been so cold and distant to her. He had not a word, not a thought for her who, by day and by night, had so cherished him in her heart.

At that moment a large black raven flew across the road before her, screeching harshly.

"Oh!" she exclaimed, "what do you want, bird of ill omen that you are?"

She passed by the grave-digger's house; his wife was standing in the doorway, and they spoke to each other.

"You are looking very well," said the grave-digger's wife. "You are stout and hearty. The world goes well with you apparently."

"Pretty well," replied Anne Lisbeth.

"The little vessel has been lost," said the grave-digger's wife. "Lars the skipper, and the boy, are both drowned; so there is an end of that matter. I had hoped, though, that the boy might by and by have helped me with a shilling now and then. He never cost you anything, Anne Lisbeth."

"Drowned are they?" exclaimed Anne Lisbeth; and she did not say another word on the subject—she was so distressed that her nursling, the young count, did not care to speak to her—she who loved him so much, and had taken such a long journey to see him—a journey that had cost her some money too. The pleasure she had received was not great, but she was not going to admit this. She would not say one word to the grave-digger's wife to lead her to think that she was no longer a person of consequence at the count's. The raven screeched again just over her head.

"That horrid noise!" said Anne Lisbeth; "it has quite startled me to-day."

She had brought some coffee-beans and chicory with her; it would be a kindness to the grave-digger's wife to make her a present of these; and, when she did so, it was agreed that they should take a cup of coffee together. The mistress of the house went to prepare it, and Anne Lisbeth sat down to wait for it. While waiting she fell asleep, and she dreamed of one of whom she had never before dreamt: that was very strange. She dreamed of her own child, who in that very house had starved and squalled, and never tasted anything better than cold water, and who now lay in the deep sea, our Lord only knew where. She dreamed that she was sitting just where she really was seated, and that the grave-digger's wife had gone to make some coffee, but had first to grind the coffee-beans, and that a beautiful boy stood in the doorway—a boy as charming as the little count had been; and the child said,—

"The world is now passing away. Hold fast to me, for thou art my mother. Thy child is an angel in the kingdom of heaven. Hold fast to me!"

And he seized her. But there was a frightful uproar around, as if worlds were breaking asunder; and the angel raised her up, and held her fast by the sleeves of her dress—so fast, it seemed to her, that she was lifted from the ground; but something hung so heavily about her feet, something lay so heavily on her back: it was as if hundreds of women were clinging fast to her, and crying, "If thou canst be saved, so may we. We will hold on—hold on!" and they all appeared to be holding on by her. Then the sleeves of her garments gave way, and she fell, overcome with terror.

The sensation of fear awoke her, and she found herself on the point of falling off her chair. Her head was so confused that at first she could not remember what she had dreamt, though she knew it had been something disagreeable. The coffee was drunk, and Anne Lisbeth took her departure to the nearest village, where she might meet the carrier, and get him to convey her that evening to the town where she lived. But the carrier said he was not going until the following evening; and, on calculating what it would cost her to remain till then, she determined to walk home. She would not go by the high road, but by the beach: that was at least eight or nine miles shorter. The weather was fine, and it was full moon. She would be at home the next morning.

The sun had set; the evening bells that had been chiming were hushed. All was still; not a bird was to be heard twittering among the leaves—they had all gone to rest: the owls were away. All was silence in the wood; and on the beach, where she was walking, she could hear her own foot fall on the sand. The very sea seemed slumbering; the waves rolled lazily and noiselessly on the shore, and away on the open deep there seemed to be a dead calm: not a line of foam, not a ripple was visible on the water. All were quiet beneath, the living and the dead.

Anne Lisbeth walked on, and her thoughts were not engrossed by anything in particular. She was not at all lost in thought, but thoughts were not lost to her. They are never lost to us; they lie only in a state of torpor, as it were, both the lately active thoughts that have lulled themselves to rest, and those which have not yet awoke. But thoughts come often undesired; they can touch the heart, they can distract the head, they can at times overpower us.

"Good actions have their reward," it is written.

"The wages of sin is death," it is also written. Much is written—much is said. But many give no heed to the words of truth—they remember them not; and so it was with Anne Lisbeth; but they can force themselves upon the mind.

All sins and all virtues lie in our hearts—in thine, in mine. They lie like small invisible seeds. From without fall upon them a sunbeam, or the contact of an evil hand—they take their bent in their hidden nook, to the right or to the left. Yes, there it is decided, and the little grain of seed quivers, swells, springs up, and pours its juice into your blood, and there you are, fairly launched. These are thoughts fraught with anxiety; they do not haunt one when one is in a state of mental slumber, but they are fermenting. Anne Lisbeth was slumbering—hidden thoughts were fermenting. From Candlemas to Candlemas the heart has much on its tablets—it has the year's account. Much is forgotten—sins in word and deed against God, against our neighbour, and against our own consciences. We reflect little upon all this; neither did Anne Lisbeth. She had not broken the laws of her country, she kept up good appearances, she did not run in debt, she wronged no one; and so, well satisfied with herself, she walked on by the seashore. What was that lying in her path? She stopped. What was that washed up from the sea? A man's old hat lay there. It might have fallen overboard. She approached closer to it, stood still, and looked at it. Heavens! what was lying there? She was almost frightened; but there was nothing to be frightened at; it was only a mass of seaweed that lay twined over a large, oblong, flat rock, that was shaped something like a human being—it was nothing but seaweed. Still she felt frightened, and hastened on; and as she hurried on, many things she had heard in her childhood recurred to her thoughts, especially all the superstitious tales about "the apparition of the beach"—the spectre of the unburied that lay washed up on the lonely, deserted shore. The body thrown up from the deep, the dead body itself, she thought nothing of; but its ghost followed the solitary wanderer, attached itself closely to him or her, and demanded to be carried to the churchyard, to receive Christian burial.

"Hold on—hold on!" it was wont to say; and, as Anne Lisbeth repeated these words inwardly to herself, she suddenly remembered her strange dream, in which the women had clung to her, shrieking, "Hold on—hold on!" how the world had sunk; how her sleeves had given way, and she had fallen from the grasp of her child, who wished, in the hour of doom, to save her. Her child—her own flesh and blood—the little one she had never loved, never spared a thought to—that child was now at the bottom of the sea, and it might come like "the apparition of the beach," and cry, "Hold on—hold on! Give me Christian burial!" And as these thoughts crowded on her mind, terror gave wings to her feet, and she hurried faster and faster on; but fear came like a cold, clammy hand, and laid itself on her beating heart, so that she felt quite faint; and as she glanced towards the sea, she saw it looked dark and threatening; a thick mist arose, and soon spread around, lying heavily over the very trees and bushes, which assumed strange appearances through it.

She turned round to look for the moon, which was behind her: it was like a pale disc, without any rays. Something seemed to hang heavily about her limbs as she attempted to hurry on. She thought of the apparition; and, turning again, she beheld the white moon as if close to her, while the mist seemed to hang like a mantle over her shoulders. "Hold on—hold on! Give me Christian burial!" she expected every moment to hear; and she did hear a hollow, terrific sound, which seemed to cry hoarsely, "Bury me—bury me!" Yes, it must be the spectre of her child—her child who was lying at the bottom of the sea, and who would not rest quietly until the corpse was carried to the churchyard, and placed like a Christian in consecrated ground. She would go there—she would dig his grave herself; and she went in the direction in which the church lay, and as she proceeded she felt her invisible burden become lighter—it left her; and again she returned to the shore to reach her home as speedily as possible. But no sooner did her foot tread the sands than the wild sound seemed to moan around her, and it seemed ever to repeat, "Bury me—bury me!"

The fog was cold and damp; her hands and her face were cold and damp. She shivered in her fright. Without, space seemed to close up around her; within her there seemed to be endless room for thoughts that had never before entered her mind.

During one spring night here in the north the beech groves can sprout, and the next day's early sun can shine on them in all their fresh young beauty. In one single second within us can the germ of sin bud forth, swelling by degrees into thoughts, words, and deeds, though all remorse for them lies dormant. It is quickened and unfolds itself in one single second, when conscience awakens; and our Lord awakens that when we least expect it. Then there is nothing to be excused; deeds stand forth and bear witness, thoughts find words, and words ring out over the world. We are shocked at what we have permitted to dwell within us, and not stifled; shocked at what, in our thoughtlessness or our presumption, we have scattered abroad. The heart is the depository of all virtues, but also of all vices; and these can thrive in the most barren ground.

Anne Lisbeth reviewed in thought what we have expressed in words. She was overwhelmed with it all. She sank to the ground, and crawled a little way over it. "Bury me—bury me!" she still seemed to hear. She would rather have buried herself, if the grave could be an eternal forgetfulness of everything. It was the awakening hour of serious thought, of terrible thoughts, that made her shudder. Superstition came, too, by turns heating and chilling her blood; and things she would scarcely have ventured to mention rushed on her mind. Noiseless as the clouds that crossed the sky in the clear moonlight floated past her a vision she had heard of. Immediately before her sped four foaming horses, flames flashing from their eyes and from their distended nostrils; they drew a fiery chariot, in which sat the evil lord of the manor, who, more than a hundred years before, had dwelt in that neighbourhood. Every night, it is said, he drives to his former home, and then instantly turns back again. He was not white, as the dead are said to be: no, he was as black as a coal—a burnt-out coal. He nodded to Anne Lisbeth, and beckoned to her: "Hold on—hold on! So mayst thou again drive in a nobleman's carriage, and forget thine own child!"

In still greater terror, and with still greater precipitation than before, she fled in the direction of the church. She reached the churchyard; but the dark crosses above the graves, and the dark ravens, seemed to mingle together before her eyes. The ravens screeched as they had screeched in the daytime; but she now understood what they said, and each cried, "I am a raven-mother; I am a raven-mother!" And Anne Lisbeth thought that they were taunting her. She fancied that she might, perhaps, be changed into such a dark bird, and might have to screech like them, if she could not get the grave demanded of her dug.

And she threw herself down upon the ground, and she dug a grave with her hands in the hard earth, so that blood sprang from her fingers.

"Bury me—bury me!" resounded still about her. She dreaded the crowing of the cock, and the first red streak in the east, because, if they came before her labours were ended, she would be lost. And the cock crowed, and in the east it began to be light. The grave was but half dug. An ice-cold hand glided over her head and her face, down to where her heart was. "Only half a grave!" sighed a voice near her; and something seemed to vanish away—vanish into the deep sea. It was "the apparition of the beach." Anne Lisbeth sank, terror-stricken and benumbed, on the ground. She had lost feeling and consciousness.

It was broad daylight when she came to herself. Two young men lifted her up. She was lying, not in the churchyard, but down on the shore; and she had dug there a deep hole in the sand, and cut her fingers till they bled with a broken glass, the stem of which was stuck into a piece of wood painted blue. Anne Lisbeth was ill. Conscience had mingled in Superstition's game, and had imbued her with the idea that she had only half a soul—that her child had taken the other half away with him down to the bottom of the sea. Never could she ascend upwards towards the mercy-seat, until she had again the half soul that was imprisoned in the depths of the ocean. Anne Lisbeth was taken to her home, but she never was the same as she had formerly been. Her thoughts were disordered like tangled yarn; one thread alone was straight—that was to let "the apparition of the beach" see that a grave was dug for him in the churchyard, and thus to win back her entire soul.

Many a night she was missed from her home, and she was always found on the seashore, where she waited for the spectre of the dead. Thus passed a whole year. Then she disappeared one night, and was not to be found. The whole of the next day they searched for her in vain.

Towards the evening, when the bell-ringer entered the church to ring the evening chimes, he saw Anne Lisbeth lying before the altar. She had been there from a very early hour in the morning; her strength was almost exhausted, but her eyes sparkled, her face glowed with a sort of rosy tint. The departing rays of the sun shone in on her, and streamed over the altar-piece, and on the silver clasps of the Bible, that lay open at the words of the prophet Joel: "Rend your heart, and not your garments, and turn unto the Lord your God." "It was a strange occurrence," people said—as if everything were chance.

On Anne Lisbeth's countenance, when lighted up by the sun, were to be read peace and comfort. "She felt so well," she said. "She had won back her soul." During the night "the apparition of the beach"—her own child—had been with her, and it had said,—

"Thou hast only dug half a grave for me; but now for a year and a day thou hast entombed me in thy heart, and there a mother best inters her child." And he had restored to her her lost half soul, and had led her into the church.

"Now I am in God's house," said she, "and in it one is blessed."

When the sun had sunk entirely Anne Lisbeth's spirit had soared far away up yonder, where there is no more fear when one's sins are blotted out; and hers, it might be hoped, had been blotted out by the Saviour of the world.

Children's Prattle.

At the merchant's house there was a large party of children—rich people's children and great people's children. The merchant was a man of good standing in society, and a learned man. He had taken, in his youth, a college examination. He had been kept to his studies by his worthy father, who had not gone very deep into learning himself, but was honest and active. He had made money, and the merchant had increased the fortune left to him. He had intellect, and heart too; but less was said of these good qualities than of his money.

There visited at his house several distinguished persons, both people of birth, as it is called, and people of talents, as it is called—people who came under both of these heads, and people who came under neither of these heads. The meeting now in question was a children's party, where there was childish talk; and children generally speak like parrots.

There was one little girl so excessively proud. She had been flattered into her foolish pride by the servants, not by her parents—they were too sensible to have done that. Her father was Kammerjunker and she thought this was monstrously grand.

"I am a court child," she said.

She might as well have been a cellar child, as far as she was herself concerned; and she informed the other children that she was "born" (well born, she meant); that when people were not "born," they could never be anybody; and that, however much they might read, however clever and industrious they might be, if they were not "born" they could never become great.

"And those whose names end in 'sen,'" she continued, "are all low people, and can never be of any consequence in the world. Ladies and gentlemen would put their hands on their sides, and keep them at a distance, these 'sen—sens!'" And she threw herself into the attitude she had described, and stuck her pretty little arms akimbo, to show how people of her grade would carry themselves in the presence of such common creatures. She really looked very pretty.

But the merchant's little daughter became extremely angry. Her father was called "Madsen," and that name, she knew, ended in "sen;" so she said, as proudly as she could,—

"But my father can buy hundreds of rix dollars' worth of sugar-plums, and think nothing of it. Can your father do that?"

"That's all very well," said the little daughter of a popular journalist; "but my father can put both of your fathers and all 'fathers' into the newspaper. Every one is afraid of him, my mother says; for it is my father who rules everything through the newspaper." And the little girl tossed her head and strutted about as if she thought herself a princess.

But on the outside of the half-open door stood a poor little boy peeping in. It was, of course, out of the question that so poor a child should enter the drawing-room; but he had been turning the spit for the cook, and he had obtained permission to look in behind the door at the splendidly dressed children who were amusing themselves, and that was a treat to him.

He would have liked to have been one of them, he thought; but at that moment he heard what had been said, and it was enough to make him very sad. Not one shilling had his parents at home to spare. They were not able to set up a newspaper, to say nothing of writing for one. And the worse was yet to come; for his father's name, and of course also his own name, certainly ended in "sen." He, therefore, could never become anybody in this world. This was very disheartening. Though he felt assured that he was born, it was impossible to think otherwise.

This was what passed that evening.

Several years had elapsed, and during their course the children had grown up to be men and women.

There stood in the town a handsome house, which was filled with magnificent objects of art. Every one went to see it. Even people who lived at a distance came to town to see it. Which prodigy, among the children we have spoken of, could call that edifice his or hers? It is easy to tell that. No; it is not so easy, after all. That house belonged to the poor little boy, who became somebody, although his name did end in "sen."—THORWALDSEN!

And the three other children—the children of high birth, money, and literary arrogance? Well; there is nothing to be said about them. They are all alike. They grew up to be all very respectable, comfortable, and commonplace. They were well-meaning people. What they had formerly said and thought was only—CHILDREN'S PRATTLE.

A Row of Pearls.