

An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico. After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.
A glimpse inside

Silvia Moreno-Garcia revitalizes the gothic tradition by transplanting it from the misty moors of England to the Mexican countryside. The familiar elements—an isolated mansion, a vulnerable outsider, a family with dark secrets—are all present, but the setting and cultural context transform the genre. The novel interrogates the colonial roots of gothic literature, making the haunted house not just a symbol of personal trauma, but also of historical violence and exploitation.
Noemí Taboada, the protagonist, is not the passive heroine typical of classic gothic tales. Instead, she is witty, fashionable, and fiercely independent, refusing to be cowed by patriarchal authority or supernatural threats. Her journey is one of self-discovery and resistance, challenging both the literal horrors of the house and the figurative ones of gendered expectations and control.
Ratings at a glance
- 1Reimagining the Gothic Genre
- 2Female Agency and Resistance
- 3The House as a Living Entity
- 4Colonialism and Racial Hierarchies
- 5The Power and Danger of Knowledge
Popular quotes from Mexican Gothic
“You must come for me, Noemí. You have to save me.”
“The world might indeed be a cursed circle; the snake swallowed its tail and there could be no end, only an eternal ruination and endless devouring.”