

Read John Berendt's Midnight in the Garden of Good and Evil in Large Print. All Random House Large Print editions are published in a 16-point typefaceShots rang out in Savannah's grandest mansion in the misty,early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt's sharply observed, suspenseful, and witty narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproariously funny black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Midnight in the Garden of Good and Evil: A Savannah Story is a sublime and seductive reading experience. Brilliantly conceived and masterfully written, this enormously engaging portrait of a most beguiling Southern city is certain to become a modern classic.From the Trade Paperback edition.
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Berendt’s Savannah is not just a backdrop but a central figure, its lush beauty and old-world manners masking deep eccentricities and social complexities. The city’s traditions, cliques, and unspoken rules shape every event and personality in the narrative, making place inseparable from plot. This immersive sense of location allows readers to experience the South’s contradictions—hospitality and exclusion, charm and decay—firsthand.
Although nonfiction, the book reads with the suspense and color of a novel. Berendt’s narrative style blurs the lines between journalism and storytelling, raising questions about truth, perspective, and the ethics of narrative nonfiction. This approach invites readers to consider how stories are constructed and how reality is filtered through the storyteller’s lens.
Ratings at a glance
- 1Savannah as a Living Character
- 2Blurring Fact and Fiction
- 3Eccentricity and Outsider Status
- 4Justice and Ambiguity
- 5Performance and Identity
Popular quotes from Midnight in the Garden of Good and Evil
“If you go to Atlanta, the first question people ask you is, 'What’s your business?' In Macon, they ask, 'Where do you go to church?' In Augusta, they ask your grandmother’s maiden name. But in Savannah, the first question people ask you is, 'What would you like to drink?'”