XLIV. But he was still more infamous, if possible, for an (220)

abomination not fit to be mentioned or heard, much less credited. —When a picture, painted by Parrhasius, in which the artist had represented Atalanta in the act of submitting to Meleager’s lust in a most unnatural way, was bequeathed to him, with this proviso, that if the subject was offensive to him, he might receive in lieu of it a million of sesterces, he not only chose the picture, but hung it up in his bed-chamber. It is also reported that, during a sacrifice, he was so captivated with the form of a youth who held a censer, that, before the religious rites were well over, he took him aside and abused him; as also a brother of his who had been playing the flute; and soon afterwards broke the legs of both of them, for upbraiding one another with their shame.

XLV. How much he was guilty of a most foul intercourse with women even of the first quality , appeared very plainly by the death of one Mallonia, who, being brought to his bed, but resolutely refusing to comply with his lust, he gave her up to the common informers. Even when she was upon her trial, he frequently called out to her, and asked her, “Do you repent?” until she, quitting the court, went home, and stabbed herself; openly upbraiding the vile old lecher for his gross obscenity . Hence there was an allusion to him in a farce, which was acted at the next public sports, and was received with great applause, and became a common topic of ridicule : that the old goat—

XLVI. He was so niggardly and covetous, that he never allowed to his attendants, in his travels and expeditions, any salary, but their diet only. Once, indeed, he treated them liberally, at the instigation of his step-father, when, dividing them into three classes, according to their rank, he gave the (221) first six, the second four, and the third two, hundred thousand sesterces, which last class he called not friends, but Greeks.